Culture Change in India
Culture Change in India

Author: B. K. Nagla

Publisher: Taylor & Francis

Published: 2024-03-05

Total Pages: 290

ISBN-13: 1003861059

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This book studies the different dimensions of culture change in India. It covers important strands of the ancient and modern intellectual traditions of India and the socio-cultural changes that the country underwent during the colonial, post-independence modernization, and globalization periods in the country. In this context, the authors examine some of the major aspects of culture change observed at the institutional level across the country. They also touch upon cultural diversity and multiculturalism in India and Europe, as well as the dilemmas faced by diasporic Indians in North America. Lucid and topical, this book will be an essential read for students and scholars of sociology, sociology of culture, history, political science, cultural anthropology, Indian sociology, social anthropology, cultural studies, and South Asian studies.

The Arts of India, Southeast Asia, and the Himalayas at the Dallas Museum of Art
The Arts of India, Southeast Asia, and the Himalayas at the Dallas Museum of Art

Author: Dallas Museum of Art

Publisher:

Published: 2013

Total Pages: 0

ISBN-13: 9780300149883

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In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art

Hinduism and the Religious Arts
Hinduism and the Religious Arts

Author: Heather Elgood

Publisher: A&C Black

Published: 2000-04-01

Total Pages: 261

ISBN-13: 0304707392

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The roots between the Hindu religion and the wider culture are deep and uniquely complex. No study of either ancient or contemporary Indian culture can be undertaken without a clear understanding of Hindu visual arts and their sources in religious belief and practice. Defining what is meant by religion - no such term exists in Sanskrit - and what is understood by Hindu ideals of beauty, Heather Elgood provides the best synthesis and critical study of recent scholarship on the topic. In addition, this book offers critical background information for anyone interested in the social and anthropological roots of artistic creativity, as well as the rites, practices and beliefs of the hundreds of millions of Hindus in the world today.

Forms of the Goddess Lajj? Gaur? in Indian Art
Forms of the Goddess Lajj? Gaur? in Indian Art

Author: Carol Radcliffe Bolon

Publisher: Penn State Press

Published: 2010-11-01

Total Pages: 190

ISBN-13: 9780271043692

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Striking images of a certain Indian goddess have been variously referred to as the "shameless woman" the "nude squatting goddess," the "mother goddess," or, because her historical name remains unknown, more than twenty-five names, among them Aditi, Lajjā Gaurī, Renukā, and Nagna Kabambdha. The best-known images of this goddess have a female torso and a lotus flower in place of a head, while her legs are bent up at the knees and drawn up to each side in a position that has been described as one of "giving birth" or "self-display." This type of goddess figure is explained as part of a long, highly sophisticated tradition of expressing fertility and well-being in Indian art. The artists creating images of Lajjā Gaurī drew on various ancient symbols of fortune, fertility, and life-force to communicate her power through their rich heritage of meanings. As these historical-religious symbols and images were constantly reused and reincorporated, they formed a new and enriched religious context. In the process of recycling they became empowered cultural metaphors, visual morphemes in the language of Indian art. Because there are no texts to explain the figure, the study proceeds from the basis of the objects to derive their meaning. Carol Bolon charts the changes in the goddess's form over a period of more than four centuries, including its possible adoption from tribal worship into Hindu temples, and brings a new appreciation of Lajjā Gaurī's rich symbolic meanings and cultural context.