NACWPI Journal

NACWPI Journal

Author: National Association of College Wind and Percussion Instructors

Publisher:

Published: 2004

Total Pages: 160

ISBN-13:

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Journal

Journal

Author: International Double Reed Society

Publisher:

Published: 1973

Total Pages: 450

ISBN-13:

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NACWPI Journal

NACWPI Journal

Author: National Association of College Wind and Percussion Instructors

Publisher:

Published: 2006

Total Pages: 184

ISBN-13:

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A Percussionist's Guide to Music

A Percussionist's Guide to Music

Author: Geary Larrick

Publisher: Edwin Mellen Press

Published: 2002

Total Pages: 204

ISBN-13:

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Larrick has written a hybrid work, one that is filled with autobiographical references to the author's (extensive) career as a percussionist alongside his observations and annotations of the bibliography. The text is divided into a long list of alphabetized entries, which include drum duets, the drum set, French percussion, German bibliography, health ideas, jazz, and John Cage. Larrick was on the music faculty at the U. of Wisconsin at Stevens Point. Annotation copyrighted by Book News, Inc., Portland, OR.


Making and Adjusting Single Reeds

Making and Adjusting Single Reeds

Author: Phillip Rehfeldt

Publisher: Phillip Rehfeldt/MillCreekPublishing

Published: 1991

Total Pages: 32

ISBN-13: 0933251025

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Subjects include breaking-in cutting reeds from tubes, cane equipment, miscellaneous "ideas and suggestions," sources for cane and equipment, bibliography.


Composers in the Classroom

Composers in the Classroom

Author: James Michael Floyd

Publisher: Scarecrow Press

Published: 2011-02-07

Total Pages: 357

ISBN-13: 1461657644

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Composers in the Classroom is a bio-bibliographical dictionary, chronicling the careers and work of over 120 composers associated with conservatories, colleges, and universities in the United States and Puerto Rico. Scholars and students of music seeking critical information about composers who have taken on the mantle of instruction will find a wealth of detail on their subjects. Painstakingly obtained through direct correspondence with the composers themselves, Floyd includes within each entry a short biography of the composer's life and education, lists of previous positions, most prominent commissions, awards and honors, and notable performers of the subject's work. Each entry also contains a discography of the recordings and a bibliography of writings by the composer. Researchers will find especially useful the organization of each subject's compositions by a variety of types. These include vocal, choral/assembly, dramatic, keyboard, solo instrument, handbells, chamber music, jazz ensemble, band and wind ensemble, band and wind ensemble with solo instruments, orchestra, orchestra with solo instruments, film/television/commercial, electro-acoustic and multimedia, arrangements, transcriptions, and editions and reconstructions. Music scholars will find under each work not only the title and date of composition but also the date of revision, commission, and dedication information, as well as other pertinent details ranging from the names of collaborators to alternate titles under which works may circulate. Composers in the Classroom is an indispensable tool to scholars of modern music seeking to research the current state of musical composition and the compositional trends of the 21st century.