Alan Dundes defines myth as a sacred narrative that explains how the world and humanity came to be in their present form. This new volume brings together classic statements on the theory of myth by the authors. The twenty-two essays by leading experts on myth represent comparative, functionalist, myth-ritual, Jungian, Freudian, and structuralist approaches to studying the genre.
From lightning-wielding Zeus, the supreme Greek god, to protective Hathor, the Egyptian goddess of love - heroes, gods, and monsters are brought to life in these retellings of myths from around the world. Myths, Legends, and Sacred Stories is a children's book that invites you to explore all the well-known stories from Greek and Norse mythology, and a range of other cultures across more than 100 tales. Discover the fascinating myths of Anansi, the West African trickster god who takes the form of a spider; the story of the Wawilak Sisters of Arnhem Land in northern Australia, who form the land as they walk across it; or the Slavic tale of Ivan as he chases the mischievous Firebird. Read about ferocious, man-eating monsters such as the Minotaur and Fafnir the dragon, and the legendary heroes that fought them, like Theseus and Sigurd. Also included are the legends of Robin Hood, and of King Arthur and the Knights of the Round Table, epics from Asia, such as the Mahabharata and Gilgamesh, and a host of tales from Aztec mythology and a range of other cultures. As well as offering the retellings themselves, Myths, Legends, and Sacred Stories: a children's encyclopedia investigates the meanings of these primal stories, examining why these tales have stood the test of time over thousands of years. Themed features draw together elements that are common to myths from all over the world, such as shapeshifters, mythical beasts, and magical weapons. Panels on modern retellings, such as Percy Jackson and The Little Mermaid, help to show why these myths are still relevant to our lives today.
Accompanying CD-ROM contains ... "all relevant illustrations from the book, arranged in alphabetical order according to mythological character. To increase the usefulness of the [CD-ROM], supplementary images not in the book have been added[.]"--P. xv.
Hugely controversial upon its publication in India, this book has already been banned by the Hyderabad Civil Court and the author's life has been threatened. Jha argues against the historical sanctity of the cow in India, in an illuminating response to the prevailing attitudes about beef that have been fiercely supported by the current Hindu right-wing government and the fundamentalist groups backing it.
In this study, Stephanie Budin demonstrates that sacred prostitution, the sale of a person's body for sex in which some or all of the money earned was devoted to a deity or a temple, did not exist in the ancient world. Reconsidering the evidence from the ancient Near East, the Greco-Roman texts, and the Early Christian authors, Budin shows that the majority of sources that have traditionally been understood as pertaining to sacred prostitution actually have nothing to do with this institution. The few texts that are usually invoked on this subject are, moreover, terribly misunderstood. Furthermore, contrary to many current hypotheses, the creation of the myth of sacred prostitution has nothing to do with notions of accusation or the construction of a decadent, Oriental "Other." Instead, the myth has come into being as a result of more than 2,000 years of misinterpretations, false assumptions, and faulty methodology. The study of sacred prostitution is, effectively, a historiographical reckoning.
Famed historian of religion Mircea Eliade observes that even moderns who proclaim themselves residents of a completely profane world are still unconsciously nourished by the memory of the sacred. Eliade traces manifestations of the sacred from primitive to modern times in terms of space, time, nature, and the cosmos. In doing so he shows how the total human experience of the religious man compares with that of the nonreligious. This book serves as an excellent introduction to the history of religion, but its perspective also emcompasses philosophical anthropology, phenomenology, and psychology. It will appeal to anyone seeking to discover the potential dimensions of human existence. -- P. [4] of cover.
At one level this book is a compilation of political traditions of Belau in Micronesia-from the divine foundation of political systems to the present day. It offers an analysis of the structures and dynamics of Belauan history, identifying several forms of order and some of their potentials for change. Also the author develops a critique of standard approaches to history in small-scale societies. He argues for a semiotic approach that recognizes the historical consciousness of actors in the society under study.
Essential to life on earth since the beginning of time, trees hold a special place in our collective consciousness: rooted in the earth, reaching skyward, nourished by the elements, and enlivened by the sap running through their veins, they provide a metaphor for what it means to be human. Moyra Caldecott has gathered here a collection of myths celebrating the rich symbolism of trees, all bringing to life a time when the natural world was deeply respected and trees and forests were thought to be inhabited by spirits and divine beings. Bound by the organized structure of modern life, the human spirit yearns for the wildness and freedom of primal nature represented by forests in their natural state. Caldecott's book has captured and given voice to this spirit.
What are the religious impulses in the 1976 film Rocky, and how can they work to shape one's social identity? Do the films Alien and Aliens signify the reemergence of the earth goddess as a vital cultural power? What female archetypes, borne out of male desire, inform the experience of women in Nine and a Half Weeks?These are among the several compelling questions the authors of this volume consider as they explore the way popular American film relates to religion. Oddly, religion and film?two pervasive elements of American culture?have seldom been studied in connection with each other. In this first systematic exploration, the authors look beyond surface religious themes and imagery in film, discovering a deeper, implicit presence of religion. They employ theological, mythological, and social and political criticism to analyze the influence of religion, in all its rich variety and diversity, on popular film. Perhaps more importantly, they consider how the medium of film has helped influence and shape American religious culture, secular or otherwise.More than a random collection of essays, this volume brings to the study of religion and film a carefully constructed analytic framework that advances our understanding of both. Screening the Sacred provides fresh and welcome insight to film criticism; it also holds far-reaching relevance for the study of religion. Progressive in its approach, instructive in its analyses, this book is written for students, scholars, and other readers interested in religion, popular film, and the impact of each on American culture.
Sacrifice is essential to all religions. Could there be a natural, even biological, reason? Why are sacrifice and numerous other religious rituals and concepts shared by so many different cultures? In this extraordinary book, one of the world’s leading authorities on ancient religions explores the possibility of natural religion.
