Myth, Meaning, and Memory on Roman Sarcophagi

Myth, Meaning, and Memory on Roman Sarcophagi

Author: Michael Koortbojian

Publisher: Berkeley : University of California Press

Published: 1995

Total Pages: 172

ISBN-13: 9780520085183

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"Koortbojian makes bold, original, and well-grounded claims regarding the structure of narrative as it appears on a series of mythological sarcophagi. He achieves remarkable clarity and depth with economical description and analysis. The book will interest students not only of Roman art but also of all visual narrative and mythology."--Leonard Barkan, Samuel Rudin Professor of English, New York University "Koortbojian makes bold, original, and well-grounded claims regarding the structure of narrative as it appears on a series of mythological sarcophagi. He achieves remarkable clarity and depth with economical description and analysis. The book will interest students not only of Roman art but also of all visual narrative and mythology."--Leonard Barkan, Samuel Rudin Professor of English, New York University


Wandering Myths

Wandering Myths

Author: Lucy Gaynor Audley-Miller

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2018-10-08

Total Pages: 512

ISBN-13: 3110421453

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In spite of the growing amount of important new work being carried out on uses of myth in particular ancient contexts, their appeal and reception beyond the framework of one culture have rarely been the primary object of enquiry in contemporary debate. Highlighting the fact that ancient societies were linked by their shared use of mythological narratives, Wandering Myths aims to advance our understanding of the mechanisms by which such tales were disseminated cross-culturally and to investigate how they gained local resonances. In order to assess both wider geographic circulations and to explore specific local features and interpretations, a regional approach is adopted, with a particular focus on Anatolia, the Near East and Italy. Contributions are drawn from a range of disciplines, and cross a wide chronological span, but all are interlinked by their engagement with questions focusing on the factors that guided the processes of reception and steered the facets of local interpretation. The Preface and Epilogue evaluate the material in a synoptic way and frame the challenging questions and views expressed in the Introduction.


Living with Myths

Living with Myths

Author: Paul Zanker

Publisher: Oxford University Press, USA

Published: 2012-12-13

Total Pages: 442

ISBN-13: 0199228698

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"Provides a comprehensive introduction to this important genre, exploring such subjects as the role of the mythological images in everyday life of the time, the messages they convey about the Romans' view of themselves, and the reception of the sarcophagi in later European art and art history."--Publisher's website


Greek Myths in Roman Art and Culture

Greek Myths in Roman Art and Culture

Author: Zahra Newby

Publisher: Cambridge University Press

Published: 2016-09-15

Total Pages: 409

ISBN-13: 1107072247

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A new reading of the portrayal of Greek myths in Roman art, revealing important shifts in Roman values and identities.


The Frame in Classical Art

The Frame in Classical Art

Author: Verity Platt

Publisher: Cambridge University Press

Published: 2017-04-20

Total Pages: 737

ISBN-13: 1316943275

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The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.


Death and Burial in the Roman World

Death and Burial in the Roman World

Author: J. M. C. Toynbee

Publisher: JHU Press

Published: 1996-10-31

Total Pages: 338

ISBN-13: 9780801855078

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The most comprehensive book on Roman burial practices—now available in paperback Never before available in paperback, J. M. C. Toynbee's study is the most comprehensive book on Roman burial practices. Ranging throughout the Roman world from Rome to Pompeii, Britain to Jerusalem—Toynbee's book examines funeral practices from a wide variety of perspectives. First, Toynbee examines Roman beliefs about death and the afterlife, revealing that few Romans believed in the Elysian Fields of poetic invention. She then describes the rituals associated with burial and mourning: commemorative meals at the gravesite were common, with some tombs having built-in kitchens and rooms where family could stay overnight. Toynbee also includes descriptions of the layout and finances of cemeteries, the tomb types of both the rich and poor, and the types of grave markers and monuments as well as tomb furnishings.


Crossing the Pomerium

Crossing the Pomerium

Author: Michael Koortbojian

Publisher: Princeton University Press

Published: 2020-01-21

Total Pages: 256

ISBN-13: 069119503X

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"The Romans' early establishment of the sanctity of their city and the desire to protect it -- from not only the ravages of military conflict beyond its confines but the dangers of authoritarian rule at home -- took a variety of forms, legal, political, and military. These were codified in social practices, and thus established behaviors and rituals that, as they set these practices in the public eye, served as a continuing self-justification of Rome's growing dominance in the Mediterranean world. Koortbojian examines the transformation of Rome from Caesar to Constantine from several different points of view to reveal the primordial distinction between matters civic and military, and how the 'crossing of the pomerium,' the evanescent boundary that divided them, provided the crux of a historical interpretation of distinctly Roman endeavors. Koortbojian sets the background and then expands upon the long-vexed problem of the presence of men at arms in the city of Rome; long-standing legal and political practices that were adapted in the face of new military engagements and the crisis of civil war; and how Roman commanders attended to established religious practices while on campaign, and how those practices mirrored traditional customs and inverted the manner of their performance so as to acknowledge a profound Roman distinction between civic and military acts. As a whole, the book demonstrates how certain fundamental principles of law, politics, and military life -- and the practices that followed from them -- were interwoven in a narrative of continuity and change across three centuries of Roman imperial rule"


Roman Tombs and the Art of Commemoration

Roman Tombs and the Art of Commemoration

Author: Barbara Borg

Publisher: Cambridge University Press

Published: 2019-04-18

Total Pages: 371

ISBN-13: 1108472834

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Explores four key questions around Roman funerary customs that change our view of the society and its values.


Art and Rhetoric in Roman Culture

Art and Rhetoric in Roman Culture

Author: Jaś Elsner

Publisher: Cambridge University Press

Published: 2014-10-02

Total Pages: 527

ISBN-13: 1107000718

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Demonstrates the central significance of rhetoric in ancient responses to and receptions of Roman art.


The Phantom Image

The Phantom Image

Author: Patrick R. Crowley

Publisher: University of Chicago Press

Published: 2019-12-10

Total Pages: 337

ISBN-13: 022664829X

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Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image.