Critical Approaches Frye: The Road of Excess Knights: King Lear as Metaphor Kushner: The Critical Method of Gaston Bachelard Gershman: Surrealism: Myth and Reality Applications The Writer and His Method Winner: Myth as a Device in the Works of Chekhov Nothnagle: Myth in the Poetic Creation of Agrippa D'Aubigne Campbell: The Transformation of Biblical Myth: MacLeish's Use of the Adam and Job Stories Hiller: The Symbolism of Gestus in Brecht's Drama Sr. Joselyn: Animal Imagery in Katherine Anne Porter's Fiction The Work Examined--Archetypes and Interpretations LaGuardia: Chastity, Regeneration, and World Order in All's Well that Ends Well Jones: Immortality in Two of Milton's Elegies Dougherty: Of Ruskin's Gardens Kern: Myth and Symbol in Criticism of Faulkner's "The Bear" Welliver: The De Vulgari Eloquentia and Dante's Quasi After-Life Vickery: The Golden Bough: Impact and Archetype
Calvin Roetzel's The Letters of Paul has long been established as the most effective textbook for introducing Paul and Paul's writings to undergraduate and seminary students. This new edition updates the text to include new scholarship developed after the fourth edition's release in 1998. The result is a wonderful basic textbook on Paul's letters.
This 5th edition has been updated the reflect developments in the scholarship since 1998. It is an introduction to St. Paul and his writings, aimed at students.
First published in 1977, this book was the first to map extensively the ideological typography of the Anglo-American tradition of literary theory. It interrogates, comprehensively and in detail, the assumptions and categorical development within critical ideas from I. A. Richards and T. S. Eliot, through John Crowe Ransom and the New Criticism, to Northrop Frye and Marshall NcLuhan. This analysis reveals the Anglo-American tradition of literary-cultural theory is most properly intelligible within the overall field of social consciousness as an ideology of progressive cultural rationalization. Against a background of ideological development since nineteenth-century Romanticism, John Fekete illuminates the boundaries of literary ideology in relation to the shapes and changes of modern culture and society.
Although he belonged to an American generation of writers deeply influenced by the high modernist revolt "against nature" and against the self-imposed limits of realism to a palpable world, William Faulkner reveals throughout his work an abiding sensitivity to the natural world. He writes of the big woods, of animals, and of the human body as a ground of being that art and culture can neither transcend nor completely control. The eleven essays that make up this volume, including a paper written by the acclaimed novelist William Kennedy, explore the place of "the unbuilt world" in Faulkner's fiction. They give particular attention to the social, mythic, and economic significance of nature, to the complexity of racial identity, and to the inevitable clash of gender and sexuality. These essays were presented in 1996 as papers at the Faulkner and Yoknapatawpha Conference, held annually at the University of Mississippi. Included are the following: Lawrence Buell's "Faulkner and the Claims of the Natural World"; Thomas L. McHaney's "Oversexing the Natural World"; Theresa M. Towner's "Color, Race, and Identity in Faulkner's Fiction"; Jay Watson's "The Art of the Literal in "Light in August""; Mary Joanne Dondlinger's "The Matter of Race and Gender in Faulkner's "Light in August""; Louise Westling's "Sutpen's Marriage to the Dark Body of the Land"; Myra Jehlen's "Faulkner and the Unnatural"; Diane Roberts's "Eula, Linda, and the Death of Nature"; David H. Evans's "'The Bear' and the Incarnation of America"; Wiley C. Prewitt, Jr.'s "Hunting and Habitat in Yoknapatawpha"; and William Kennedy's "Learning from Faulkner: The Obituary of Fear." Donald M. Kartiganer, Howry Chair of Faulkner Studies in the Department of English, and Ann J. Abadie, Associate Director of the Center for the Study of Southern Culture, teach at the University of Mississippi.
Cave paintings at Lascaux, France and Altamira, Spain, fraught with expression thousands of years later; point to an early human desire to form a cultural identity. In the Oxford Companion to World Mythology, David Leeming explores the role of mythology, or myth-logic, in history and determines that the dreams of specific cultures add up to a larger collective story of humanity. Stopping short of attempting to be all-inclusive, this fascinating volume will nonetheless be comprehensive, opening with an introduction exploring the nature and dimensions of myth and proposing a definition as a universal language. Briefly dipping into the ways our understanding of myth has changed from Aristotle and Plato to modern scholars such as Joseph Campbell, the introduction loosely places the concept in its present context and precedes articles on influential mythologists and mythological approaches that appear later in the Companion. The main body of Leeming's work consists of A-Z entries covering all aspects of mythology, including substantial essays on the world's major mythological traditions (Greek, Native American, Indian, Japanese, Sumerian, Egyptian), mythological types and motifs (Descent to the Underworld, the Hero, the Trickster, Creation, the Quest), mythological figures (Odysseus, Zeus, Osiris, Spider Woman, and Inanna) as well as numerous interrelated subjects such as fairly tales and legends. The Companion also locates myth in our lives today, relating it to language patterns, psychology, religion, politics, art, and gender attitudes. Many of the better-known and more significant myths are vividly retold in this volume that will be illustrated with maps, more than 70 black and white images, and eight pages of color highlighting the central role art has often played in the transmission and perpetuation of myth. Following the entries, a rich section of appendices will include family trees of the major pantheons, equivalency charts for the gods of Greece and Rome, Babylon and Sumer, as well as other traditions, an extensive bibliography, and an index.
