This eloquent memoir provides an unrivalled insight into the life of a child reared in a working-class Irish Catholic community in late nineteenth-century Britain. No other author succeeds in depicting so vividly the texture of a life delimited by manual work. home and community ties as experienced by Irish migrants of the period.
The provocative, audacious, brilliant six-volume autobiographical novel that has unquestionably been the main event of contemporary European literature. It has earned favorable comparisons to its obvious literary forebears "A la recherche du temps perdu" and "Mein Kampf"Nbut has been celebrated as the rare magnum opus that is intensely, addictively readable.
The provocative, audacious, brilliant six-volume autobiographical novel that has unquestionably been the main event of contemporary European literature. It has earned favorable comparisons to its obvious literary forebears "A la recherche du temps perdu" and "Mein Kampf" but has been celebrated as the rare magnum opus that is intensely, addictively readable.
The first critical survey of an unjustly neglected body of literature: the autobiographies and memoirs of writers of Irish birth or background who lived and worked in Britain between 1725 and the present day. It offers a stimulating and provocative introduction to the themes, preoccupations and narrative strategies of a diverse range of writers.
The final installment in the long awaited, internationally celebrated My Struggle series. The full scope and achievement of Knausgaard's monumental work is evident in this final installment of his My Struggle series. Grappling directly with the consequences of Knausgaard's transgressive blurring of public and private Book Six is a troubling and engrossing look into the mind of one of the most exciting artists of our time. Knausgaard includes a long essay on Hitler and Mein Kampf, particularly relevant (if not prescient) in our current global climate of ascending dictatorships.
Hans Küng is undoubtedly one of the most important theologians of our time, but he has always been a controversial figure, and as the result of a much-publicized clash over papal infallibility had his permission to teach revoked by the Vatican. Yet at seventy-five he is also something like a senior statesman, one of the 'Group of Eminent Persons' convened by the UN Secretary-General Kofi Annan, and a friend of heads of government like Tony Blair and President Mubarak of Egypt. In this fascinating autobiography he gives a frank and outspoken account of the first four decades of his life. He tells of his youth in Switzerland and his decision to become a priest; his doubts and struggles as he studied in Rome and Paris, and his experiences as a professor in Tübingen, where he received a chair at the amazingly early age of thirty-one. Most importantly, as one of the last surviving eye-witnesses he gives an authentic account of the struggles behind the scenes at the Second Vatican Council, in which he took part as a theological expert. Here it becomes clear just how major an influence he was, to the point of shaping the Council's agenda and drafting speeches for bishops to deliver in plenary sessions. With its rich thought and vivid narrative, Küng's book paints a moving picture of his personal convictions, and his struggle for a Christianity characterized not by the domination of an official church but by Jesus.
An exhilarating story of ambition, joy and failure in early manhood from the international phenomenon, Karl Ove Knausgaard. * Karl Ove Knausgaard's dazzling new novel, The Morning Star, is available to pre-order now * As the youngest student to be admitted to Bergen's prestigious Writing Academy, Karl Ove arrives full of excitement and writerly aspirations. Soon though, he is stripped of his youthful illusions. His writing is revealed to be puerile and clichéd, and his social efforts are a dismal failure. He drowns his shame in drink and rock music. Then, little by little, things begin to change. He falls in love, gives up writing and the beginnings of an adult life take shape. That is, until his self-destructive binges and the irresistible lure of the writer's struggle pull him back. 'Breathtaking... Knausgaard has a rare talent for making everyday life seem fascinating' The Times
With case examples and step-by-step frameworks for intervention, the authors illustrate the challenges and solutions in establishing an effective ward-based psychotherapy service for renal dialysis and transplant patients. They describe clinical patterns of presentation and how psychotherapeutic intervention was refined over time in a clinically meaningful and evidence-based manner. Each chapter is focused on specific emotional disorders among renal patients. The authors introduce the concept of loss of an imagined past' (aspirations and ambitions) never realized, or compromised, as a result of renal disease and as a major cause of post-transplant depression. Emotional issues which have received little prior attention in the literature—including substance abuse, eating disorders, gender disorders and emotional body image—are addressed in depth. Practical advise, including that against referencing the transplanted organ as a gift, is offered.
A spellbinding pursuit of divine mysteries from the celebrated author of My Struggle “The writing glows with an intense awareness of the here and now, and loving observations of landscapes and objects . . . an extraordinary novel, and completely original.” —The Independent In the sixteenth century, Antinous Bellori, a boy of eleven, is lost in a dark forest and stumbles upon two glowing beings—one carrying a spear, the other a flaming torch. This event is decisive in Bellori’s life, and he thereafter devotes himself to the pursuit and study of angels, the intermediaries of the divine. Stretching from the Garden of Eden to the present, A Time for Everything reimagines key allegorical encounters between humans and angels: the glow of the cherubim watching over Eden; the profound love between Cain and Abel despite their differences; Lot’s shame in Sodom; Noah’s isolation before the flood; Ezekiel tied to his bed, prophesying ferociously; the death of Christ; and the emergence of sensual, mischievous cherubs in the seventeenth century. Alighting upon these dramatic scenes—from the Bible and beyond--Knausgaard’s imagination takes flight. The result is a dazzling display of storytelling at its majestic, spellbinding best. Incorporating and challenging tradition, legend, and the Apocrypha, these penetrating glimpses hazard chilling questions: can the nature of the divine undergo change, and can the immortal perish?