Written by a top literary agent who gives writers an insider's view of how to find and work with an agent throughout the process of getting published. Includes: -- How to know that you're ready for an agent -- 7 ways to find an agent -- Writing a cover letter that grabs attention -- What to do with an agent once you've got one -- What you can expect and what you'd better not hope for -- Making sure this is the right agent for you -- Congratulations, now you have an agent AND an editor -- How to avoid the 7 worst pitfalls for aspiring writers -- And much, much more. In today's highly competitive publishing industry, literary agents are more important than ever. Whether you write fiction or non-fiction, reference or children's books, here is everything you need to know about using an agent to launch and sustain your literary career.a
This book records the events that have occurred prior to eachpublished scientific research paper authored by A D Arulsamy.The chronological narratives shall objectively expose thesequence of events that have prompted the research for eachpublication, including some personal excursions.Along the way, we shall come to see why and how theCondensed Matter Group is formed, and subsequently howthe Institute of Interdisciplinary Science has come to existence as an entity that addresses some of the most important and fundamental questions of our natural world and universe.
This book offers a vivid account of English academic life. The author describes her first weeks in England as a postgraduate student at the Courtauld Institute of Art, University of London, and recounts in detail her encounter and challenges with the Winchester Psalter (British Library, MS Cotton Nero C. IV), a profusely illustrated manuscript that ranks among the undisputed treasures of English Romanesque art. Following this biographical account, an essay provides readers with an insight into the processes involved in the production of medieval miniatures and their creative fantasy. The prologue to this paper is written by Dr John Lowden, a leading researcher and historian of medieval art.
In this memoir, the author looks back to how even as she grew up thinking and speaking Cebuano, a major language in the Philippines, she somehow found her first literary voice in the poems she wrote in English, the language of instruction in the educational system she attended. She traces how her poetic self-expression in English soon evolved into writing personal essays through high school and college and how this progressed into writing academic articles to keep her teaching position at a university in the Philippines. She then narrates how her academic writing background incalculably facilitated her career as a government researcher and college instructor during more than 3 decades of her 43-year permanent residency in Canada. Interweaving the stories of her writing experience with recollections of family and work-life in the Philippines and Canada, she draws her journey to a full circle with her once again writing literary pieces and putting them together in the three memoirs she had self-published since 2019.
This meticulously edited collection is formatted for your eReader with a functional and detailed table of contents: Standard Works: The Bible (King James Version) The Book of Mormon (Another Testament of Jesus Christ) The Doctrine and Covenants The Pearl of Great Price Doctrine: Lectures of Faith by Joseph Smith The Wentworth Letter by Joseph Smith Discourses of Brigham Young Jesus the Christ by James E. Talmage Articles of Faith by James E. Talmage The Great Apostasy by James E. Talmage The Government of God by John Taylor Items on the Priesthood, presented to the Latter-day Saints by John Taylor A New Witness for God by B. H. Roberts The Mormon Doctrine of Deity by B. H. Roberts Defense of the Faith and the Saints by B. H. Roberts Gospel Doctrine: Selections from the Sermons and Writings of Joseph F. Smith A Rational Theology, as Taught by the Church of Jesus Christ of Latter-Day by John A. Widtsoe Joseph Smith as Scientist by John A. Widtsoe Key to the Science of Theology by Parley P. Pratt A Voice of Warning by Parley P. Pratt Letters Exhibiting the Most Prominent Doctrines of the Church of Jesus Christ of Latter-Day Saints Proclamation of the Twelve Apostles of the Church of Jesus Christ of Latter-Day Saints History: History of the Church of Jesus Christ of Latter-day Saints The Story of the Mormons by William Alexander Linn Essentials in Church History by Joseph Fielding Smith Biographies of Mormon Leaders: The Life of Joseph Smith the Prophet by George Q. Cannon The Mormon Prophet and His Harem (Biography of Brigham Young) by C. V. Waite The Life of John Taylor by B. H. Roberts Wilford Woodruff, Fourth President of the Church of Jesus Christ of Latter-Day Biography and Family Record of Lorenzo Snow by Eliza R. Snow The Autobiography of Parley Parker Pratt
"Brisk, snarky, and delicious." —People Magazine A murder at a suspense writer convention makes everyone a suspect—especially the victim’s literary rivals. Murderpalooza, the premier thriller writers conference, is meant to be an exciting celebration of the genre and its preeminent writers. But when bestselling author and industry favorite Kristin Bailey is found dead in her hotel room, four rival authors—a midlister, an egomaniac, a has-been, and a newbie—also get targeted by an anonymous social media account and wonder if they’re next. First, they find themselves bonding to try to find out who’s behind it. As the account taunts them, it slowly reveals secrets that each of them have connected to Kristin—secrets that make them a suspect in each other’s eyes. Soon, they are turning on each other and silently accusing each as a killer. With time running out until the awards ceremony where the social media account has promised a big reveal, the only thing they know for sure is that no one is better at both creating and solving a mystery than the people who write them for a living. Jaime Lynn Hendricks gives the reader a thrilling peek into the thriller writing world and those that inhabit it in this gripping suspense novel.
The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue—in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science—but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. The Middle English Book addresses a series of questions about the copying and circulation of literature in late medieval England: How do we make sense of the variety of manuscripts surviving from this period? Who copied and disseminated these diverse manuscripts? Who read the literary texts that they transmit? And what was the relationship between those copying literature and those reading it? To answer these questions, this book examines 202 literary manuscripts from the period 1350 to 1500. First, this study suggests that most surviving manuscripts fall into four categories, depending on the proximity and relationship of that manuscript's scribes and readers. But beyond proposing these new categories, this book also looks at the history of writing practices, and demonstrates the ubiquity of bureaucracies within late medieval England. As a result, The Middle English Book argues that literary production was a decentered affair, one that took place within these numerous, modest, yet complex, bureaucracies. But this book also argues that, because literary production arose in such scattered bureaucracies, manuscripts were local products, produced within the cultural and economic milieu of their users. Manuscripts thus form a fundamentally different sort of cultural artefact than the printed books with which we are familiar—a form of centralized, urbanized, and commercialized textual production that was just over the historical horizon in late medieval England.
This is the first ever complete critical edition of the writings of Anne Finch, Countess of Winchilsea (1661–1720), including work printed in her lifetime and material left in manuscript form at her death. Textual analysis, based on print and manuscript copies in repositories across the United Kingdom and the United States, reveals her revision processes and uses of manuscript and print. Extensive commentary clarifies her techniques, sources, contexts, and diction. A detailed essay traces the history of her works' reception and transmission. The result is a complete view of her achievements that will promote more accurate assessments of her contributions to literary and cultural shifts, including perspectives on literary value, women's equality, religion, and affairs of state. This first volume provides established texts of Finch's early manuscript books, including Poems on Several Subjects and Miscellany Poems with Two Plays written under her pen name, Ardelia.
