"Explosively passionate, this story of forbidden love and unmet potential is ... for anyone who’s ever felt the ineffable power of music." —Aja Gabel, author of The Ensemble The Piano Student is a novel about regret, secrecy, and music, involving an affair between one of the 20th century’s most celebrated pianists, Vladimir Horowitz, and his young male student, Nico Kaufmann, in the late 1930s. As Europe hurtles toward political catastrophe and Horowitz ascends to the pinnacle of artistic achievement, the great pianist hides his illicit passion from his wife Wanda, daughter of the renowned conductor Arturo Toscanini. Based on unpublished letters by Horowitz to Kaufmann that author Lea Singer discovered in Switzerland, this is a riveting and sensitive tale of musical perfection, love, and longing denied, with multiple historical layers and insights into artistic creativity.
The Pulitzer Prize-winning author of The Great Pianists offers a definitive biography of piano virtuoso Vladimir Horowitz, complete with never-before-published quotes from Horowitz himself. A superb and wonderfully readable musical assessment of Horowitz's explosive talent and his unique contribution to the cultural life of the 20th century. Photographs. Discography.
Throughout his career as composer, conductor, and pianist, Sergei Rachmaninoff (1873-1943) was an intensely private individual. When Bertensson and Leyda’s 1956 biography appeared, it lifted the veil of secrecy from several areas of Rachmaninoff’s life, especially concerning the genesis of his compositions and how their critical reception affected him. The authors consulted a number of people who knew Rachmaninoff, who worked with him, and who corresponded with him. Even with the availability of such sources and full access to the Rachmaninoff Archive at the Library of Congress, Bertensson and Leyda were tireless in their pursuit of privately held documents, particularly correspondence. The wonderfully engaging product of their labors masterfully incorporates primary materials into the narrative. Almost half a century after it first appeared, this volume remains essential reading. Sergei Bertensson, who knew Rachmaninoff, published other works on music and film, often with a documentary emphasis.
Evgeny Kissin is an internationally renowned classical pianist admired for his interpretations of the repertoires of Beethoven, Schubert, Chopin, Liszt, Schumann, Brahms, Rachmaninoff, and Prokofiev. The intensity of Kissin's thinking animates this candid memoir, illuminating his astonishing memory, his fondness for his family and teachers, and his artistic sense of self. Memoirs and Reflections chronicles Kissin's musical education and his early career. His writing is infused with his lifelong engagement with music: an obsessive love that captured, challenged, and nurtured him from a young age. He recounts fortuitous events and serendipitous encounters with remarkable musicians and conductors, including Herbert von Karajan. This book shows Kissin to be surprisingly modest and down-to-earth in spite of his astonishing gift. He writes of his family and friends with tender affection and touching detail. Reading this intimate memoir is like having a private audience with the great pianist himself.
"This studies the psychology of singing and teaching singing. It describes the musical brain, the singer's mind/body interaction, the crucial early musical development, the adolescent singer, gender factors, psychology of performance and the psychological basis for attaining greater artistry." --Cover.
This “melodious” mix of music, history, and travelogue “reveals a story inextricably linked to the drama of Russia itself . . . These pages sing like a symphony.” —The Wall Street Journal Siberia’s story is traditionally one of exiles, penal colonies, and unmarked graves. Yet there is another tale to tell. Dotted throughout this remote land are pianos—grand instruments created during the boom years of the nineteenth century, as well as humble Soviet-made uprights that found their way into equally modest homes. They tell the story of how, ever since entering Russian culture under the westernizing influence of Catherine the Great, piano music has run through the country like blood. How these pianos traveled into this snowbound wilderness in the first place is testament to noble acts of fortitude by governors, adventurers, and exiles. Siberian pianos have accomplished extraordinary feats, from the instrument that Maria Volkonsky, wife of an exiled Decembrist revolutionary, used to spread music east of the Urals, to those that brought reprieve to the Soviet Gulag. That these instruments might still exist in such a hostile landscape is remarkable. That they are still capable of making music in far-flung villages is nothing less than a miracle. The Lost Pianos of Siberia follows Roberts on a three-year adventure as she tracks a number of instruments to find one whose history is definitively Siberian. Her journey reveals a desolate land inhabited by wild tigers and deeply shaped by its dark history, yet one that is also profoundly beautiful—and peppered with pianos. “An elegant and nuanced journey through literature, through history, through music, murder and incarceration and revolution, through snow and ice and remoteness, to discover the human face of Siberia. I loved this book.” —Paul Theroux