The old house of the Shu family in Youlan had been abandoned for many years, overgrown with weeds, littered with stones, dead leaves, and desolate. Yun Bei Chen got off the carriage with the help of the wall and looked at the rusted gates. The scenes of him and his family members happened to be played out just yesterday: a loyal servant, a smiling chef, and a serious yet amiable stewards. Everyone's faces and voices were extremely clear.
Mrs. Louise Mallard, afflicted with a heart condition, reflects on the death of her husband from the safety of her locked room. Originally published in Vogue magazine, “The Story of an Hour” was retitled as “The Dream of an Hour,” when it was published amid much controversy under its new title a year later in St. Louis Life. “The Story of an Hour” was adapted to film in The Joy That Kills by director Tina Rathbone, which was part of a PBS anthology called American Playhouse. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
First published in 1996. This new book gives voice to an emerging consensus among bereavement scholars that our understanding of the grief process needs to be expanded. The dominant 20th century model holds that the function of grief and mourning is to cut bonds with the deceased, thereby freeing the survivor to reinvest in new relationships in the present. Pathological grief has been defined in terms of holding on to the deceased. Close examination reveals that this model is based more on the cultural values of modernity than on any substantial data of what people actually do. Presenting data from several populations, 22 authors - among the most respected in their fields - demonstrate that the health resolution of grief enables one to maintain a continuing bond with the deceased. Despite cultural disapproval and lack of validation by professionals, survivors find places for the dead in their on-going lives and even in their communities. Such bonds are not denial: the deceased can provide resources for enriched functioning in the present. Chapters examine widows and widowers, bereaved children, parents and siblings, and a population previously excluded from bereavement research: adoptees and their birth parents. Bereavement in Japanese culture is also discussed, as are meanings and implications of this new model of grief. Opening new areas of research and scholarly dialogue, this work provides the basis for significant developments in clinical practice in the field.
This book focuses on the kind of grief that is not openly acknowledged, socially validated, or publicly mourned. It addresses the unique psychological, biological, and sociological issues involved in disenfranchised grief. The contributing authors explore the concept of disenfranchised grief, help define and explain this type of grief, and offer clinical interventions to help grievers express their hidden sorrow.
Life’s never dull in the Underworld. There’s souls to judge, punishment to deliver, too many hellhounds to feed and not enough bones. When Autumn goes against her husband’s wishes and lowers the sentence of one soul, she gets thrown into the River of Forgetfulness, and loses her memory. Proud, old Hades is a papa-to-be, and he’s busy forging golden baby cots and juggling his wife’s testiness. Seems he’s overprotective and a bit of a ‘Dad-zilla.’ But he has every reason to be cautious when he lost his family to the powers of gods. Now he faces losing his wife again, and he’ll do anything to find a way to save her, even if it means he might never return. Hades’ Salvation is a completed series, featuring a grumpy sunshine, billionaire fantasy romance, with a broody, cinnamon roll Greek god, and loads of flower puns. This is the second series in the Godverse universe, following on from Cupid’s Surrender, but can be read as a standalone series.
“Pearson’s excellent characters and plotting capture the complexity and beauty of family. . . . Pearson rises to another level with this excellent story.” —Publishers Weekly starred review When the man she loved years ago returns to town, one young woman’s complicated past rises again, threatening to expose her well-kept secrets. If Maxine could put her finger on the moment when her life went into a tailspin, she would point back twenty years to the day her daddy died. She tells herself he’s the only person who ever really knew and loved her, and if he hadn’t left her behind, her future would’ve taken a different path. No absentee mother, no stepfather, no rebellious ripping and running during her teenage years. And no JD, who gave her wandering young heart a home, at least for a time. But that’s over and done with. All grown-up now, Maxine has pledged her heart and ring finger to Theodore Charles, the man she’ll promise to love, honor, and obey in front of God and everybody. At least that’s what she’s telling anybody who will listen. The only folks buying it are the dog and the readers of her column, however. Her best friend and family aren’t having it—not even Celeste, the double bass–playing thirteen-year-old the community of Mount Laurel, North Carolina, believes is Maxine’s adopted sister. And apparently, neither is the newly returned JD, who seems intent on toppling Maxine’s reconstructed life. As her wedding day marches ever closer, Maxine confronts what it means to be really known and loved by examining what’s buried in her own heart and exposing truth that has never seen the light of day. A Christian fiction novel with a poignant story of romance, a search for truth, and a journey to redemption. For fans of Chris Fabry, Lauren Denton, and Charles Martin.
The critically acclaimed, bestselling novel from Gayle Forman, author of Where She Went, Just One Day, and Just One Year. Soon to be a major motion picture, starring Chloe Moretz! In the blink of an eye everything changes. Seventeen year-old Mia has no memory of the accident; she can only recall what happened afterwards, watching her own damaged body being taken from the wreck. Little by little she struggles to put together the pieces- to figure out what she has lost, what she has left, and the very difficult choice she must make. Heartwrenchingly beautiful, this will change the way you look at life, love, and family. Now a major motion picture starring Chloe Grace Moretz, Mia's story will stay with you for a long, long time.
Grief overload is what you feel when you experience too many significant losses all at once, in a relatively short period of time, or cumulatively. In addition to the deaths of loved ones, such losses can also include divorce, estrangement, illness, relocation, job changes, and more. Our minds and hearts have enough trouble coping with a single loss, so when the losses pile up, the grief often seems especially chaotic and defeating. The good news is that through intentional, active mourning, you can and will find your way back to hope and healing. This compassionate guide will show you how.
Challenging conventional wisdom on grief, a pioneering therapist offers a new resource for those experiencing loss When a painful loss or life-shattering event upends your world, here is the first thing to know: there is nothing wrong with grief. “Grief is simply love in its most wild and painful form,” says Megan Devine. “It is a natural and sane response to loss.” So, why does our culture treat grief like a disease to be cured as quickly as possible? In It’s OK That You’re Not OK, Megan Devine offers a profound new approach to both the experience of grief and the way we try to help others who have endured tragedy. Having experienced grief from both sides—as both a therapist and as a woman who witnessed the accidental drowning of her beloved partner—Megan writes with deep insight about the unspoken truths of loss, love, and healing. She debunks the culturally prescribed goal of returning to a normal, “happy” life, replacing it with a far healthier middle path, one that invites us to build a life alongside grief rather than seeking to overcome it. In this compelling and heartful book, you’ll learn: • Why well-meaning advice, therapy, and spiritual wisdom so often end up making it harder for people in grief • How challenging the myths of grief—doing away with stages, timetables, and unrealistic ideals about how grief should unfold—allows us to accept grief as a mystery to be honored instead of a problem to solve • Practical guidance for managing stress, improving sleep, and decreasing anxiety without trying to “fix” your pain • How to help the people you love—with essays to teach us the best skills, checklists, and suggestions for supporting and comforting others through the grieving process Many people who have suffered a loss feel judged, dismissed, and misunderstood by a culture that wants to “solve” grief. Megan writes, “Grief no more needs a solution than love needs a solution.” Through stories, research, life tips, and creative and mindfulness-based practices, she offers a unique guide through an experience we all must face—in our personal lives, in the lives of those we love, and in the wider world. It’s OK That You’re Not OK is a book for grieving people, those who love them, and all those seeking to love themselves—and each other—better.
