Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Everything about Sarah Bernhardt is fascinating, from her obscure birth to her glorious career--redefining the very nature of her art--to her amazing (and highly public) romantic life, to her indomitable spirit. Well into her seventies, after the amputation of her leg, she was performing under bombardment for soldiers during World War I and toured America for the ninth time. Though the Bernhardt literature is vast, this is the first English-language biography to appear in decades, tracking the trajectory through which an illegitimate--and scandalous--daughter of a Jewish courtesan transformed herself into the most famous actress who ever lived, and into a national icon, a symbol of France.--From publisher description.
These further six chapters of Jews in an Illusion of Paradise now focus on individual exemplary figures and clusters of poets, dramatists, critics, journalists, art historians—Jews whose achievements were once celebrated, but now are almost all but forgotten, not because of changes in aesthetic taste or style but because of social, political and other ideological issues. The book continues to examine the clash between their conscious and unconscious self-presentation as Jews in a culture that wilfully or inadvertently misunderstood or rejected this aspect of “otherness” the men and women represented from the mid-nineteenth to the mid-twentieth centuries. Whereas the first volume concentrated on the themes, images and rhetorical motifs of this awkward status of Jewish intellectuals and artists, here the ambiguous personalities and repressed anxieties of the exemplary figures are stressed. For millennia, Jews were considered outside of normal history, passive victims of persecution; then suddenly, with Emancipation, they fell into history and out of their mythical place in the scheme of things. Everything seemed to crumble into dust and ashes.
The Poetical gazette; the official organ of the Poetry society and a review of poetical affairs, nos. 4-7 issued as supplements to the Academy, v. 79, Oct. 15, Nov. 5, Dec. 3 and 31, 1910
“A lively debut biography of the flamboyant Irish writer . . . focusing on the women who loved and supported him” (Kirkus Reviews). In this essential work, Eleanor Fitzsimons reframes Oscar Wilde’s story and his legacy through the women in his life, including such scintillating figures as Florence Balcombe; actress Lillie Langtry; and his tragic and witty niece, Dolly, who, like Wilde, loved fast cars, cocaine, and foreign women. Fresh, revealing, and entertaining, full of fascinating detail and anecdotes, Wilde’s Women relates the untold story of how a beloved writer and libertine played a vitally sympathetic role on behalf of many women, and how they supported him in the midst of a Victorian society in the process of changing forever. “Fitzsimons reminds us of the many writers, actresses, political activists, professional beauties and aristocratic ladies who helped shape the life and legend of the era’s greatest wit, esthete and sexual martyr . . . provide[s] a potted biography of the multitalented writer and gay icon . . . highly enjoyable.” —The Washington Post “Fitzsimons brilliantly calls attention to the progressive ideas and beliefs which drew the most daring and interesting women of the time to his side. The depth and painstaking care of Fitzsimons’ research is a fitting tribute to Wilde’s fascinating life and exquisite writing—and really, what better compliment is there than that?” —High Voltage