“My Brother Was an Only Child” was Jack Douglas’ very first humour book, having written for famous radio and television celebrities such as Jack Paar, Bob Hope, Bing Crosby and Jimmy Durante, as well as TV shows such as “Adventures of Harriet and Ozzie”, “The George Gobel Show”, and “Laugh-In”. It perfectly captures the sense of humour prevalent in this era and is as refreshing and side-splittingly funny now as it was then.
Inspired by the website that the New York Times hailed as "redefining mourning," this book is a fresh and irreverent examination into navigating grief and resilience in the age of social media, offering comfort and community for coping with the mess of loss through candid original essays from a variety of voices, accompanied by gorgeous two-color illustrations and wry infographics. At a time when we mourn public figures and national tragedies with hashtags, where intimate posts about loss go viral and we receive automated birthday reminders for dead friends, it’s clear we are navigating new terrain without a road map. Let’s face it: most of us have always had a difficult time talking about death and sharing our grief. We’re awkward and uncertain; we avoid, ignore, or even deny feelings of sadness; we offer platitudes; we send sympathy bouquets whittled out of fruit. Enter Rebecca Soffer and Gabrielle Birkner, who can help us do better. Each having lost parents as young adults, they co-founded Modern Loss, responding to a need to change the dialogue around the messy experience of grief. Now, in this wise and often funny book, they offer the insights of the Modern Loss community to help us cry, laugh, grieve, identify, and—above all—empathize. Soffer and Birkner, along with forty guest contributors including Lucy Kalanithi, singer Amanda Palmer, and CNN’s Brian Stelter, reveal their own stories on a wide range of topics including triggers, sex, secrets, and inheritance. Accompanied by beautiful hand-drawn illustrations and witty "how to" cartoons, each contribution provides a unique perspective on loss as well as a remarkable life-affirming message. Brutally honest and inspiring, Modern Loss invites us to talk intimately and humorously about grief, helping us confront the humanity (and mortality) we all share. Beginners welcome.
"I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams. I watched a lion eat a man like a piece of fruit, peel tendons from fascia like pith from rind, then lick the sweet meat from its hard core of bones. The man had earned this feast and his own deliciousness by ringing a stick against the lion's cage, calling out Here, Kitty Kitty, Meow! With one swipe of a paw much like a catcher's mitt with fangs, the lion pulled the man into the cage, rattling his skeleton against the metal bars. The lion didn't want to do it— He didn't want to eat the man like a piece of fruit and he told the crowd this: I only wanted some goddamn sleep . . . Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.
This engaging picture book shows everyday life with little crow siblings when one of them is on the autism spectrum. My Brother Otto is a child-friendly, endearing, and fun picture book for children about the love, acceptance, and understanding a sister, Piper, has for her little brother Otto, who is on the autism spectrum. The book provides explanations for Otto’s differences and quirkiness in an easy-to-understand language, and highlights Otto’s desires for adventure and love—just like his peers. To be more specific, My Brother Otto is a sweet story about a sister and a brother who engage in common, everyday experiences in their own unique way with the idea that kindness and understanding always win! Lexile: 570L Meg Raby holds a Master’s degree in Speech-Language Pathology with a certification in Autism Spectrum Disorders from the University of Minnesota-Twin Cities, and has several years of experience working with children ages 2–17 on the autism spectrum. Meg recently started a booming handle on Instagram, called @bedtime.stories.forevermore, promoting literacy and highlighting only the best in children’s books. This is her first book. Elisa Pallmer studied design at Escuela de Diseño del INBA and English Literature at the National Autonomous University of Mexico. Her focus is on illustrations for children, and she lives in Mexico City.
Although parenting approaches change, attitudes about only children remain stuck in the past. The negative stereotypes—lonely, selfish, bossy, spoiled, socially maladjusted—make parents think their child will be at a disadvantage when compared to those who grow up with siblings. The Case for the Only Child debunks the myths, taking into account the many changes the nuclear family has experienced in the face of two-family incomes, women who have children later, and the economic reality of raising children in our modern world. Combining often-surprising findings with real-life stories, compassionate insight, and thought-provoking questions, Dr. Susan Newman provides a guide to help you decide for yourself how to best plan your family and raise a single child. -Provides fascinating facts and statistics to show the reasons for the rapid risein the number of singletons -Explores pressure from friends, relatives, and strangers to have a second child . . . and how to deal with it -Demystifies the realities of raising and being an only child with personal stories and current research -Explores the highly debated question: Does a child need a sibling?
Becky and her brother John were best buddies, telling jokes, caring for their dog Toby, and playing soccer. John was always there to cheer her up and help her out-until he died. Becky wishes everything could go back to the way it was. When she is surprised and feels guilty about enjoying a friend's birthday party, her mom wraps reassuring arms around her and says, "Don't you think he'd want you to laugh, even now?" She gradually realizes that she can still enjoy the things that they used to do together and that the memories of John continue to make him part of their family. Always My Brother is a sensitive, realistic story about the process of grief, acceptance, and recovery. Phyllis Pollema-Cahill's lovely illustrations bring readers right into the heart of Becky's family as they struggle to move forward. "In a better world, no child would need a book about the death of her brother. But here is a tender, even joyful book about such a tragic event. And the last line had me sobbing." -Jane Yolen, author of Owl Moon and Grandad Bill's Song "Always My Brother is a poignant book written to help families and friends dealing with grief arising from the death of a child. It is a direct and touching story that sensitively addresses this complex topic, a loss that should not be."-Louis Borgenicht, M.D., pediatrician, writer, and coauthor of The Baby Owner's Manual
Fifty years after Where the Wild Things Are was published comes the last book Maurice Sendak completed before his death in May 2012, My Brother's Book. With influences from Shakespeare and William Blake, Sendak pays homage to his late brother, Jack, whom he credited for his passion for writing and drawing. Pairing Sendak's poignant poetry with his exquisite and dramatic artwork, this book redefines what mature readers expect from Maurice Sendak while continuing the lasting legacy he created over his long, illustrious career. Sendak's tribute to his brother is an expression of both grief and love and will resonate with his lifelong fans who may have read his children's books and will be ecstatic to discover something for them now. Pulitzer Prize–winning literary critic and Shakespearean scholar Stephen Greenblatt contributes a moving introduction.
This story is about a little boy, Reed, who is very different than most little children. Reed has a severe speech disorder, Apraxia, which leaves him almost completely unintelligible to his peers. This story is told from the viewpoint of his older sister, as she is well aware of his challenges and his triumphs. Instead of exclussively focusing on what Reed is unable to do, this story portrays the many things he can do with his peers, in spie of his inability to speak to them. 'My Brother is Very Special' gently teaches young children about acceptance in a way that they cna developmentally understand. By reading this story to young children, we encourage them to ask questions about differences they see in others. In return, this soothes their fears and fosters their acceptance. Although the main character in this book has a speech disorder, it is written in a way that makes it universal. With developmentally appropriate text and bright, whimsical illustrations, 'My Brother is Very Special' is perfect for all young children.
