Holly has a crush on her big black Boss Farrell. When they get to go to a conference in Vegas together, she has to roll the dice where she wants to do something about that crush or not.When she realizes that they have been booked in the same room together, not even being good married girl can hold her desire back and gorgeous Farrell seems to feel the same way.Pressed against a big window, overlooking the lights of Vegas, she waits for him and she knows he will come. As will she. Again and again.
John McCown was a black civil rights worker who achieved great political power and whose career, and life, ended in a swirl of controversy. In 1968, Georgia's Hancock County became the first county in the United States since Reconstruction to come under black political control, in large part because of the charismatic leadership of McCown, who secured millions in grants from the Office of Economic Opportunity, the Ford Foundation, and the East Central Committee for Opportunity. Eight years later, McCown's regime ended with his dramatic death and indictments against McCown and his associates on various charges of defrauding the government. Black Boss details the rise and fall of McCown and the continuing effects of his abuse of power on the people of Hancock County. It is a story that Rozier says shows "the good and evil that dwell in us all."
THE NATIONAL BESTSELLER, NOW IN PAPERBACK “Another hilarious essay collection from Phoebe Robinson.”—The New York Times Book Review “Strikes the perfect balance of brutally honest and laugh-out-loud funny. I didn’t want it to end.”—Mindy Kaling, New York Times bestselling author of Why Not Me? With sharp, timely insight, pitch-perfect pop culture references, and her always unforgettable voice, New York Times bestselling author, comedian, actress, and producer Phoebe Robinson is back with her most must-read book yet. In her brand-new collection, Phoebe shares stories that will make you laugh, but also plenty that will hit you in the heart and inspire a little bit of rage, and maybe a lot of action. That means revealing her perspective on performative allyship, white guilt, and what happens when white people take up space in cultural movements; exploring what it’s like to be a woman who doesn’t want kids living in a society where motherhood is the crowning achievement of a straight, cis woman’s life; and discussing how the dire state of mental health in America means that taking care of one’s psychological well-being—aka “self-care”—usually requires disposable money. She also shares tales of her mom slowpoking before a visit with Mrs. Obama, the stupidly fake reassurances of zip-line attendants, her favorite things about dating a white person from the UK, and how the lack of Black women in leadership positions fueled her to become the Black lady-boss of her dreams. By turns perceptive, hilarious, and heartfelt, Please Don’t Sit on My Bed in Your Outside Clothes is not only a brilliant look at our current cultural moment, it's also a collection that will stay with readers for years to come.
A letter among her deceased ex-husband’s belongings rips open Theresa’s world. For years she has turned her back on Theo, a man who spent the last two decades of his life institutionalised, and on their shared past in a country where teenage boys were conscripted to fight on ‘the Border’ in a war that those back home knew little about. Least of all Theresa, who spent her days dreaming of discos and first kisses. Realising that the letter was written by a Cuban soldier and addressed to his child – who, if still alive, would be at least forty years old – Theresa heads for Cuba: to search for the soldier’s child, to deliver the letter, to atone in some way for Theo’s deeds and for her own ignorance. In sultry Cuba, amid its picturesque 1950s cars and the fragrant smoke of its cigars, Theresa’s search connects her intimately with those branded ‘the enemy’ during the war in Angola as she begins to unravel what growing up in the South Africa of that time really meant.
As a musician who grew up in New Orleans, and later worked in New York with the major swing orchestras of Lucky Millinder and Cab Calloway, Barker is uniquely placed to give an authoritative but personal view of jazz history. In this book he discusses his life in music, from the children's 'spasm' bands of the seventh ward of New Orleans, through the experience of brass bands and jazz funerals involving his grandfather, Isidore Barbarin, to his early days on the road with the blues singer Little Brother Montgomery. Later he goes on to discuss New York, and the jazz scene he found there in 1930. His work with Jelly Roll Morton, as well as the lesser-known bands of Fess Williams and Albert Nicholas, is covered before a full account of his years with Millinder, Benny Carter and Calloway, including a description of Dizzy Gillespie's impact on jazz, is given. The final chapters discuss Barker's career from the late 1940s. Starting with the New York dixieland scene at Ryan's and Condon's he talks of his work with Wilbur de Paris, James P. Johnson and This is Jazz, before discussing his return to New Orleans and New Orleans Jazz Museum. A collection of Barker's photographs,
Griz Wilson only wanted to spend time in the northern Montana wilderness to face head-on his recurring nightmares of grizzly attacks. But he would confront a more sinister challenge when escaped convicts hijack his group. Buckle your seatbelt for fast-paced action as the area's picturesque beauty is colorfully portrayed -- backdrop to a set of intensely memorable characters caught up in a desperate life-death drama that would be a supreme test for all.
Good Press presents to you this meticulously collection of hundreds of life stories, recorded interviews and incredible vivid testimonies of former slaves from the American southern states, including photos of the people being interviewed and their extraordinary narratives. After the end of Civil War in 1865, more than four million slaves were set free. There were several efforts to record the remembrances of the former slaves. The Federal Writers' Project was one such project by the United States federal government to support writers during the Great Depression by asking them to interview and record the myriad stories and experiences of slavery of former slaves. The resulting collection preserved hundreds of life stories from 17 U.S. states that would otherwise have been lost in din of modernity and America's eagerness to deliberately forget the blot on its recent past. Contents: Alabama Arkansas Florida Georgia Indiana Kansas Kentucky Maryland Mississippi Missouri North Carolina Ohio Oklahoma South Carolina Tennessee Texas Virginia
This is Esera Tuaolo's own searing story of terror and hope. A Samoan raised on a Hawaiian banana plantation, he had a natural talent, football. He went on to play for five NFL teams: the Green Bay Packers, the Minnesota Vikings, the Jacksonville Jaguars, the Carolina Panthers, and the Atlanta Falcons in the 1999 Super Bowl. But for the nine years he played professional football he lived in terror that when his face flashed upon the TV screen, someone would divulge his darkest secret. Esera Tuaolo is gay. Alone in the Trenches takes you inside the homophobic world of professional football and describes fears that almost drove him to suicide. He evokes heartbreak--how his older brother, Tua, died of AIDS--and hope when, Esera, a deeply devout Christian fell in love and started a family. "Tuaolo emerges in these pages as a complex, intellectually curious and fascinating individual defined neither by his choice of career nor by his sexual orientation." --Booklist "Tough, tender and brutally honest." --Robert Lipsyte, former New York Times sports columnist "Even I was not prepared for his amazing life story." --Billy Bean, author of Going the Other Way
