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Asteroid

Author: Patricia L. Barnes-Svarney

Publisher: Springer

Published: 2013-11-11

Total Pages: 300

ISBN-13: 1489961488

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Stuff! Good Bass Players Should Know

Author: Glenn Letsch

Publisher: Hal Leonard Corporation

Published: 2008

Total Pages: 132

ISBN-13: 9781423431381

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Provides instruction and tips on performing, recording, equipment, theory, and techniques of playing the bass guitar.

The 'Ands of Time

Author: Michael Anthony Bell

Publisher: AuthorHouse

Published: 2011-05-10

Total Pages: 372

ISBN-13: 1463400845

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The story is based partially in the island of Jamaica and in America. It traces the life of a family from the 1970s into the future and explores the relationship between individual behaviour, greed, selfishness, societal violence, organized crime, tribalism, gang and urban warfare, science and genetics as a consequence of the impact of the global village and ambitions of geo-politics and world domination. It explores how the thirst and thrust for world domination impacts on the lives and relationship of the family, and their neighbours, and how these factors affects individuals actions which in turn affect the collective consciousness of a nation and lead to murder, mayhem, and social degradation. It explores the reactive and dangerous steps taken by members of this family in order to survive. Though informative and instructive, the book is a fast paced action pack story with lots of unexpected turns and developments as it builds up the reader with adrenaline paced narrative. You never quite know what is coming next. The story, though fictionalized, is predicated and inspired by true events, the composite of lives of real persons and the extrapolation of cause, effects, conscience, and consequences. It examines how the attitude and actions of individuals on each other can affect these individual and impacts on the wider society and the world far into the future with multiplying effects. It also looks at the role that science, religion, nuclear proliferation, and politics will play in the future world. Some of the names, locations, persons, and situations were changed, altered, and fictionalized in order to conceal the identity of some of the persons and characters, places, and to also add dramatic effect and to magnify and illustrate pertinent points and ideas.

Bring That Beat Back

Author: Nate Patrin

Publisher: U of Minnesota Press

Published: 2020-06-09

Total Pages: 336

ISBN-13: 1452963800

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How sampling remade hip-hop over forty years, from pioneering superstar Grandmaster Flash through crate-digging preservationist and innovator Madlib Sampling—incorporating found sound and manipulating it into another form entirely—has done more than any musical movement in the twentieth century to maintain a continuum of popular music as a living document and, in the process, has become one of the most successful (and commercial) strains of postmodern art. Bring That Beat Back traces the development of this transformative pop-cultural practice from its origins in the turntable-manning, record-spinning hip-hop DJs of 1970s New York through forty years of musical innovation and reinvention. Nate Patrin tells the story of how sampling built hip-hop through the lens of four pivotal artists: Grandmaster Flash as the popular face of the music’s DJ-born beginnings; Prince Paul as an early champion of sampling’s potential to elaborate on and rewrite music history; Dr. Dre as the superstar who personified the rise of a stylistically distinct regional sound while blurring the lines between sampling and composition; and Madlib as the underground experimentalist and record-collector antiquarian who constantly broke the rules of what the mainstream expected from hip-hop. From these four artists’ histories, and the stories of the people who collaborated, competed, and evolved with them, Patrin crafts a deeply informed, eminently readable account of a facet of pop music as complex as it is commonly underestimated: the aesthetic and reconstructive power of one of the most revelatory forms of popular culture to emerge from postwar twentieth-century America. And you can nod your head to it.

Ray Brown's Bass Method

Author: Ray Brown

Publisher: Hal Leonard Corporation

Published: 1999

Total Pages: 139

ISBN-13: 0793594561

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(Bass Instruction). Legendary jazz bassist Ray Brown reveals his lessons and teaching philosophy in this in-depth book. Includes: solo exercises and arpeggios; music fundamentals; right- and left-hand positions; scales; chords; exercises in tenths; rhythm patterns with "drops"; diminished chords; runs and variations; blues patterns; extension scales; and much more.

Funky Organ Grooves

Author: Andrew D. Gordon

Publisher: A.D.G. Productions

Published:

Total Pages: 74

ISBN-13: 1882146859

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There is an increased interest in playing the organ these days as many keyboard players are adding organ modules, organs, software etc., to their array of instruments. This book consists of 57 riffs, in many different keys, and covers a wide range of organ styles including Blues, Funk, Gospel, Jazz, Latin and Reggae. The music notation consists of the right and left hand parts as well as a bass line. Although primarily written and recorded with the organ in mind, pianists and keyboard players will also find the material in this book very useful. The artists that these styles have been influenced by have a range of popularity from the 1960's to the present day and at the back of the book is a discography that will be of help in selecting CD's to listen to. Jazz, Acid-Jazz Organists include: Jimmy Smith, Richard "Groove" Holmes, "Brother" Jack McDuff, Jimmy McGriff, "Big" John Patton, Larry Young, Charles Earland, Don Patterson, Freddie Roach, Shirley Scott, Lonnie Smith, Brian Auger, Joey DeFrancesco, Barbara Dennerlein, Larry Goldings, John Medeski (Medeski, Martin & Wood), Ronnie Foster, Reuben Wilson, James Taylor (Jams Taylor Quartet), Les McCann. Funk, Rock and R&B Organists include: Bobby Byrd (James Brown), Booker T. Jones (Booker T & The MG's), Lonnie Jordan (War), Art Neville (The Meters and the Neville Brothers), Billy Preston, Sly Stone (Sly & The Family Stone), Chester Thompson (Tower Of Power (Santana), Greg Rolie (Santana), Gregg Allman (Allman Brothers), Keith Emerson (The Nice, Emerson Lake & Palmer), John Lord (Deep Purple), John Novello, Felix Cavaliere (The Young Rascals), Steve Winwood (Spencer Davis, Traffic), Chuck Leavell (Rolling Stones), Michael McDonald, Adam Scone (Sugarman Three). Blues & Gospel Organists include: Dr. John, Lucky Peterson, Reese Wynans, Otis Spann, Mike Finnegan, Richard Tee (Stuff, Paul Simon), Al Kooper, John Mayall. Reggae Organists include: Jackie Mittoo (Skatalites), Ansel Collins (Dave & Ansel Collins). Most of the above mentioned organists have had a major influence on my keyboard playing in one way or another and I would strongly suggest listening and learning from these great musicians.

Lost in the Grooves

Author: Kim Cooper

Publisher: Routledge

Published: 2005-07-08

Total Pages: 312

ISBN-13: 1135879214

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Do you remember these great pop stars and their hits? Deerhoof's The Man, The King, The Girl Butch Hancock's West Texas Waltzes and Dust Blown Tractor Tunes, Swamp Dogg's Cuffed, Collared and Tagged, Michael Head's The Magical World Of The Strands, John Trubee's The Communists Are Coming to Kill Us, John Phillips's Wolf King of L.A., and Michel Magne's Moshe Mouse Crucifiction? You will when you read Lost in the Grooves, a fascinating guide to the back alleys off the pop music superhighway. Pop music history is full of little-known musicians, whose work stands defiantly alone, too quirky, distinctive, or demented to appeal to a mass audience. This book explores the nooks and crannies of the pop music world, unearthing lost gems from should-have-been major artists (Sugarpie DeSanto, Judee Sill), revisiting lesser known works by established icons (Marvin Gaye's post-divorce kissoff album, Here My Dear; The Ramones' Subterranean Jungle), and spotlighting musicians who simply don't fit into neat categories (k. mccarty, Exuma). The book's encyclopedic alphabetical structure throws off strange sparks as disparate genres and eras rub against each other: folk-psych iconoclasts face louche pop crooners; outsider artists set their odd masterpieces down next to obscurities from the stars; lo-fi garage rock cuddles up with the French avant-garde; and roots rock weirdoes trip over bubblegum. This book will delight any jukebox junkie or pop culture fan.