Musical Myths and Facts, Volume 1, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.
"Musical Myths and Facts" in 2 volumes is one of the best-known works by a German author Carl Engel. This carefully crafted e-artnow ebook is formatted for your eReader with a functional and detailed table of contents._x000D_ Volume 1:_x000D_ A Musical Library_x000D_ Elsass-Lothringen_x000D_ Music and Ethnology_x000D_ Collections of Musical Instruments_x000D_ Musical Myths and Folk-lore _x000D_ The Studies of our Great Composers_x000D_ Superstitions concerning Bells _x000D_ Curiosities in Musical Literature_x000D_ The English Instrumentalists_x000D_ Musical Fairies and their Kinsfolk _x000D_ Sacred Songs of Christian Sects…_x000D_ Volume 2:_x000D_ Mattheson on Handel_x000D_ Diabolic Music _x000D_ Royal Musicians_x000D_ Composers and Practical Men_x000D_ Music and Medicine_x000D_ Popular Stories with Musical Traditions _x000D_ Dramatic Music of Uncivilized Races_x000D_ A Short Survey of the History of Music_x000D_ Chronology of the History of Music_x000D_ The Musical Scales in Use at the Present Day...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Finally available, a high quality book of the original classic edition of Musical Myths and Facts, Volume I (of 2). It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by Carl Engel, which is now, at last, again available to you. Get the PDF and EPUB NOW as well. Included in your purchase you have Musical Myths and Facts, Volume I (of 2) in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Musical Myths and Facts, Volume I (of 2): Look inside the book: The Prospectus issued by the 'Purcell Society,' which has recently been founded for the purpose of publishing all his works, enumerates forty-five Operas and Dramas, besides many Odes, Hymns, Anthems, and other sacred music, instrumental pieces, &c., most of which exist only in manuscript, and which ought long since to have been in the hands of the lovers of music. ...I shall therefore only observe further that there are, besides the above mentioned, several kinds of works which can scarcely be considered as of secondary importance, such as musical travels, novels, and entertaining as well as instructive musical essays; librettos of operas, and the poetry of other elaborate vocal compositions; drawings illustrating the construction of musical instruments,—as, for instance, of the most celebrated organs, of the various improvements in the pianoforte, etc.; engravings from the best portraits of celebrated musicians; faithful sketches from sculptures and paintings of nations of antiquity in which musical instruments and performances are represented, etc. ...About ten years ago it was possible to procure the original scores of our old classical operas, and other works of the kind, at half the price which they fetch now, and there is a probability that they will become every year more expensive.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Musical Myths and Facts, Vol. 1 of 2 In Volume II., the compositions of Henry Purcell noticed on page 202 form only a small portion of the works of this distinguished English musician. The Prospectus issued by the Purcell Society, ' which has recently been founded for the purpose of publishing all his works, enumerates forty-five Operas and Dramas, besides many Odes, Hymns, Anthems, and other sacred music, instru mental p1eces, &c., most of which exist only in manuscript. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Finally available, a high quality book of the original classic edition of Musical Myths and Facts, Volume I (of 2). It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by Carl Engel, which is now, at last, again available to you. Get the PDF and EPUB NOW as well. Included in your purchase you have Musical Myths and Facts, Volume I (of 2) in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Musical Myths and Facts, Volume I (of 2): Look inside the book: The Prospectus issued by the 'Purcell Society, ' which has recently been founded for the purpose of publishing all his works, enumerates forty-five Operas and Dramas, besides many Odes, Hymns, Anthems, and other sacred music, instrumental pieces, &c., most of which exist only in manuscript, and which ought long since to have been in the hands of the lovers of music. ...I shall therefore only observe further that there are, besides the above mentioned, several kinds of works which can scarcely be considered as of secondary importance, such as musical travels, novels, and entertaining as well as instructive musical essays; librettos of operas, and the poetry of other elaborate vocal compositions; drawings illustrating the construction of musical instruments, -as, for instance, of the most celebrated organs, of the various improvements in the pianoforte, etc.; engravings from the best portraits of celebrated musicians; faithful sketches from sculptures and paintings of nations of antiquity in which musical instruments and performances are represented, etc. ...About ten years ago it was possible to procure the original scores of our old classical operas, and other works of the kind, at half the price which they fetch now, and there is a probability that they will become every year more expensive.
Finally available, a high quality book of the original classic edition of Musical Myths and Facts, Volume II (of 2). It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by Carl Engel, which is now, at last, again available to you. Get the PDF and EPUB NOW as well. Included in your purchase you have Musical Myths and Facts, Volume II (of 2) in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Musical Myths and Facts, Volume II (of 2): Look inside the book: No mere Musicus practicus ecclesiastico-dramaticus, who took a high rank as a director of the orchestra, and a still higher rank as an organist, but who was neither a singer nor an actor, and least of all a mathematician-has ever, before Handel, attained to this, that without his help a special book of a considerable size on his life has been written, and supplied with instructive observations-still more, that his biography has been translated into another language by a brother-artist by no means of the common class. ...7 On the 17th of August, in the same year, they travelled together to Lubeck, and played in that town, as well as in Hamburg, on the organ and harpsichord, so to say in emulation, in which Handel proved himself the most successful on the former instrument, but acknowledged himself obliged to yield the palm to his rival on the latter instrument; so that they made a compact together never to encroach upon each other's ground. ...Did we not know with certainty that George Frederick Handel died anno 1759, on the fourteenth of April, at the age of 76, and we had to rely upon this blundering prosaic Homer for information respecting our musical Achilles, he would have remained constantly fifteen years, perhaps even imberbis until he came to the grave, and our barber in Hamburg, who every alternate day attended him, during five or six years, would have gained his money wrongfully.
