A series of essays on parapsychology and psychical research with special reference to the importance of music in paganism and witchcraft. The author investigates the use of music in telepathic contact using controlled experiments. He looks at mediums who claim contact with dead composers and people who have heard 'ghostly' music are also examined.
The Paranormal, the new ebook series from F+W Media International Ltd, resurrecting rare titles, classic publications and out-of-print texts, as well as new ebook titles on the supernatural – other-worldly books for the digital age. The series includes a range of paranormal subjects from angels, fairies and UFOs to near-death experiences, vampires, ghosts and witchcraft. A series of essays on parapsychology and psychical research with special reference to the importance of music in paganism and witchcraft. The book is excellently researched using a myriad of sources including historical and first-hand accounts, relevant publications and of course the author's own thorough investigations.
Exploring the paranormal through musical phenomena, this encyclopedia covers a range of anomalies, from musical mediumship to locations throughout the world where music has been heard with no obvious source. Other manifestations, such as the abilities of musical savants and the anesthetic use of music during surgical procedures, are included with a focus on paraphysical aspects. Entries describe examples from earliest history up to the present--interpretation is left to the reader. Broader themes and concepts are discussed in appendices, with additional references provided for further study.
This second volume of D. Scott Rogo's groundbreaking study of paranormal music experiences examines their relation to out of body experiences, survival after death, and other psychic phenomena. A Psychic Study of the Music of the Spheres also tackles the question of auditory hallucinations head on, and provides a fascinating theoretical discussion of how paranormal music is "heard." Finally, by applying the technique of pattern analysis to 58 cases of paranormal music experiences, Rogo is able to draw meaningful conclusions about the reality - and source - of this "otherworldly" music. "I wish to state that I believe this book represents a very significant and pioneering study of a little-known psychical phenomenon of great importance." - Raymond Bayless D. Scott Rogo (1950-1990) was one of the most widely respected writer-journalists covering the field of parapsychology, as well as an active scientific investigator. Educated at the University of Cincinnati and San Fernando Valley State College, Rogo held a unique position in parapsychology and made many contributions to the field that deserve recognition. He served as a visiting researcher at the Psychical Research Foundation, then in Durham, North Carolina, and at the Division of Parapsychology and Psychophysics of the Maimonides Medical Center in Brooklyn, New York. He published papers on ESP in referred parapsychological journals and was active in field investigations of hauntings and poltergeists. Rogo was also a leading authority on the history of psychical research; the breadth of his historical knowledge of the field was unsurpassed. Over the course of more than two-dozen published books, Rogo sought to broaden the range of topics worthy of paranormal research.
Portrayals of witches appear frequently in nineteenth-century music, either as supernatural characters as in folk tales, or as real persons (especially women) who are viewed by society as possessing the stereotype features of the witch. This thesis examines the musical characterizations of these witches, suggesting that their portrayals share a common vocabulary of musical features, and thus constitute what scholars such as Leonard Ratner, Kofi Agawu, or Robert Hatten call musical "topics." The topics I have discerned include "noises and sounds ostensibly made by witches," "the dance," "sinister atmosphere" and an aesthetic of extremes which I have termed "aesthetic inversion." Definitions and terminology related to witches in relevant European languages are reviewed in Chapter One. There follows a history of witches and witchcraft in Europe with the hope that it will provide an historical context which will enhance the reader's understanding of the character of the witch. Chapter Two provides musical analyses of the musical "topics" which the composers drew upon to communicate to the audiences their representations of witches. In Chapter Three I examine the implications of these depictions from ideological, political and gender standpoints. The thesis concludes with a summation of the "topics" and their uses.
In the spring of 2014, Grant Cameron received an astonishing message from his friend Chris Bledsoe. Chris had an extraordinary encounter with beings he called "the Guardians". Chris relayed this message to Grant and told him that "the message is in the music". Grant Cameron was never musically inclined, and rarely showed any interest in music until he heard the song, "After the Goldrush" by Neil Young. The message that Chris relayed to Grant now resonated with him. Grant wondered if the lyrics in that song, were part of the message. He then became very interested in musicians who have had experiences with various unexplained phenomenon. And so, the trip down the rabbit hole began...What emerged from the investigation was evidence of a very weird world where many musicians have reported bizarre occurrences such as: unexplained sightings of craft, encounters with other worldly beings and telepathic transmissions from outside our known reality. Many musicians have reported musical downloads and that they have tapped into a non-local consciousness. Many are influenced or inspired by paranormal forces and have written songs with UFO themes. There are even accounts of UFOs that have showed up at their concerts! Many musicians seem to be heavily influenced by supernatural or mystical forces and Grant's investigation expands into many of other aspects to the paranormal world of music.This book examines the parallel stories in pre-rock music and assesses what "the message in the music" might be.Is there a plan by a higher-level consciousness to influence, enlighten and disclose information into our level of reality? After reading this book, you will certainly start to wonder...
Exploring the paranormal through musical phenomena, this encyclopedia covers a range of anomalies, from musical mediumship to locations throughout the world where music has been heard with no obvious source. Other manifestations, such as the abilities of musical savants and the anesthetic use of music during surgical procedures, are included with a focus on paraphysical aspects. Entries describe examples from earliest history up to the present--interpretation is left to the reader. Broader themes and concepts are discussed in appendices, with additional references provided for further study.
A girl convicted of witchcraft in seventeenth century England stalks a modern-day ancestor in her sleep. The Children of Death turn an Ohio nursing home into a ghastly playhouse. A long-dead woman’s screams echo in the eerie silence of a decrepit graveyard. These true encounters with the dead will stay with you long after the last page is turned. In The Dead are Watching, psychic Debra Robinson takes you inside her most frightening experiences with paranormal entities. Follow her exploration into the painful lives and often violent deaths of ghosts, spirits, and other bizarre manifestations. With detailed investigations and personal accounts from Debra’s haunted life, this compelling book sheds light on the darkest mysteries of the spirit realm.
This book is an account of those paranormal events and what I think that I learned from them. Most importantly, I learned that these events are a natural part of the human experience, so if they happen to you, don’t think you might be crazy. More people have paranormal events than you think but tend to tell no one about them. There are many other dimensions and many other life forms that inhabit them, and we all have psychic senses we should have been taught how to use to help us throughout our lives.
