Music Radio
Music Radio

Author: Morten Michelsen

Publisher: Bloomsbury Publishing USA

Published: 2018-12-27

Total Pages: 341

ISBN-13: 1501343211

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Why is music so important to radio? This anthology explores the ways in which musical life and radio interact, overlap and have influenced each other for nearly a century. One of music radio's major functions is to help build smaller or larger communities by continuously offering broadcast music as a means to create identity and senses of belonging. Music radio also helps identify and develop musical genres in collaboration with listeners and the music industry by mediating and by gatekeeping. Focusing on music from around the world, Music Radio discusses what music radio is and why or for what purposes it is produced. Each essay illuminates the intricate cultural processes associated with music and radio and suggests ways of working with such complexities.

Music in Range
Music in Range

Author: Brian Fauteux

Publisher: Wilfrid Laurier Univ. Press

Published: 2015-11-02

Total Pages: 356

ISBN-13: 1771121521

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Music in Range explores the history of Canadian campus radio, highlighting the factors that have shaped its close relationship with local music and culture. The book traces how campus radio practitioners have expanded stations from campus borders to sur-rounding musical and cultural communities by acquiring FM licenses and establishing community-based mandates. The culture of a campus station extends beyond its studio and into the wider community where it is connected to the local music scene within its broadcast range. The book examines campus stations and local music in Vancouver, Winnipeg, and Sackville, NB, and highlights the ways that campus stations—through music-based programming, their operational practices, and the culture under which they operate—produce alternative methods and values for circulating local and independent Canadian artists at a time when ubiquitous commercial media outlets do exactly the opposite. Music in Range sheds light on a radio sector that is an integral component of Canada’s musical and cultural fabric and positions campus radio as a worthy site of attention at a time when connectivity and sharing between musicians, music fans, and cultural intermediaries are increasingly shaping our experience of music, radio, and sound.

Music Radio
Music Radio

Author: Jim Cox

Publisher: McFarland

Published: 2024-10-17

Total Pages: 380

ISBN-13: 1476604517

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Long before the invention of "talk radio," music was the heart and soul of radio programming--whether standing alone, filling in the time between features, or identifying to widespread audiences the shows coming on and signing off the air. Jim Cox's Music Radio encompasses the entire range of musical programming from the early 1920s to the early 1960s. Jazz, country, classical, gospel, pop, big band, western, and semi-classical forms are covered, as are the vocalists, instrumentalists and disc jockeys who made them available to listeners. Virtually all the major series and artists are explored in depth, and lesser known shows and performers are touched on as well. Some of the series included are The Bing Crosby Show, The Chamber Music Society of Lower Basin Street, The Fred Waring Show, Grand Ole Opry, The Bell Telephone Hour, The Cities Service Concerts, Your Hit Parade, The Kate Smith Show, The Railroad Hour, and The Voice of Firestone.

Classical Music Radio in the United Kingdom, 1945–1995
Classical Music Radio in the United Kingdom, 1945–1995

Author: Tony Stoller

Publisher: Springer

Published: 2017-11-11

Total Pages: 305

ISBN-13: 3319647105

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This book is the first comprehensive account of classical music on all British radio stations, BBC and commercial, between 1945 and 1995. It narrates the shifting development of those services, from before the launch of the Third Programme until after the start of Classic FM, examining the output from both qualitative and quantitative perspectives, as well as recounting some of the stories and anecdotes which enliven the tale. During these fifty years, British classical music radio featured spells of broad, multi-channel classical music radio, with aspirational and mainstream culture enjoying positive interactions, followed by periods of more restricted and exclusive output, in a paradigm of the place of high culture in UK society as a whole. The history was characterised by the recurring tensions between elite and popular provision, and the interplay of demands for highbrow and middlebrow output, and also sheds new light on the continuing relevance of class in Britain. It is an important and unique resource for those studying British history in the second half of the twentieth century, as well as being a compelling and diverting account for enthusiasts for classical music radio.

Music, Radio and the Public Sphere
Music, Radio and the Public Sphere

Author: Charles Fairchild

Publisher: Springer

Published: 2012-06-26

Total Pages: 233

ISBN-13: 023039051X

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Radio, the most widely used medium in the world, is a dominant mediator of musical meaning. Through a combination of critical analysis, interdisciplinary theory and ethnographic writing about community radio, this book provides a novel theorization of democratic aesthetics, with important implications for the study of old and new media alike.

Wayfaring Strangers
Wayfaring Strangers

Author: Fiona Ritchie

Publisher: UNC Press Books

Published: 2021-08-01

Total Pages: 577

ISBN-13: 1469666278

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From the seventeenth through the nineteenth centuries, a steady stream of Scots migrated to Ulster and eventually onward across the Atlantic to resettle in the United States. Many of these Scots-Irish immigrants made their way into the mountains of the southern Appalachian region. They brought with them a wealth of traditional ballads and tunes from the British Isles and Ireland, a carrying stream that merged with sounds and songs of English, German, Welsh, African American, French, and Cherokee origin. Their enduring legacy of music flows today from Appalachia back to Ireland and Scotland and around the globe. Ritchie and Orr guide readers on a musical voyage across oceans, linking people and songs through centuries of adaptation and change.

Music Documentaries for Radio
Music Documentaries for Radio

Author: Sam Coley

Publisher: Routledge

Published: 2021-11-16

Total Pages: 110

ISBN-13: 1000463982

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Drawing on both academic research and real world practice, this book offers an in-depth investigation into the production of music documentaries broadcast on radio. Music Documentaries for Radio provides a thorough overview of how the genre has developed technically and editorially alongside a discussion of the practical production processes involved. Digital production equipment and online tools used in music documentary production are discussed in detail, outlining how the development of these technologies shapes the output of producers operating in both the public service and the commercial sectors of the industry. Drawing on his own experiences as an award-winning music documentary producer, the author also looks at how the industry views this form of radio documentary and considers how innovation and technical advances, as well as governmental regulation, have shaped the field. The book demonstrates how changing practices and technical innovations have led to the emergence of multi-skilled, freelance radio producers and how previously separate production roles have merged into one convergent, multifaceted position. Music Documentaries for Radio is an ideal resource for students and academics in the fields of radio studies, media production, documentary-making, and journalism studies.

Nashville Radio
Nashville Radio

Author: Jon Langford

Publisher: Verse Chorus Press

Published: 2006-03

Total Pages: 146

ISBN-13: 1891241192

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Beyond his work as a musician, Jon Langford has attracted attention as a visual artist in recent years. Nashville Radio is the first collection of his art. It reproduces 215 paintings, as well as song lyrics and autobiographical writings. The book includes a CD of Langford performing 18 of the printed songs. Langford's "song-paintings" fuse portraiture with imagery derived from folk art, Dutch still life, classic Western wear, and the cold, cold war--all instilled with his trademark sardonic wit. He applies this distinctive style to the depiction of American musical icons like Bob Wills, Hank Williams, and Johnny Cash, but also to more ghostly, marginal figures--blindfolded cowboys, astronauts, and dancers--who are jerked around by success and exploitation, fame and neglect. Underlying his work is a deep love of musical lore, twinned with fierce opposition to the death-dealing tendencies in the culture of his adopted homeland, from the killing off of authentic popular music by mass-marketed drivel to the embrace of capital punishment as a response to social ills. Langford's work offers an alternative perspective, recalling "a time when great visionaries and pioneers thrived at the heart of the mainstream--and the lid wasn't on so tight."