Music Publishing in the British Isles
Author: Charles Humphries
Publisher:
Published: 1970
Total Pages: 434
ISBN-13:
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A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660-1800
Author: Philip H. Highfill
Publisher: SIU Press
Published: 1993
Total Pages: 392
ISBN-13: 9780809318032
DOWNLOAD EBOOKVolume 16 completes the magisterial Biographical Dictionary which provides information on some 8,500 of the people who contributed to the patent theatres, opera houses, fair booths, concert halls, and pleasure gardens in and around London during the period from 1660 to 1800. The final volume centers on Margaret Woffington, "the most beautiful woman that ever adorned a theatre" (the judgment of Thomas Davies--evidenced by the nine included portraits). Annotation copyright by Book News, Inc., Portland, OR
John Dowland
Author: Diana Poulton
Publisher: Univ of California Press
Published: 1982-01-01
Total Pages: 552
ISBN-13: 9780520046498
DOWNLOAD EBOOKThomas Morley
Author: Tessa Murray
Publisher: Boydell & Brewer Ltd
Published: 2014
Total Pages: 288
ISBN-13: 1843839601
DOWNLOAD EBOOKAn essential book for scholars and students of renaissance music, as well as the history of music publishing and print. The Renaissance composer and organist Thomas Morley (c.1557-1602) is best known as a leading member of the English Madrigal School, but he also built a significant business as a music publisher. This book looks at Morley's pioneering contribution to music publishing in England, inspired by an established music printing culture in continental Europe. A student of William Byrd, Morley had a conventional education and early career as a cathedral musician both in Norwich and at St Paul's cathedral. Morley lived amongst the traders, artisans and gentry of England's major cities at a time when a market for recreational music was beginning to emerge. His entrepreneurial drive combinedwith an astute assessment of his market resulted in a successful and influential publishing business. The turning point came with a visit to the Low Countries in 1591, which gave him the opportunity to see a thriving music printpublication business at first hand. Contemporary records provide a detailed picture of the processes involved in early modern music publishing and enable the construction of a financial model of Morley's business. Morley died too young to reap the full rewards of his enterprise, but his success inspired the publication by his contemporaries of a significant corpus of readily available recreational music for the public. Critical to Morley's successwas his identification of the sort of music, notably the Italianate lighter style of madrigal, that would appeal to amateur musicians. Surviving copies of the original prints show that this music continued to be used for severalgenerations: new editions in modern notation started to appear from the mid eighteenth century onwards, suggesting that Morley truly had the measure of the market for recreational music. Thomas Morley: Elizabethan Music Publisher will be of particular interest to scholars and students of renaissance music, as well as the history of music publishing and print. Tessa Murray is an honorary research fellow at the University of Birmingham.
The Music Profession in Britain, 1780-1920
Author: Rosemary Golding
Publisher: Routledge
Published: 2018-03-15
Total Pages: 293
ISBN-13: 1351965743
DOWNLOAD EBOOKProfessionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common. Trades and occupations sought protection and improved status via alignment with the professions: an attempt to impose order and standards amid rapid social change, urbanisation and technological development. The structures and expectations governing the music profession were no exception, and were central to changing perceptions of musicians and music itself during the long nineteenth century. The central themes of status and identity run throughout this book, charting ways in which the music profession engaged with its place in society. Contributors investigate the ways in which musicians viewed their own identities, public perceptions of the working musician, the statuses of different sectors of the profession and attempts to manipulate both status and identity. Ten chapters examine a range of sectors of the music profession, from publishers and performers to teachers and military musicians, and overall themes include class, gender and formal accreditation. The chapters demonstrate the wide range of sectors within the music profession, the different ways in which these took on status and identity, and the unique position of professional musicians both to adopt and to challenge social norms.
On the Publishing and Dissemination of Music, 1500-1850
Author: Hans Lenneberg
Publisher: Pendragon Press
Published: 2003
Total Pages: 198
ISBN-13: 9781576470787
DOWNLOAD EBOOKHere published for the first time, is the final book written by the late Hans Lenneberg, respected scholar and longtime head of the music library at the University of Chicago. In it, the author pursues the impact of printing technologies, methods of distribution, government regulations, and evolving business practices as they affect music and musical life. Written with insight and humor, this book surveys a changing industry, century by century, pulling together information from many specialized studies and pointing out previously unnoticed trends and remaining puzzles.
The Business of Music
Author: Michael Talbot
Publisher: Liverpool University Press
Published: 2002-01-01
Total Pages: 334
ISBN-13: 9780853235286
DOWNLOAD EBOOKIs business, for music, a regrettable necessity or a spur to creativity? In the 11 essays in this text the authors wrestle with this question from the perspective of their chosen area of research.
Music Publishing: The Complete Guide
Author: Steve Winogradsky
Publisher: Alfred Music
Published: 2014-05-13
Total Pages: 479
ISBN-13: 1470614278
DOWNLOAD EBOOKWritten by an attorney with over 30 years of experience in the music industry, Music Publishing: The Complete Guide is the definitive manual on music copyright. Whereas many books on the subject are aimed at artists and songwriters, this book will serve as a thorough guide for industry pros, lawyers, and music business and law students. Subjects covered include copyright; performing rights organizations; mechanical, synchronization, and print licensing; songwriter and composer agreements; publishing administration and foreign sub-publishing; production music libraries; pitching and placement companies; sampling; and much more. The discussion also delves into historical perspective and current trends and revenue opportunities in the evolving digital marketplace. Easy-to-read narratives explain the key points for all of these types of deals. There are many sample agreements included in the book, all annotated in simple terms that explain the often complex contract language. There are also links to copyright and publishing resources, listings of foreign performance and mechanical societies, and anecdotes and case studies from real world incidents. If you're looking for a thorough grounding and go-to reference book on music copyright, not just a quick crash course, your search is over.
Dissemination of Music
Author: Hans Lenneberg
Publisher: Routledge
Published: 2014-03-18
Total Pages: 159
ISBN-13: 1134312784
DOWNLOAD EBOOKThe contributors are leading scholars from the United States, Canada, Great Britain and Italy. The essays examine the history of music publishing from its inception to the early twentieth century. The Dissemination of Music provides new insight into the social history of music, illustrating how certain types of music were made popular because publishers made them more available, and how the reputations of composers were made or broken by the whims of publishers. This important reference work will interest scholars and students in all areas of music This collection brings the history of music publishing into the realm of social history, looking beyond the printing process to examine why and for whom music publishers produced their work. The book shows how technological limitations and printers' and publishers' preferences significantly influenced musical tastes in Europe from medieval times to the modern age.
Music in Eighteenth-Century Britain
Author: David Wyn Jones
Publisher: Routledge
Published: 2017-07-05
Total Pages: 333
ISBN-13: 1351557416
DOWNLOAD EBOOKThis collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.
