Traditional Music and Irish Society: Historical Perspectives

Traditional Music and Irish Society: Historical Perspectives

Author: Martin Dowling

Publisher: Routledge

Published: 2016-02-24

Total Pages: 369

ISBN-13: 1317008413

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Written from the perspective of a scholar and performer, Traditional Music and Irish Society investigates the relation of traditional music to Irish modernity. The opening chapter integrates a thorough survey of the early sources of Irish music with recent work on Irish social history in the eighteenth century to explore the question of the antiquity of the tradition and the class locations of its origins. Dowling argues in the second chapter that the formation of what is today called Irish traditional music occurred alongside the economic and political modernization of European society in the late eighteenth and early nineteenth centuries. Dowling goes on to illustrate the public discourse on music during the Irish revival in newspapers and journals from the 1880s to the First World War, also drawing on the works of Pierre Bourdieu and Jacques Lacan to place the field of music within the public sphere of nationalist politics and cultural revival in these decades. The situation of music and song in the Irish literary revival is then reflected and interpreted in the life and work of James Joyce, and Dowling includes treatment of Joyce’s short stories A Mother and The Dead and the 'Sirens' chapter of Ulysses. Dowling conducted field work with Northern Irish musicians during 2004 and 2005, and also reflects directly on his own experience performing and working with musicians and arts organizations in order to conclude with an assessment of the current state of traditional music and cultural negotiation in Northern Ireland in the second decade of the twenty-first century.


Seventeenth-century Ireland

Seventeenth-century Ireland

Author: Raymond Gillespie

Publisher: Gill Books

Published: 2006

Total Pages: 364

ISBN-13:

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A groundbreaking interpretation. In Ireland, the seventeenth century was a war zone, but it was also about politics, about wheeling and dealing. In the end, politics failed, and Raymond Gillespie explains why.


Making Ireland English

Making Ireland English

Author: Jane Ohlmeyer

Publisher: Yale University Press

Published: 2012-06-26

Total Pages: 708

ISBN-13: 0300118341

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This groundbreaking book provides the first comprehensive study of the remaking of Ireland's aristocracy during the seventeenth century. It is a study of the Irish peerage and its role in the establishment of English control over Ireland. Jane Ohlmeyer's research in the archives of the era yields a major new understanding of early Irish and British elite, and it offers fresh perspectives on the experiences of the Irish, English, and Scottish lords in wider British and continental contexts. The book examines the resident peerage as an aggregate of 91 families, not simply 311 individuals, and demonstrates how a reconstituted peerage of mixed faith and ethnicity assimilated the established Catholic aristocracy. Tracking the impact of colonization, civil war, and other significant factors on the fortunes of the peerage in Ireland, Ohlmeyer arrives at a fresh assessment of the key accomplishment of the new Irish elite: making Ireland English.


Are the Irish different?

Are the Irish different?

Author: Tom Inglis

Publisher: Manchester University Press

Published: 2015-01-01

Total Pages: 432

ISBN-13: 1847799566

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This book examines the extent and nature of Irish social and cultural difference. It is a collection of twenty-three short essays written in a clear and accessible manner by human scientists who are international experts in their area. The essays cover topics covered include the nature of Irish nationalism and capitalism, the Irish political elite, the differences and similarities of the Irish family, the upsurge in immigration, Northern Ireland, the Irish diaspora, the Irish language, sport, music and many other topics. The book will be bought by those who have an academic and personal interest in Irish Studies. It will be attractive to those who are not familiar with the theories and methods of the human sciences and how they can shine a light on the transformations that have taken place in Ireland. Tom Inglis, the editor of the collection, is a sociologist who has written extensively on Irish culture and society.


John Birchensha: Writings on Music

John Birchensha: Writings on Music

Author: Christopher D.S. Field

Publisher: Routledge

Published: 2017-07-05

Total Pages: 342

ISBN-13: 1351561588

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John Birchensha (c.1605-?1681) is chiefly remembered for the impression that his theories about music made on the mathematicians, natural philosophers and virtuosi of the Royal Society in the 1660s and 1670s, and for inventing a system that he claimed would enable even those without practical experience of music to learn to compose in a short time by means of 'a few easy, certain, and perfect Rules'-his most famous composition pupil being Samuel Pepys in 1662. His great aim was to publish a treatise on music in its philosophical, mathematical and practical aspects (which would have included a definitive summary of his rules of composition), entitled Syntagma music Subscriptions for this book were invited in 1672-3, and it was due to be published by March 1675; but it never appeared, and no final manuscript of it survives. Consequently knowledge about his work has hitherto remained extremely sketchy. Recent research, however, has brought to light a number of manuscripts which allow us at last to form a more complete view of Birchensha's ideas. Almost none of this material has been previously published. The new items include an autograph treatise of c.1664 ('A Compendious Discourse of the Principles of the Practicall & Mathematicall Partes of Musick') which Birchensha presented to the natural philosopher Robert Boyle, and which covers concisely much of the ground that he intended to cover in Syntagma music a detailed synopsis for Syntagma music hich he prepared for a meeting of the Royal Society in February 1676; and an autograph notebook (now in Brussels) containing his six rules of composition with music examples, presumably written for a pupil. Bringing all this material together in a single volume will allow scholars to see how Birchensha's rules and theories developed over a period of fifteen years, and to gain at least a flavour of the lost Syntagma music


John Donne and the Conway Papers

John Donne and the Conway Papers

Author: Daniel Starza Smith

Publisher: OUP Oxford

Published: 2014-10-30

Total Pages: 417

ISBN-13: 019166832X

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How and why did men and women send handwritten poetry, drama, and literary prose to their friends and social superiors in the seventeenth century-and what were the consequences of these communications? Within this culture of manuscript publication, why did John Donne (1572-1631), an author who attempted to limit the circulation of his works, become the most transcribed writer of his age? John Donne and the Conway Papers examines these questions in great detail. Daniel Starza Smith investigates a seventeenth-century archive, the Conway Papers, in order to explain the relationship between Donne and the archive's owners, the Conway family. Drawing on an enormous amount of primary material, he situates Donne's writings within the broader workings of manuscript circulation, from the moment a scribe identified a source text, through the process of transcription and onwards to the social ramifications of this literary circulation. John Donne and the Conway Papers offers the first full-length analysis of three generations of the Conway family between Elizabeth's succession and the end of the Civil War, explaining what the Conway Papers are and how they were amassed, how the archive came to contain a concentration of manuscript poetry by Donne, and what the significance of this fact is, in terms of seventeenth-century politics, patronage, and culture. Answers to these questions cast new light on the early transmission of Donne's verse and prose. Throughout, John Donne and the Conway Papers emphasizes the importance of Donne's closest friends and earliest readers—such as George Garrard, Rowland Woodward, and Sir Henry Goodere—in the dissemination of his poetry. Goodere in particular emerges as a key agent in the early circulation of Donne's verse, and this book offers the first sustained account of his literary activities.


Ireland and the Reception of the Bible

Ireland and the Reception of the Bible

Author: Bradford A. Anderson

Publisher: Bloomsbury Publishing

Published: 2018-04-19

Total Pages: 415

ISBN-13: 0567680770

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Drawing on the work of leading figures in biblical, religious, historical, and cultural studies in Ireland and beyond, this volume explores the reception of the Bible in Ireland, focusing on the social and cultural dimensions of such use of the Bible. This includes the transmission of the Bible, the Bible and identity formation, engagement beyond Ireland, and cultural and artistic appropriation of the Bible. The chapters collected here are particularly useful and insightful for those researching the use and reception of the Bible, as well as those with broader interests in social and cultural dimensions of Irish history and Irish studies. The chapters challenge the perception in the minds of many that the Bible is a static book with a fixed place in the world that can be relegated to ecclesial contexts and perhaps academic study. Rather, as this book shows, the role of the Bible in the world is much more complex. Nowhere is this clearer than in Ireland, with its rich and complex religious, cultural, and social history. This volume examines these very issues, highlighting the varied ways in which the Bible has impacted Irish life and society, as well as the ways in which the cultural specificity of Ireland has impacted the use and development of the Bible both in Ireland and further afield.