Music in Vienna 1700, 1800, 1900

Music in Vienna 1700, 1800, 1900

Author: David Wyn Jones

Publisher: Boydell & Brewer

Published: 2016

Total Pages: 289

ISBN-13: 1783271078

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Focussing on three different epochs (1700, 1800 and 1900), this book explores the history of music in Vienna, allowing the very different relationships between music and society that existed in each of these periods to be distinguished


Mozart in Vienna

Mozart in Vienna

Author: Simon P. Keefe

Publisher: Cambridge University Press

Published: 2017-09-21

Total Pages: 719

ISBN-13: 1108394108

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Mozart's greatest works were written in Vienna in the decade before his death (1781–1791). This biography focuses on Mozart's dual roles as a performer and composer and reveals how his compositional processes are affected by performance-related concerns. It traces consistencies and changes in Mozart's professional persona and his modus operandi and sheds light on other prominent musicians, audience expectations, publishing, and concert and dramatic practices and traditions. Giving particular prominence to primary sources, Simon P. Keefe offers new biographical and critical perspectives on the man and his music, highlighting his extraordinary ability to engage with the competing demands of singers and instrumentalists, publishing and public performance, and concerts and dramatic productions in the course of a hectic, diverse and financially uncertain freelance career. This comprehensive and accessible volume is essential for Mozart lovers and scholars alike, exploring his Viennese masterpieces and the people and environments that shaped them.


Muzio Clementi and British Musical Culture

Muzio Clementi and British Musical Culture

Author: Luca Lévi Sala

Publisher: Routledge

Published: 2018-06-14

Total Pages: 258

ISBN-13: 1351800884

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Recent scholarship has vanquished the traditional perception of nineteenth-century Britain as a musical wasteland. In addition to attempting more balanced assessments of the achievements of British composers of this period, scholars have begun to explore the web of reciprocal relationships between the societal, economic and cultural dynamics arising from the industrial revolution, the Napoleonic wars, and the ever-changing contours of British music publishing, music consumption, concert life, instrument design, performance practice, pedagogy and composition. Muzio Clementi (1752–1832) provides an ideal case-study for continued exploration of this web of relationships. Based in London for much of his life, whilst still maintaining contact with continental developments, Clementi achieved notable success in a diversity of activities that centred mainly on the piano. The present book explores Clementi’s multivalent contribution to piano performance, pedagogy, composition and manufacture in relation to British musical life and its international dimensions. An overriding purpose is to interrogate when, how and to what extent a distinctive British musical culture emerged in the early nineteenth century. Much recent work on Clementi has centred on the Italian National Edition of his complete works (MiBACT); several chapters report on this project, whilst continuing to pursue the book’s broader themes.


Opera in the Viennese Home from Mozart to Rossini

Opera in the Viennese Home from Mozart to Rossini

Author: Nancy November

Publisher: Cambridge University Press

Published: 2024-01-18

Total Pages: 267

ISBN-13: 1009409808

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A unique window on the world of nineteenth-century amateur music-making provided by the study of domestic musical arrangements of opera.


The Strauss Dynasty and Habsburg Vienna

The Strauss Dynasty and Habsburg Vienna

Author: David Wyn Jones

Publisher: Cambridge University Press

Published: 2023-06-29

Total Pages: 287

ISBN-13: 1009276476

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A zesty biography reassessing the Strauss family's musical achievements within wider Habsburg society and its cultural life as a whole.


Beethoven Studies 4

Beethoven Studies 4

Author: Keith Chapin

Publisher: Cambridge University Press

Published: 2020-09-17

Total Pages: 267

ISBN-13: 1108595758

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Did you know that Beethoven contemplated, however fleetingly, writing more than forty symphonies and that for the Missa solemnis he sought stimulus from a Latin-German dictionary? And what about the underappreciated sociable side of Beethoven's music to set alongside the familiar one of the heroic? Beethoven Studies 4 is a collection of ten chapters that approach the composer and his music from an appealing range of critical standpoints, aesthetic, analytical, biographical, historical and performance. Alongside essays that offer new information on Beethoven's compositional practice and broaden understanding of the music's contemporary and posthumous appeal, there are essays on his interaction with specific environments, Bonn and post-Napoleonic Austria, and vocal and piano performance practice. The volume will appeal to cultural historians and practitioners as well as Beethoven enthusiasts.


The Viennese Ballroom in the Age of Beethoven

The Viennese Ballroom in the Age of Beethoven

Author: Erica Buurman

Publisher: Cambridge University Press

Published: 2021-12-02

Total Pages: 209

ISBN-13: 1108495850

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Reveals how the culture and repertoire of the early Viennese ballroom permeated and intersected with other areas of musical life.


Schubert's String Quartets

Schubert's String Quartets

Author: Anne Hyland

Publisher: Cambridge University Press

Published: 2023-04-20

Total Pages: 329

ISBN-13: 1009210920

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A fresh analytical and musicological exploration of Schubert's incorporation of lyric elements into sonata form by way of his string quartets.


Beethoven 1806

Beethoven 1806

Author: Mark Ferraguto

Publisher: Oxford University Press

Published: 2019-08-27

Total Pages: 277

ISBN-13: 0190947195

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Between early 1806 and early 1807, Ludwig van Beethoven completed a remarkable series of instrumental works. But critics have struggled to reconcile the music of this banner year with Beethoven's "heroic style," the paradigm through which his middle-period works have typically been understood. Drawing on theories of mediation and a wealth of primary sources, Beethoven 1806 explores the specific contexts in which the music of this year was conceived, composed, and heard. As author Mark Ferraguto argues, understanding this music depends on appreciating the relationships that it both creates and reflects. Not only did Beethoven depend on patrons, performers, publishers, critics, and audiences to earn a living, but he also tailored his compositions to suit particular sensibilities, proclivities, and technologies.


The Haydn Economy

The Haydn Economy

Author: Nicholas Mathew

Publisher: University of Chicago Press

Published: 2022-08-30

Total Pages: 252

ISBN-13: 022681985X

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Analyzing the final three decades of Haydn’s career, this book uses the composer as a prism through which to examine urgent questions across the humanities. In this far-reaching work of music history and criticism, Nicholas Mathew reimagines the world of Joseph Haydn and his contemporaries, with its catastrophic upheavals and thrilling sense of potential. In the process, Mathew tackles critical questions of particular moment: how we tell the history of the European Enlightenment and Romanticism; the relation of late eighteenth-century culture to incipient capitalism and European colonialism; and how the modern market and modern aesthetic values were—and remain—inextricably entwined. The Haydn Economy weaves a vibrant material history of Haydn’s career, extending from the sphere of the ancient Esterházy court to his frenetic years as an entrepreneur plying between London and Vienna to his final decade as a venerable musical celebrity, during which he witnessed the transformation of his legacy by a new generation of students and acolytes, Beethoven foremost among them. Ultimately, Mathew asserts, Haydn’s historical trajectory compels us to ask what we might retain from the cultural and political practices of European modernity—whether we can extract and preserve its moral promise from its moral failures. And it demands that we confront the deep histories of capitalism that continue to shape our beliefs about music, sound, and material culture.