Sing! has grown from Keith and Kristyn Getty’s passion for congregational singing; it’s been formed by their traveling and playing and listening and discussing and learning and teaching all over the world. And in writing it, they have five key aims: • to discover why we sing and the overwhelming joy and holy privilege that comes with singing • to consider how singing impacts our hearts and minds and all of our lives • to cultivate a culture of family singing in our daily home life • to equip our churches for wholeheartedly singing to the Lord and one another as an expression of unity • to inspire us to see congregational singing as a radical witness to the world They have also added a few “bonus tracks” at the end with some more practical suggestions for different groups who are more deeply involved with church singing. God intends for this compelling vision of His people singing—a people joyfully joining together in song with brothers and sisters around the world and around his heavenly throne—to include you. He wants you,he wants us, to sing.
When he fell from a darkened stage in November 1996, Kirk Franklin could easily have been killed. That ten-foot plunge might have ended the career of one of America's most exciting young prodigies. But thanks to his dramatic recovery, the fall added not only a new dimension to his story but it brought Kirk Franklin to the attention of millions who otherwise might never have heard the name. Today Kirk Franklin is bigger than ever. His recordings have topped the charts, selling more copies in less time than any gospel musician in history. He has won every award gospel music has to offer but his own success is the last thing on his mind. This is the story of a young man from the poor side of town. He was taunted and teased as a child, but his faith and his remarkable musical talent helped him overcome the odds. In these pages Kirk Franklin reveals the real source of his strength. "What motivates me," he says, "is the knowledge that God has redeemed me from the pain and the hurts and the sin of my past and given me a new joy I can't even explain. It's not just for show," he says. "It's the truth, and that's what I want to express."
The highly anticipated follow-up to Bishop Robert Barron's hugely successful Catholicism: A Journey to the Faith As secularism gains influence, and increasing numbers see religion as dull and backward, Robert Barron wants to illuminate how beautiful, intelligent, and relevant the Catholic faith is. In this compelling new book—drawn from conversations with and narrated by award-winning Vatican journalist John L. Allen, Jr.—Barron, founder of Word on Fire Catholic Ministries, proclaims in vivid language the goodness and truth of the Catholic tradition. Through Barron’s smart, practical, artistic, and theological observations as well as personal anecdotes—from engaging atheists on YouTube to discussing his days as a young diehard baseball fan from Chicago—To Light a Fire on the Earth covers prodigious ground. Touching on everything from Jesus to prayer, science, movies, atheism, the spiritual life, the fate of Church in modern times, beauty, art, and social media, Barron reveals why the Church matters today and how Catholics can intelligently engage a skeptical world.
This is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.
This book is an investigation into church music through the lens of performance theory, both as a discipline and as a theoretical framework. Scholars who address religious music making in general, and Christian church music in particular, use "performance" in a variety of ways, creating confusion around the term. A systematized performance vocabulary for the study of church music can support interdisciplinary investigations of Christian congregational music making in today’s complex, interconnected world. From the perspective of performance theory, all those involved in church musicking are performing, be it from platform or pew. The book employs a hybrid methodology that combines ethnographic research and theory from ritual studies, ethnomusicology, theology, and church music scholarship to establish performance studies as a possible "next step" in church music studies. It demonstrates the feasibility of studying church music as performance by analyzing ethnographic case studies using a developmental framework based on the concepts of ritual, embodiment, and play/change. This book offers a fresh perspective on Christian congregational music making. It will, therefore, be a key reference work for scholars working in Congregational Music Studies, Ethnomusicology, Ritual Studies and Performance Studies, as well as practitioners interested in examining their own church music practices.
Come inside the world of Steve Kilbey singer songwriter and bassist of one of Australia's best loved bands, The Church. From his migrant ten pound pom childhood through his adolescence growing up during the advent of The Beatles, Dylan and The Stones to his early adventures in garage bands and neighbourhood jams. His misadventures with a full time job and a 9 to 5 life and wild adventures with The Church as they conquer Australia and then the world. The tours. The records. The women. And then the heroin addiction which enslaved him for ten long years. Then the two sets of twins he fathers along the way and branching off into acting, painting and writing. From snowy Sweden to a cell in New York City, from Ipanema beach to Bondi, Kilbey stumbles through his surrrealistic life as an idiot savant that will make you smile as well as want to kick him up the arse. After coming out the other side his tale is simply too good not to be told. Narrated with unusual and often pristine clarity we and with much focus on his considerable musical talent.
Andrew Gant's compelling account traces English church music from Anglo-Saxon origins to the present. It is a history of the music and of the people who made, sang and listened to it. It shows the role church music has played in ordinary lives and how it reflects those lives back to us. The author considers why church music remains so popular and frequently tops the classical charts and why the BBC's Choral Evensong remains the longest-running radio series ever. He shows how England's church music follows the contours of its history and is the soundtrack of its changing politics and culture, from the mysteries of the Mass to the elegant decorum of the Restoration anthem, from stern Puritanism to Victorian bombast, and thence to the fractured worlds of the twentieth century as heard in the music of Vaughan Williams and Britten. This is a book for everyone interested in the history of English music, culture and society.
"The Church has always sought a dynamic balance between the expressive and the formative attributes of liturgical music. (This book) traces the development of the Church's music through the ages and is a chronicle of the music we have used in the earthly Liturgy of the Church. .... " [from back cover]