Musica Asiatica: Volume 5

Musica Asiatica: Volume 5

Author: Richard Widdess

Publisher: Cambridge University Press

Published: 1988-07-07

Total Pages: 284

ISBN-13: 9780521340717

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The fifth volume of Musica Asiatica is a collection of essays on the music of East Asia.


Music, Mind, and Language in Chinese Poetry and Performance

Music, Mind, and Language in Chinese Poetry and Performance

Author: Casey Schoenberger

Publisher: Oxford University Press

Published: 2024-02-28

Total Pages: 304

ISBN-13: 0198886241

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"Poetry puts intent into words; singing lengthens words"--this is one of the earliest Chinese comments on artistic expression. Poetic language extends the reach of a sentiment beyond the individual, and musicality extends the reach of poetic language, not only across a room, but across geography and generations. The "extended mind thesis" (EMT) views minds as extending beyond individual nervous systems to include material and social environments. Music, Mind, and Language in Chinese Poetry and Performance: The Voice Extended offers a comprehensive overview of the interwoven histories of traditional Chinese poetry and performing arts. It employs cognitive and quantitative methods such as EMT, and a database of over six thousand traditional melodies, to describe cyclical, continuous interactions between social minds and material artifacts. From the ancient Canon of Poetry to the song-lyrics (ci) of the late medieval period and the dramatic arias of Kun and Beijing operas, Casey Schoenberger introduces the rhythms, melodies, pronunciation, and grammatical stylistics of the major Chinese verse and performance traditions. In doing so, he gleans insights from cognitive neuroscience, digital humanities, musicology, and linguistics to explain not only the trajectory of Chinese arts, but also bigger phenomena, like vernacularisation and improvisation.


Music from the Tang Court: Volume 6

Music from the Tang Court: Volume 6

Author: Laurence E. R. Picken

Publisher: Cambridge University Press

Published: 1997-10-30

Total Pages: 328

ISBN-13: 9780521621007

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This volume brings to an end the transcription and description of thirty-one items from the Court Entertainment Music of the Tang. Of particular interest are a tune for a birthplace-ode by the Taizong Emperor, music for spear throwing, and a piece imitating calls between sexual partners in a flock of geese. Important appendices discuss stylistic differences between music of the Tang and imitative Japanese compositions, Tang compositions with military associations, and relatedness between movements in suites from the Tang.


Musica Asiatica: Volume 4

Musica Asiatica: Volume 4

Author: Laurence Picken

Publisher: CUP Archive

Published: 1984-03-29

Total Pages: 284

ISBN-13: 9780521278379

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In this fourth volume of studies in the historical musicology and organology of Asia, Jonathan Condit completes his survey of Korean scores in mensural notation, and Roger Blench examines the morphology and distribution of sub-Saharan musical instruments of North African, Middle Eastern, and Asian origin.


Music from the Tang Court: Volume 3

Music from the Tang Court: Volume 3

Author: Laurence Picken

Publisher: CUP Archive

Published: 1985-11-07

Total Pages: 120

ISBN-13: 9780521278386

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Fáscicle 3 publishes smaller suites and pieces, together representative of the 'middle-sized pieces' and 'small pieces' (chukyoku and shokyoku) of the threefold classification, in which the daikyoku are the largest suites. O-dai hajin-raku from a reputedly eleventh-century manuscript: Kaicbu-fu, in parallel with the conflation discussed in Fascicle 2.


Collection of Ancient Chinese Cultural Relics, Volume 5

Collection of Ancient Chinese Cultural Relics, Volume 5

Author:

Publisher: ATF Press

Published: 2020-02-03

Total Pages: 331

ISBN-13: 192537145X

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This book, a collection of ancient cultural relics from the Sui, Tang, and Five Dynasties, 581 to 960, covers calligraphy, jade and bronze ware, gold and silver ware, pottery, porcelain, painting, calligraphy, stone carving and handicrafts. In 589, the Chen Dynasty which governed the areas south of the lower reaches of the Yangtze River was destroyed by what became the Sui Dynasty, finally putting an end to a history of separate states covering 300 years from the late Eastern Han Dynasty and re-establishing national unification and order. The year 618 saw its replacement by the Tang Dynasty that has gone down in history as a time of grander political and military achievements. During the mid and late period political storms repeatedly occurred. The military governors, eunuchs and different cliques brought about one disaster after another, finally resulting in its collapse and giving rise to the independent regimes of the Five Dynasties and Ten States. The united Sui and Tang Dynasties developed and improved various state systems in the fields of politics, economy, law, military affairs, education and ethics, ensuring that the economy flourished. In particular, the economy in the areas south of the lower reaches of the Yangtze River gained rapid progress and the development level of agriculture, the handicraft industry and commerce in these areas was unprecedented. The Sui, Tang and Five Dynasties were times of great elegance and beauty. Various minds of arts and craft. including jade articles, tri-coloured glazed pottery. porcelain. painting calligraphy, stone carving and sculpture achieved peaks in their respective development history, which was really a great wonder. This book, the fifth in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 379 descriptions.


The Cambridge World History: Volume 5, Expanding Webs of Exchange and Conflict, 500CE–1500CE

The Cambridge World History: Volume 5, Expanding Webs of Exchange and Conflict, 500CE–1500CE

Author: Benjamin Z. Kedar

Publisher: Cambridge University Press

Published: 2015-04-09

Total Pages: 749

ISBN-13: 1316297756

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Volume 5 of the Cambridge World History series uncovers the cross-cultural exchange and conquest, and the accompanying growth of regional and trans-regional states, religions, and economic systems, during the period 500 to 1500 CE. The volume begins by outlining a series of core issues and processes across the world, including human relations with nature, gender and family, social hierarchies, education, and warfare. Further essays examine maritime and land-based networks of long-distance trade and migration in agricultural and nomadic societies, and the transmission and exchange of cultural forms, scientific knowledge, technologies, and text-based religious systems that accompanied these. The final section surveys the development of centralized regional states and empires in both the eastern and western hemispheres. Together these essays by an international team of leading authors show how processes furthering cultural, commercial, and political integration within and between various regions of the world made this millennium a 'proto-global' era.


The History of Music

The History of Music

Author: Hope Lourie Killcoyne

Publisher: Encyclopaedia Britannica

Published: 2015-07-15

Total Pages: 238

ISBN-13: 1680480936

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Music is an art that, in one guise or another, permeates every human society. Though musical theory did not develop until the nineteenth century, rhythm has had the power to move people for millennia. Readers will travel the river of musical time, from early Indian and Chinese conceptions, when music was first used as a sonic vector for religion, through its development in the Middle Ages to great classical composers of the late eighteenth century to the music of today.


Theorizing the Local

Theorizing the Local

Author: Richard Wolf

Publisher: Oxford University Press

Published: 2009-09-03

Total Pages: 344

ISBN-13: 0199716005

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Over the past four decades, the "globalized" aspects of cultural circulation have received the majority of scholarly-and consumer-attention, particularly in the study of South Asian music. As a result, a broad range of community-based and other locally focused performance traditions in the regions of South Asia have remained relatively unexplored. Theorizing the Local provides a challenging and compelling counterperspective to the "globalized," arguing for the value of comparative microstudies that are not concerned primarily with the flow of capital and neoliberal politics. What does it mean for musical activities to be local in an increasingly interconnected world? To what extent can theoretical activity be localized to the very acts of making music, interacting, and composing? Theorizing the Local offers glimpses into rich musical worlds of south and west Asia, worlds which have never before been presented in a single volume. The authors cross the traditional borders of scholarship and region, exploring in unmatched detail a vast array of musical practices and significant ethnographic discoveries-from Nepal to India, India to Sri Lanka, Pakistan to Iran. Enriched by audio and video tracks on an extensive companion Web site, Theorizing the Local is an important study of South Asian musical traditions that offers a broader understanding of 21st-century music of the world.