The primary intention of this work is to present a set of alternative approaches to musicality where the object of analysis is the 'process' of music-making rather than the 'product' or end result. It uses as its source the concept of musicality as a way of comprehending reality rather than as a static reflection of it, and Balinese music is the main cultural example.
This volume explores the nature, philosophies and genres of indigenous African popular music, focusing on how indigenous African popular music artistes are seen as prophets and philosophers, and how indigenous African popular music depicts the world. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which only be unraveled by knowledge of the myriad cultural backgrounds from which its genres originate. Indigenous African popular musicians have become repositories of indigenous cultural traditions and cosmologies.With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores the work of these pioneering artists and their protégés who are resiliently sustaining, recreating and popularising indigenous popular music in their respective African communities, and at the same time propagating the communal views about African philosophies and the temporal and spiritual worlds in which they exist.
The sustainability of music and other intangible expressions of culture has been high on the agenda of scholars, governments and NGOs in recent years. However, there is a striking lack of systematic research into what exactly affects sustainability across music cultures. By analyzing case studies of nine highly diverse music cultures against a single framework that identifies key factors in music sustainability, Sustainable Futures for Music Cultures offers an understanding of both the challenges and the dynamics of music sustainability in the contemporary global environment, and breathes new life into the previously discredited realm of comparative musicology, from an emphatically non-Eurocentric perspective. Situated within the expanding field of applied ethnomusicology, this book confirms some commonly held beliefs, challenges others, and reveals sometimes surprising insights into the dynamics of music cultures. By examining, comparing and contrasting highly diverse contexts from thriving to 'in urgent need of safeguarding, ' Sustainable Futures for Music Cultures analyzes sustainability across five carefully defined domains. The book identifies pathways to strategies and tools that may empower communities to sustain and revitalize their music heritage on their terms. In this way, this book contributes to greater scholarly insight, new (sub)disciplinary approaches, and pathways to improved practical outcomes for the long-term sustainability of music cultures. As such it will be an essential resource for ethnomusicologists, as well as scholars and activists outside of music, with an interest in the preservation of intangible cultural heritage.
This collection of thirteen essays examines cultural, political, economic, technological and institutional aspects of popular music across Asia, from India to Japan.
"Bridges to the Ancestors effectively reveals the Lingsar festival as a site of cultural struggle as Harnish explores how history, identity, and power are constructed and negotiated. He addresses the fascinating interaction between music and myth and the forces of modernity, globalization, authenticity, tourism, religion, regionalism, and nationalism in maintaining "tradition.""--Jacket.
Building on ethnographic fieldwork & extensive historical evidence, James Wilce analyzes lament across thousands of years & nearly every continent, illustrating human commonalities & cultural diversity. In doing so, he offers a new perspective on modernity & postmodernity by demonstrating their fundamental relationship to lament.
In The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy. Drawing on fields ranging from philosophy and sound studies to black feminist studies and musicology, James shows how what she calls the sonic episteme—a set of sound-based rules that qualitatively structure social practices in much the same way that neoliberalism uses statistics—employs a politics of exception to maintain hegemonic neoliberal and biopolitical projects. Where James sees the normcore averageness of Taylor Swift and Spandau Ballet as contributing to the sonic episteme's marginalization of nonnormative conceptions of gender, race, and personhood, the black feminist political ontologies she identifies in Beyoncé's and Rihanna's music challenge such marginalization. In using sound to theorize political ontology, subjectivity, and power, James argues for the further articulation of sonic practices that avoid contributing to the systemic relations of domination that biopolitical neoliberalism creates and polices.
The Japanese Middle Ages were a period when forms of secrecy dominated religious practice. This fascinating collection traces out the secret characteristics and practices in Japanese religion, as well as analyzing the decline of religious esotericism in Japan. The essays in this impressive work refer to Esoteric Buddhism as the core of Japan’s "culture of secrecy". Esoteric Buddhism developed in almost all Buddhist countries of Asia, but it was of particular importance in Japan where its impact went far beyond the borders of Buddhism, also affecting Shinto as well as non-religious forms of discourse. The contributors focus on the impact of Esoteric Buddhism on Japanese culture, and also include comparative chapters on India and China. Whilst concentrating on the Japanese medieval period, this book will give readers familiar with present day Japan, many explanations for the still visible remnants of Japan’s medieval culture of secrecy.
