Yearbook of Comparative and General Literature
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Published: 1990
Total Pages: 488
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Published: 1990
Total Pages: 488
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Published: 1987
Total Pages: 356
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DOWNLOAD EBOOKAuthor: Gustavo Adolfo Bécquer
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Published: 1995
Total Pages: 254
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DOWNLOAD EBOOKMuch of Becquer's fantasy and creative flow finds stimulation in the light, aura, and mystery of the moon, and in the essay "By the Light of the Moon" we are given a glimpse into the inspiration of numerous legends, especially "The White Doe," where in the moon's light "objects take on a fantastic hue," and "The Moonbeam," where moonlight "spreads a soft melancholy over all of nature.".
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Published: 1989
Total Pages: 860
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Published: 1986
Total Pages: 606
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Published: 1987
Total Pages: 1318
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DOWNLOAD EBOOKVols. for 1969- include ACTFL annual bibliography of books and articles on pedagogy in foreign languages 1969-
Author: Jack Gilbert
Publisher: Knopf
Published: 2013-09-11
Total Pages: 101
ISBN-13: 0307760871
DOWNLOAD EBOOKJOYCE'S MOTTO has had much fame but few apostles. Among them, there has been Jack Gilbert and his orthodoxy, a strictness that has required of this poet, now in the seventh decade of his severe life, the penalty of his having had almost no fame at all. In an era that puts before the artist so many sleek and official temptations, keeping unflinchingly to a code of "silence, exile, and cunning" could not have been managed without a show of strictness well beyond the reach of the theater of the coy. The "far, stubborn, disastrous" course of Jack Gilbert's resolute journey--not one that would promise in time to bring him home to the consolations of Penelope and the comforts of Ithaca but one that would instead take him ever outward to the impossible blankness of the desert--could never have been achieved in the society of others. What has kept this great poet brave has been the difficult company of his poems--and now we have, in Gilbert's third and most silent book, what may be, what must be, the bravest of these imperial accomplishments.
Author: Andrew Debicki
Publisher: University Press of Kentucky
Published: 2021-12-14
Total Pages: 395
ISBN-13: 0813189934
DOWNLOAD EBOOKTwentieth-century Spanish poetry has received comparatively little attention from critics writing in English. Andrew Debicki now presents the first English-language history published in the United States to examine the sweep of modern Spanish verse. More important, he is the first to situate Spanish poetry in the context of European modernity, to trace its trajectory from the symbolists to the postmodernists. Avoiding the rigid generational schemes and catalogs of names found in traditional Hispanic literary histories, Debicki offers detailed discussions of salient books and texts to construct an original and compelling view of his subject. He demonstrates that contemporary Spanish verse is rooted in the modem tradition and poetics that see the text as a unique embodiment of complex experiences. He then traces the evolution of that tradition in the early decades of the century and its gradual disintegration from the 1950s to the present as Spanish poetry came to reflect features of the postmodern, especially the poetics of text as process rather than as product. By centering his study on major periods and examining within each the work of poets of different ages, Debicki develops novel perspectives. The late 1960s and early 1970s, for example, were not merely the setting for a new aestheticist generation but an era of exceptional creativity in which both established and new writers engendered a profound, intertextual, and often self-referential lyricism. This book will be essential reading for specialists in modern Spanish letters, for advanced students, and for readers inter-ested in comparative literature.
Author: Eric Baus
Publisher: Wave Books
Published: 2004
Total Pages: 86
ISBN-13:
DOWNLOAD EBOOKSelected by Forrest Gander for the 2002 Verse Prize, Baus's debut is full of "unlikely logics."
Author: Suzanne M. Lodato
Publisher: Rodopi
Published: 2002
Total Pages: 312
ISBN-13: 9789042010031
DOWNLOAD EBOOKThe eighteen interdisciplinary essays in this volume were presented in 2001 in Sydney, Australia, at the Third International Conference on Word and Music Studies, which was sponsored by The International Association for Word and Music Studies (WMA). The conference celebrated the sixty-fifth birthday of Steven Paul Scher, arguably the central figure in word and music studies during the last thirty-five years. The first section of this volume comprises ten articles that discuss, or are methodologically based upon, Scher's many analyses of and critical commentaries on the field, particularly on interrelationships between words and music. The authors cover such topics as semiotics, intermediality, hermeneutics, the de-essentialization of the arts, and the works of a wide range of literary figures and composers that include Baudelaire, Mallarmé, Proust, T. S. Eliot, Goethe, Hölderlin, Mann, Britten, Schubert, Schumann, and Wagner. The second section consists of a second set of papers presented at the conference that are devoted to a different area of word and music studies: cultural identity and the musical stage. Eight scholars investigate - and often problematize - widespread assumptions regarding 'national' and 'cultural' music, language, plots, and production values in musical stage works. Topics include the National Socialists' construction of German national identity; reception-based examinations of cultural identity and various "national" opera styles; and the means by which composers, librettists, and lyricists have attempted to establish national or cultural identity through their stage works.