For singers who like zingers, these hilarious contemporary hymns by Paul Toscano, illustrated by cartoonist Calvin Grondahl, will leave anyone with a funny-bone in stitches. The tunes are familiar, the lyrics new, some lighthearted and poke fun at everyday events, while others are edged with satire and parody. Titles include Ere You Left Your Room This Morning, Did You Think to Shave? My! How the Women are Raging, How Numerous the Commands, There is Suns tone in the Mail Today, Marry On! Mormo Have the Holiest Architects, Let Us All be Faith-Promoting, and We are Spending, Daily Spending. Music and the Broken Word is guaranteed to delight lovers of Mormon humor and dismay ward choristers.
Abortion. Homosexuality. Environmentalism. Evolution. Conservative positions on these topics are the current boundaries of mainstream Evangelical Christianity. But what if the theological arguments given by popular leaders on these “big four” were not quite as clear cut as they claim? Growing up as an evangelical Christian, Jonathan Dudley was taught that faith was defined by the total rejection of abortion, homosexuality, evolution, and environmentalism. But once he had begun studying biology and ethics, his views began to change and he soon realized that what he had been told about the Bible – and those four big issues – may have been misconstrued. Broken Words: The Abuse of Science and Faith in American Politics assesses the scientific and cultural factors leading evangelicals to certain stances on each issue, shows where they went wrong, and critically challenges the scriptural, ethical, and biological arguments issued by those leaders today. In Broken Words, Dudley applies the Bible and biology to challenge the fixed political dogmas of the religious right. Evangelicals are confronted for the first time from within their ranks on the extent to which faith has been corrupted by conservative politics, cultural prejudice and naive anti-intellectualism. A re-ordering of American Christianity is underway – and this book is an essential part of the conversation.
The stunning debut from "one of the best British writers to emerge in the past decade." (Julian Barnes) With a voice that is at once fierce and lyrical, Adam Foulds tells the story of the Mau Mau uprising against British colonial rule in 1950s Kenya. Tom, a young man who has returned to his family's farm, rapidly becomes caught up in the intensifying events of violence and brutality in a conflict Foulds illustrates as both utterly contemporary and yet deeply burdened by the history of race and empire in this region. The Broken Word was the recipient of the Costa (Whitbread) Poetry Award, and Foulds's The Quickening Maze was a finalist for the Man Booker Prize.
The Bible is a religious masterpiece. Its authors cast a profound vision for the healing of humanity through the power of divine love, grace and forgiveness. But the Bible also contains "dark texts" that challenge our ethical imagination. How can one book teach us to love our enemies and also teach us to slaughter Canaanites? Why does a book that preaches the equality of all people -- male and female, slave and free, Greek and Jew -- also include laws that permit God's people to trade in slaves and to persecute those of a different faiths or ethnicities? In Sacred Word, Broken Word Kenton Sparks argues that the "dark side" of Scripture is not an illusion. Rather, these dark texts remind us that all human beings, including the biblical authors, stand in need of God's redemptive solution in Jesus Christ.
“Sting’s gift for prose and reverence for language, nearly the equal of his musical gifts, shine on every page. Even when Broken Music addresses the quixotic life of an aspiring rock & roller, it reads like literature from a more rarified time when adults didn’t condescend to the vulgarities of pop culture.” —Rolling Stone Having been a songwriter most of my life, condensing my ideas and emotions into short rhyming couplets and setting them to music, I had never really considered writing a book. But upon arriving at the reflective age of fifty, I found myself drawn, for the first time, to write long passages that were as stimulating and intriguing to me as any songwriting I had ever done. And so Broken Music began to take shape. It is a book about the early part of my life, from childhood through adolescence, right up to the eve of my success with the Police. It is a story very few people know. I had no interest in writing a traditional autobiographical recitation of everything that’s ever happened to me. Instead I found myself drawn to exploring specific moments, certain people and relationships, and particular events which still resonate powerfully for me as I try to understand the child I was, and the man I became.
As if her parents' heavy drinking and her father's abuse--which nearly killed her half-brother, Iggy--were not enough, fifteen-year-old Mara is caught kissing her girlfriend, Xylia, by the preacher's son and becomes terrified that her own life is at risk.
From the author of the Man Booker shortlisted The Quickening Maze, a brilliant, touching and funny story about an extraordinary friendship. 'A novel bursting with incident, humour, humanity and literary promise' Sunday Times Saul Dawson-Smith is ten years old. He can memorise the sequence of a shuffled deck of cards in under a minute and is in training for the World Memory Championships. Howard McNamee is twenty-eight: lonely, overweight, poorly educated, and on the run from his memories of a murky Glaswegian childhood. As Howard navigates a bewildering new life in London - including accidentally acquiring a Russian fiancée - he is taken under the wing of Saul's parents, and forms an unlikely friendship with the solitary boy. But as pressure mounts before the Championship, Howard realises he must act to save his small friend from a life of unbearable expectation. And so, he and Saul head out on the strangest road trip of all time - one that will turn both their lives upside down.
Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music.
In this all-new, deeply moving companion to "The Night Journey," it is now 1897 and Reuven Bloom is 15 years old. When his parents and older sister are murdered by the Tsar's army, Reuven decides to escape to America with his baby sister.
In this "raucous, moving, and necessary" story by a Pulitzer Prize finalist (San Francisco Chronicle), the De La Cruzes, a family on the Mexican-American border, celebrate two of their most beloved relatives during a joyous and bittersweet weekend. "All we do, mija, is love. Love is the answer. Nothing stops it. Not borders. Not death." In his final days, beloved and ailing patriarch Miguel Angel de La Cruz, affectionately called Big Angel, has summoned his entire clan for one last legendary birthday party. But as the party approaches, his mother, nearly one hundred, dies, transforming the weekend into a farewell doubleheader. Among the guests is Big Angel's half brother, known as Little Angel, who must reckon with the truth that although he shares a father with his siblings, he has not, as a half gringo, shared a life. Across two bittersweet days in their San Diego neighborhood, the revelers mingle among the palm trees and cacti, celebrating the lives of Big Angel and his mother, and recounting the many inspiring tales that have passed into family lore, the acts both ordinary and heroic that brought these citizens to a fraught and sublime country and allowed them to flourish in the land they have come to call home. Teeming with brilliance and humor, authentic at every turn, The House of Broken Angels is Luis Alberto Urrea at his best, and cements his reputation as a storyteller of the first rank. "Epic . . . Rambunctious . . . Highly entertaining." -- New York Times Book Review"Intimate and touching . . . the stuff of legend." -- San Francisco Chronicle"An immensely charming and moving tale." -- Boston GlobeNational Bestseller and National Book Critics Circle Award finalistA New York Times Notable BookOne of the Best Books of the Year from National Public Radio, American Library Association, San Francisco Chronicle, BookPage, Newsday, BuzzFeed, Kirkus, St. Louis Post-Dispatch, Literary Hub
