Music Analysis in the Nineteenth Century: Volume 1, Fugue, Form and Style

Music Analysis in the Nineteenth Century: Volume 1, Fugue, Form and Style

Author: Ian Bent

Publisher: Cambridge University Press

Published: 1994-03-17

Total Pages: 404

ISBN-13: 9780521259699

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This book demonstrates, in fascinating diversity, how musicians in the nineteenth century thought about and described music. The analysis of music took many forms (verbal, diagrammatic, tabular, notational, graphic), was pursued for many different purposes (educational, scholarly, theoretical, promotional) and embodied very different approaches. This, the first volume, is concerned with writing on fugue, form and questions of style in the music of Palestrina, Handel, Bach, Mozart, Beethoven and Wagner and presents analyses of complete works or movements by the most significant theorists and critics of the century. The analyses are newly translated into English and are introduced and thoroughly annotated by Ian Bent, making this a volume of enormous importance to our understanding of the nature of music reception in the nineteenth century.


A Theory of Musical Narrative

A Theory of Musical Narrative

Author: Byron Almén

Publisher: Indiana University Press

Published: 2017-09-04

Total Pages: 263

ISBN-13: 0253030285

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Byron Almén proposes an original synthesis of approaches to musical narrative from literary criticism, semiotics, historiography, musicology, and music theory, resulting in a significant critical reorientation of the field. This volume includes an extensive survey of traditional approaches to musical narrative illustrated by a wide variety of musical examples that highlight the range and applicability of the theoretical apparatus. Almén provides a careful delineation of the essential elements and preconditions of musical narrative organization, an eclectic analytical model applicable to a wide range of musical styles and repertoires, a classification scheme of narrative types and subtypes reflecting conceptually distinct narrative strategies, a wide array of interpretive categories, and a sensitivity to the dependence of narrative interpretation on the cultural milieu of the work, its various audiences, and the analyst. A Theory of Musical Narrative provides both an excellent introduction to an increasingly important conceptual domain and a complex reassessment of its possibilities and characteristics.


Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951)

Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951)

Author: Norton Dudeque

Publisher: Routledge

Published: 2017-07-05

Total Pages: 291

ISBN-13: 1351557173

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Arnold Schoenberg's theory of music has been much discussed but his approach to music theory needs a new historical and theoretical assessment in order to provide a clearer understanding of his contributions to music theory and analysis. Norton Dudeque's achievement in this book involves the synthesis of Schoenberg's theoretical ideas from the whole of the composer's working life, including material only published well after his death. The book discusses Schoenberg's rejection of his German music theory heritage and past approaches to music-theory pedagogy, the need for looking at musical structures differently and to avoid aesthetic and stylistic issues. Dudeque provides a unique understanding of the systematization of Schoenberg's tonal-harmonic theory, thematic/motivic-development theory and the links with contemporary and past music theories. The book is complemented by a special section that explores the practical application of the theoretical material already discussed. The focus of this section is on Schoenberg's analytical practice, and the author's response to it. Norton Dudeque therefore provides a comprehensive understanding of Schoenberg's thinking on tonal harmony, motive and form that has hitherto not been attempted.


Mozart's Grace

Mozart's Grace

Author: Scott Burnham

Publisher: Princeton University Press

Published: 2015-09-22

Total Pages: 204

ISBN-13: 0691168067

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Aspects of beauty in the music of Mozart It is a common article of faith that Mozart composed the most beautiful music we can know. But few of us ask why. Why does the beautiful in Mozart stand apart, as though untouched by human hands? At the same time, why does it inspire intimacy rather than distant admiration, love rather than awe? And how does Mozart's music create and sustain its buoyant and ever-renewable effects? In Mozart's Grace, Scott Burnham probes a treasury of passages from many different genres of Mozart's music, listening always for the qualities of Mozartean beauty: beauty held in suspension; beauty placed in motion; beauty as the uncanny threshold of another dimension, whether inwardly profound or outwardly transcendent; and beauty as a time-stopping, weightless suffusion that comes on like an act of grace. Throughout the book, Burnham engages musical issues such as sonority, texture, line, harmony, dissonance, and timing, and aspects of large-scale form such as thematic returns, retransitions, and endings. Vividly describing a range of musical effects, Burnham connects the ways and means of Mozart's music to other domains of human significance, including expression, intimation, interiority, innocence, melancholy, irony, and renewal. We follow Mozart from grace to grace, and discover what his music can teach us about beauty and its relation to the human spirit. The result is a newly inflected view of our perennial attraction to Mozart's music, presented in a way that will speak to musicians and music lovers alike.


Musical Analyses and Musical Exegesis

Musical Analyses and Musical Exegesis

Author: Jean-Jacques Nattiez

Publisher: Boydell & Brewer

Published: 2021

Total Pages: 471

ISBN-13: 158046999X

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Here translated for the first time, Jean-Jacques Nattiez's widely hailed comparative guide to the techniques of music analysis focuses on a single vivid passage from Wagner's Tristan and Isolde.


Robert Schumann

Robert Schumann

Author: John Daverio

Publisher: Oxford University Press, USA

Published: 1997

Total Pages: 624

ISBN-13: 0195091809

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This work focuses on the work of the romantic composer Robert Schumann.


Music Theory in the Age of Romanticism

Music Theory in the Age of Romanticism

Author: Ian Bent

Publisher: Cambridge University Press

Published: 1996-08-28

Total Pages: 260

ISBN-13: 9780521551021

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Twelve brilliant historians of theory probe the mind of the Romantic era in its thinking about music.


Nineteenth-Century British Music Studies

Nineteenth-Century British Music Studies

Author: Bennett Zon

Publisher: Routledge

Published: 2019-05-23

Total Pages: 345

ISBN-13: 0429628846

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Originally published in 1999, this volume of essays arises from the first biennial Music in Nineteenth-Century Britain conference, held at the University of hull in July 1997. Like the conference, this book seeks to expand and reassess our current knowledge of musical life in Britain during the nineteenth century, as well as to challenge the preconceptions of earlier attitudes and scholarship. This volume covers a cohesive range of subjects and materials intended not only as a revision of past views and scholarship, but also as a tool for further research. It provides a vigorous reconsideration of the musical activity of the period.


Romantic Autopsy

Romantic Autopsy

Author: Arden Hegele

Publisher: Oxford University Press

Published: 2022-01-13

Total Pages: 234

ISBN-13: 0192848348

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This book considers a moment at the turn of the nineteenth century, when literature and medicine seemed embattled in rivalry, to find the fields collaborating to develop interpretive analogies that saw literary texts as organic bodies and anatomical features as legible texts.


Music as Discourse

Music as Discourse

Author: Victor Kofi Agawu

Publisher: Oxford University Press

Published: 2009

Total Pages: 345

ISBN-13: 0190206403

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The question of whether music has meaning has been the subject of sustained debate ever since music became a subject of academic inquiry. This book presents a synthetic and innovative approach to musical meaning which argues deftly for the thinking of music as a discourse in itself.