Museums and Restitution
Museums and Restitution

Author: Louise Tythacott

Publisher: Routledge

Published: 2016-04-22

Total Pages: 204

ISBN-13: 1317092864

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This book examines contemporary approaches to restitution from the perspective of museums. It focuses on the ways in which these institutions have been addressing the subject at a regional, national and international level. In particular, it explores contemporary practices and recent claims, and investigates to what extent the question of restitution as an issue of ownership is still at large, or whether museums have found additional ways to conceptualise and practice restitution, by thinking beyond the issue of ownership. The challenges, benefits and drawbacks of recent and current museum practice are explored. At the same time, the book discusses how these museum practices are received , and informed, by source communities, institutional and governmental agendas and visitors' expectations in order to explore issues of authority, collaboration and shared or conflicting values between the different communities involved in the process. This important book will contribute to the developing body of literature that academics, professionals, policy makers and students can refer to in order to understand how restitution has been negotiated, 'materialised', practiced and evaluated within museums.

Restitution
Restitution

Author: Alexander Herman

Publisher: Hot Topics in the Art World

Published: 2021-09-30

Total Pages: 104

ISBN-13: 9781848225367

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Debates about the restitution of cultural objects have been ongoing for many decades, but have acquired a new urgency recently with the intensification of scrutiny of European museum collections acquired in the colonial period. Alexander Herman's fascinating and accessible book provides a comprehensive and up-to-date overview of the restitution ......

The Brutish Museums
The Brutish Museums

Author: Dan Hicks

Publisher:

Published: 2020

Total Pages: 0

ISBN-13: 9781786806833

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Walk into any European museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objectsare all stolen. Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of brass plaques and carved ivory tusks depicting the history of the Royal Court of the Obas of BeninCity, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections. The story of the Benin Bronzes sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. In The Brutish Museums, Dan Hicks makes a powerful case for the urgent return of such objects, as part of a wider project of addressing the outstanding debt of colonialism.

Returning Southeast Asia's Past
Returning Southeast Asia's Past

Author: Louise Tythacott

Publisher: Art and Archaeology of Southea

Published: 2021

Total Pages: 0

ISBN-13: 9789813251243

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"The last 150 years has seen extensive looting and illicit trafficking of Southeast Asia's cultural heritage. Art objects from the region were distributed to museums and private collections around the world. But in the 21st century, power relations are shifting, a new awareness is growing, and new questions are emerging about the representation and ownership of Southeast Asian cultural material located in the West. This book is a timely consideration of object restitution and related issues across Southeast Asia, bringing together different viewpoints including from museum professionals and scholars in Cambodia, Thailand, Vietnam and Indonesia - as well as Europe, North America and Australia. The objects themselves are at the centre of most narratives - from Khmer art to the Mandalay regalia (repatriated in 1964), Ban Chiang archaeological material and the paintings of Raden Saleh. Legal, cultural, political and diplomatic issues involved in the restitution process are considered in many of the chapters; others look at the ways object restitution is integral to evolving narratives of national identity."--Publisher's description

Imperialism, Art and Restitution
Imperialism, Art and Restitution

Author: John Henry Merryman

Publisher: Cambridge University Press

Published: 2006-06-05

Total Pages: 241

ISBN-13: 0521859298

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This book is about whether or not great works of art should be returned.

International Law, Museums and the Return of Cultural Objects
International Law, Museums and the Return of Cultural Objects

Author: Ana Filipa Vrdoljak

Publisher: Cambridge University Press

Published: 2006-07-13

Total Pages: 29

ISBN-13: 0521841429

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While the question of the return of cultural objects is by no means a new one, it has become the subject of increasingly intense debate in recent years. This important book explores the removal and the return of cultural objects from occupied communities during the last two centuries and analyses the concurrent evolution of international cultural heritage law. The book focuses on the significant influence exerted by British, U.S. and Australian governments and museums on international law and museum policy in response to restitution claims. It shows that these claims, far from heralding the long-feared dissolution of museums and their collections, provide museums with a vital, new role in the process of self-determination and cultural identity. Compelling and thought-provoking throughout, this book is essential reading for archaeologists, international lawyers and all those involved in cultural resource management.

Clémentine Deliss
Clémentine Deliss

Author: Clémentine Deliss

Publisher: Hatje Cantz Verlag

Published: 2020-07-15

Total Pages: 153

ISBN-13: 3775748016

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For quite some time now, ethnographic museums in Europe have been compelled to legitimate themselves. Their exhibition-making has become a topic of discussion, as has the contentious history of their collections, which have come about through colonial appropriation. Clearly, this cannot continue. That the situation can be different is something that Clémentine Deliss explores in her current publication. She offers an intriguing mix of autobiographically-informed novel and conceptual thesis on contemporary art and anthropology. Reflections on her own work while she was Director of Frankfurt's Weltkulturen Museum (Museum of World Cultures) are interwoven with the explorations of influential filmmakers, artists and writers. She introduces the Metabolic Museum as an interventionist laboratory for remediating ethnographic collections for future generations. CLÉMENTINE DELISS has achieved international renown as a curator, cultural historian and publisher of artist's books. In her role as Director of the Weltkulturen Museum in Frankfurt, as a curator, and as a professor and researcher at eminent institutes and academies, she focuses on transdisciplinary and transcultural exchanges. She is Associate Curator of KW Berlin and Guest Professor at the Academy of Arts, Hamburg.

Restitution and Cultural Heritage Policy Within Museums
Restitution and Cultural Heritage Policy Within Museums

Author: Caitlin Mara Bellet

Publisher:

Published: 2019

Total Pages: 45

ISBN-13:

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The purpose of this study is to investigate the ways in which museum administrators and collections managers address and implement current restitution practices when dealing with issues of cultural heritage and repatriation. The objective of this thesis was developed in order to further research how various museums have trained their collections management staff to address issues of restitution and cultural heritage policy and how such practices affect the legal, curatorial, and general institutional approaches that museum take when met with such issues. Four museums of various size and specialty were selected based on their past and current involvement with addressing and implementing restitution practices. Interviews were conducted over the phone and in person with one or two staff members from each museum. The findings were comprised as comparative case studies for each institution. My core findings of research show that collections managers and other museum staff believe that there are numerous ways to go about addressing issues of restitution and cultural heritage. Similarities in this practice come from a commitment to thorough research on all objects within their respective collections, open communication with museum audiences, and internal collaboration. The results also reveal that the museum field still has to work on allocating financial and legal resources for all cultural institutions regardless of size so that all collections can be researched, displayed, and occasionally restituted at the same level as one another. I suggest that museums with the means and resources to conduct and implement current restitution practices to their full ability should strive to assist other institutions that do not have the proper resources and manpower needed to address such issues in a timely and legal matter so that all collections and cultural groups involved in restitution issues are able to work together to provide transparency and viable outcomes for all parties involved.

Cultural Property and Contested Ownership
Cultural Property and Contested Ownership

Author: Brigitta Hauser-Schäublin

Publisher: Routledge

Published: 2016-06-10

Total Pages: 313

ISBN-13: 1317281829

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Against the backdrop of international conventions and their implementation, Cultural Property and Contested Ownership explores how highly-valued cultural goods are traded and negotiated among diverging parties and their interests. Cultural artefacts, such as those kept and trafficked between art dealers, private collectors and museums, have become increasingly localized in a ‘Bermuda triangle’ of colonialism, looting and the black market, with their re-emergence resulting in disputes of ownership and claims for return. This interdisciplinary volume provides the first book-length investigation of the changing behaviours resulting from the effect of the 1970 UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property. The collection considers the impact of the Convention on the way antiquity dealers, museums and auction houses, as well as nation states and local communities, address issues of provenance, contested ownership, and the trafficking of cultural property. The book contains a range of contributions from anthropologists, lawyers, historians and archaeologists. Individual cases are examined from a bottom-up perspective and assessed from the viewpoint of international law in the Epilogue. Each section is contextualised by an introductory chapter from the editors.

Museums and Restitution
Museums and Restitution

Author: Louise Tythacott

Publisher: Routledge

Published: 2016-04-22

Total Pages: 214

ISBN-13: 1317092856

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This book examines contemporary approaches to restitution from the perspective of museums. It focuses on the ways in which these institutions have been addressing the subject at a regional, national and international level. In particular, it explores contemporary practices and recent claims, and investigates to what extent the question of restitution as an issue of ownership is still at large, or whether museums have found additional ways to conceptualise and practice restitution, by thinking beyond the issue of ownership. The challenges, benefits and drawbacks of recent and current museum practice are explored. At the same time, the book discusses how these museum practices are received , and informed, by source communities, institutional and governmental agendas and visitors' expectations in order to explore issues of authority, collaboration and shared or conflicting values between the different communities involved in the process. This important book will contribute to the developing body of literature that academics, professionals, policy makers and students can refer to in order to understand how restitution has been negotiated, 'materialised', practiced and evaluated within museums.