"A new generation of designers has emerged which thinks beyond designing products. Fascinated by the faults in our social system, production system and the ecosystem, they employ design to tackle the big problems of our time. Designers are uniquely equipped to visualise alternatives and to harness technological innovations to answer social needs. This shift in mentality conceals a creative revolution: the transformative power of contemporary design.0This book brings together for the first time the work of more than fifty thinkers and inventors who have made a new engagement central to their work. Interviews with seven of them provide an insight into their thinking processes. This publication can be read as a manifesto for the creative spirit: the changemakers." -- publisher's description.
A journey of grace for those who are ill . . . I spend my nights asking hundreds of questions: What will my husband do when I’m dead? How many people will show up for my funeral? What if I can’t get out of bed, shower, and get myself dressed tomorrow? And who’ll then shop for groceries, do the laundry, and put the garden to sleep for the winter? God, you promised you’d be with me. Where are you? Dealing with illness is never easy, but it can be especially difficult when that illness is terminal, such as cancer. Over a period of six years living with cancer, author Carol Winters kept a journal.When Hope Is Triedbrings together thirty-one of these daily meditations, which, taken together, depict a movement from outright anger to trusting God. In offering these meditations, Winters hoped to encourage others dealing with illness-and the people who care for them-to discover that God's grace is enough. This honest, faith-filled, and deeply personal devotional book includes Scripture passages, meditations, short prayers, and suggested Bible readings. “When Hope Is Triedis not for those seeking sentimental and easy answers. Winters dares to express anger, doubt, hesitation, pain, and confusion-in other words, she stands before God as a witness that we are in a broken world and declares that sometimes God’s plan seems mightily confusing. But as a witness, Winters points out in ringing and impassioned tones that even with pain and doubt, God is there; and even with confusion, God is there; and even with anger, God is there. And because God is always there, we can dare to live, and to live well.” -Dr. Gary Schmidt, author,Anson’s Way
Founded in London in 1984 by Mark Holt, Simon Johnston, and Hamish Muir, 8vo was one of the most influential design studios in the 1980s and continues to be significant in the design world today. The design studio used traditional, craft-based working methods but an experimental approach to design in order to anticipate the computer-aided aesthetic of the 90s. Designed and written by two of the studio's partners, this attractive, chunky-format book will be a delight to students and practioners of architecture, design, and art alike.
From the exhibition "Nineteenth-century French drawings from the Museum Boymans-van Beuningen" on its American tour. It features ninety-eight drawings by the most influential artists of the period, including Ingres, Cézanne, Degas, Daumier, and Delacroix.
An anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators. It addresses the contradictions posed by museum and gallery sited exhibitions, as well as investigating the challenge of staging art presentations, displays or performances, in settings outside of traditional museum or gallery locales.
With his installations, Ugo Rondinone creates personal dreamscapes. In his retrospective exhibition at the Museum Boijmans Van Beuningen in Rotterdam, the artist presented Vocabulary of Solitude, an arrangement of his works inspired by the color spectrum. Clowns, clocks, candles, shoes, windows, light bulbs and rainbows: they are recognizable images that speak to all of us. These symbols excite free-association and memories. The forty-five clowns with their different postures represent activities of everyday life, at the same time expressing the anguish of human solitude: be, breathe, sleep, dream, wake, rise, sit, hear, look, think, stand, walk, pee, shower, dress, drink, fart, shit, read, laugh, cook, smell, taste, eat, clean, write, daydream, remember, cry, nap, touch, feel, moan, enjoy, float, love, hope, wish, sing, dance, fall, curse, yawn, undress, lie. This is the first of a four-chapter publication series by Ugo Rondinone.
"Noordegraaf describes how in the nineteenth and twentieth centuries, museums communicated with their audience through their presentations. Drawing upon ideas developed in film studies, she argues that presentations are based on a 'script' that includes all the elements that mediate between the museum and its audience. These include the location, architecture and layout of the building, the arrangement of the objects, the display techniques and the different means of communicating with the visitor. [This volume] contributes to the international discussion about the role and function of the museum in contemporary society among both those in charge of setting up and designing presentations and those who visit them. From its first appearance in 2004 the book has become widely used for research and teaching in the field of museum and curating history and theory internationally"--Publisher's description.