A surprising number of rich guys in Sedona, AZ, are falling to their deaths. With so many similar "accidents," the victims had to have been pushed. Fearing that he too will take a fatal plunge, billionaire Ackerman hires Matt and Helene to investigate. To keep their client safe, the PIs will have to be on their best game. Too bad their last case in Taos took such a heavy toll.
Two women vow to bring a killer to justice. Deputy Andrea Sullivan had hoped to leave the horrors of Los Angeles behind her, but the serial murders of college students in peaceful, picturesque Sedona is her nightmare case to solve. The complexities stretch local resources to the limit, and the FBI joins the case with Agent Cameron Ross in the lead. The crime scenes are covered with the trademark signs of the fiendish Patrick Doe, whose handiwork has been investigated by Dallas detective Tori Hunter and others. But where Hunter failed Cameron intends to win. She will break the case, find justice and go on her way. No distractions. Unfortunately, Deputy Sullivan is very distracting. And Patrick Doe has other plans. Bestselling, award-winning Gerri Hill presents the turmoil of unbidden passion combined with heart-pounding suspense in a compelling story inspired by her own Hunter's Way.
Being a bodyguard isn't his favorite gig, especially when the client is a high-handed number-cruncher like Ellis Dean. But Murdock is short on funds, and the case is a puzzler.
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
Beloved clerical sleuth in roster of remarkable cases: "The Blue Cross," "The Sins of Prince Saradine," "The Sign of the Broken Sword," "The Man in the Passage," "The Perishing of the Pendragons," more.
Weary but wise private-eye Matt Murdock is back, and he has met his match--a vital and attractive writer and cop's daughter, Helene Steinbeck. Helene is hiking in the hills of Taos when she happens upon the corpse of a young woman downed by an arrow. Murdock appears on the horizon just in time to prevent a team of archers from using Helene as target practice. Murdock has been scouring Angel Mountain and vicinity for evidence that will help him discover the whereabouts of Barbi Bellini, the missing daughter of a friend. Now that Helene has stumbled onto the scene, she has no choice but to join Murdock in his search for answers. Drawn to the detective's integrity and quiet strength, she becomes both his apprentice and his lover. Their quest leads them to a cult of locals whose charismatic leader believes the "weak" are fair game. But this unholy brotherhood is just the poisonous tip of the arrow. The hunters have forged deadly alliances with the rich and powerful of Taos. Who can Helene and Murdock trust? Will they be able to outthink--and outrun--their many adversaries? Murdock Tackles Taos is the all-new, much-anticipated sixth episode in the Matt Murdock Mystery Series, which began with Bloody Murdock.
FBI Agents Cameron Ross and Andrea Sullivan found the unexpected when they met amongst the warm red rocks and cliffs of Sedona—each other. That commitment, along with their ingenuity, courage and resolve, will be tested along the most barren of stretches in California's Mojave Desert. Someone is using the bleak highways to dump women's bodies. But in a landscape where an inviting road can curve into a sand-choked mirage, and a true oasis can be invisible under a white-hot sun, clues can blow away in the wind. In this sequel to Devil's Rock, Gerri Hill pits two remarkable women against the harsh and bitter desert and an implacable killer.
A deadly killer has iced Rollie Nielsen, a smart college kid with a brain for chemistry, and his dad wants to know why. Enter Matt Murdock, a tough-and-tender PI who is willing to get his hands dirty in search of the truth. Rollie had a weakness for classy women and easy money, a combination that led him to found a drug lab. No one knows exactly where he was working and what he was cooking—presumably “ice,” the street name for methamphetamine hydrochloride. Rollie pissed off a lot of bad guys on both sides of the law, who are busy messing up Murdock’s already messy life. Leaving behind a few bodies—some of them friends—Murdock departs smoggy Newport Beach, California, for cloudy Seattle, Washington, where he hopes to unearth Rollie’s lab. With the help of wannabe detective Louie Chen and a sexy female acquaintance of Rollie’s, he just might succeed—and find a little romance along the way. That is, if he can keep his hide in one piece. Not easy, when you’ve got the biggest drug kingpin in Seattle on your tail.
