From Sherlock Holmes to Sam Spade; Nick and Nora Charles to Nero Wolfe and Archie Goodwin; Harry Lime to Gilda, Madeleine Elster, and other femmes fatales—crime and crime solving in fiction and film captivate us. Why do we keep returning to Agatha Christie's ingenious puzzles and Raymond Chandler's hard-boiled murder mysteries? What do spy thrillers teach us, and what accounts for the renewed popularity of morally ambiguous noirs? In The Mysterious Romance of Murder, the poet and critic David Lehman explores a wide variety of outstanding books and movies—some famous (The Maltese Falcon, Double Indemnity), some known mainly to aficionados—with style, wit, and passion. Lehman revisits the smoke-filled jazz clubs from the classic noir films of the 1940s, the iconic set pieces that defined Hitchcock's America, the interwar intrigue of Eric Ambler's best fictions, and the intensity of attraction between Humphrey Bogart and Lauren Bacall, Robert Mitchum and Jane Greer, Cary Grant and Ingrid Bergman. He also considers the evocative elements of noir—cigarettes, cocktails, wisecracks, and jazz standards—and offers five original noir poems (including a pantoum inspired by the 1944 film Laura) and ironic astrological profiles of Barbara Stanwyck, Marlene Dietrich, and Graham Greene. Written by a connoisseur with an uncanny feel for the language and mood of mystery, espionage, and noir, The Mysterious Romance of Murder will delight fans of the genre and newcomers alike.
Willow Lamott’s best friend is a convicted killer, and no one in the small town of Gilt Hollow will let her forget it. Over four long years, she’s tried to fade into the background—but none of that matters when Ashton Keller comes striding into school, fresh out of juvie and fueled by revenge. The moment their eyes meet, Willow no longer feels invisible. Drawn to the vulnerability behind Ashton’s mask of rage, she sinks deeper into his sinister world and begins to question whether he’s a villain, a savior, or both. Ashton thought he wanted vengeance, until Willow Lamott stepped back into his life. Now he longs to clear his name and become the person she sees in him. But the closer they get to uncovering the truth, the darker the secrets become, and Ashton wonders if his return to Gilt Hollow will destroy everyone he loves.
Harry Bingham’s Talking to the Dead introduced readers to one of the most compelling new heroines in crime fiction, Detective Constable Fiona Griffiths, earning comparisons to Stieg Larsson’s Lisbeth Salander. Now D.C. Griffiths returns to investigate a series of gruesome murders—and their connection to her own shadowy past. D.C. Fiona Griffiths is facing the prospect of a dull weekend when the call comes in, something about illegal dumping in a Cardiff suburb. But when she arrives on the scene she finds, in a garage freezer, a severed human leg, complete with a pink suede high-heeled shoe. South Wales police are able to ID the body part as that of a young woman who went missing five years earlier; a young woman who once made a living as an exotic dancer. All at once, Fiona’s job as a detective and her role as a loving daughter collide: Fiona’s father owns a Cardiff strip club and was once deeply involved in the local crime scene. Still in recovery from a devastating psychotic breakdown, Fiona is wary of exploring a path that might end at her father’s door . . . yet her obsessive approach to criminal investigation leaves her no other option. But Fiona’s specialty is not the living, it is the dead. And as she is just starting to get into the murdered girl’s head, a severed hand is found—and this one is male. Soon, police are swamped with an increasing number of body parts found in and around suburban gardens, sheds, and garages. Media attention is intense, and investigators are working from a list of hundreds of persons of interest. When the department identifies the second victim, Fiona struggles to connect him with the dead stripper. What do the victims have in common? And why this macabre method of disposing the corpses? The answers may be more than Fiona can handle. Because in order to solve the riddle of these hideous murders, D.C. Fiona Griffiths will have to delve into the mysteries of her past—and hope she comes out intact . . . and alive. Praise for Love Story, with Murders “A most intriguing, if peculiar, detective . . . Although his volatile protagonist certainly dominates the first-person narrative, [Harry] Bingham doesn’t stint on plot (very complicated), procedures (very detailed) or action (very brutal). . . . Satisfying.”—Marilyn Stasio, The New York Times Book Review “Love Story, with Murders is a dark delight, and I look forward to Fiona’s future struggles with criminals, her demons and the mysteries of her past.”—The Washington Post “Bingham’s superb second police procedural featuring Det. Constable Fiona Griffiths delivers an even more intense plot and richer character study than his first. . . . Fiona’s past mental problems and her unconventional personality make her a distinctive lead.”—Publishers Weekly (starred review) “Some of the most memorably staccato narration in the genre . . . [Bingham’s] remote, unquenchable heroine makes her stand apart from every one of her procedural brothers and sisters.”—Kirkus Reviews “Compelling . . . [Love Story, with Murders] amply proves the freshness and flair that [Bingham] has brought to the police procedural. . . . Surprisingly delicate, it weaves a sinuous, seductive spell and confirms we have a new crime talent to treasure.”—Daily Mail (UK) “Love Story, with Murders boasts what must be the most startling protagonist in modern crime fiction.”—The Sunday Times (London) From the Hardcover edition.
A New York Times bestseller | Soon to be a major motion picture “Witty, endearing and greatly entertaining.” —Wall Street Journal “Don’t trust anyone, including the four septuagenarian sleuths in Osman’s own laugh-out-loud whodunit.” —Parade Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it's too late?
One of Cosmopolitan's Best Romance Novels Ever Turns out that reading nothing but true crime isn't exactly conducive to modern dating—and one woman is going to have to learn how to give love a chance when she's used to suspecting the worst. PhD candidate Phoebe Walsh has always been obsessed with true crime. She's even analyzing the genre in her dissertation—if she can manage to finish writing it. It's hard to find the time while she spends the summer in Florida, cleaning out her childhood home, dealing with her obnoxiously good-natured younger brother, and grappling with the complicated feelings of mourning a father she hadn't had a relationship with for years. It doesn't help that she's low-key convinced that her new neighbor, Sam Dennings, is a serial killer (he may dress business casual by day, but at night he's clearly up to something). It's not long before Phoebe realizes that Sam might be something much scarier—a genuinely nice guy who can pierce her armor to reach her vulnerable heart.
As an FBI profiler, it’s Lilah Love’s job to think like a killer. And she is very good at her job. When a series of murders surface—the victims all stripped naked and shot in the head—Lilah’s instincts tell her it’s the work of an assassin, not a serial killer. But when the case takes her back to her hometown in the Hamptons and a mysterious but unmistakable connection to her own life, all her assumptions are shaken to the core. Thrust into a troubled past she’s tried to shut the door on, Lilah’s back in the town where her father is mayor, her brother is police chief, and she has an intimate history with the local crime lord’s son, Kane Mendez. The two share a devastating secret, and only Kane understands Lilah’s own darkest impulses. As more corpses surface, so does a series of anonymous notes to Lilah, threatening to expose her. Is the killer someone in her own circle? And is she the next target? The Lilah Love Series: Murder Notes Murder Girl Love Me Dead Love Kills Bloody Vows Bloody Love Happy Death Day
Prepare for heart-racing suspense in this original collection by thirty of the hottest bestselling authors and new voices writing romance suspense today. Go on vacation with Allison Brennan's Lucy Kincaid, where she saves a man from drowning, only to discover he is in far greater danger on land. Meet Roxanne St. Claire's "bullet catcher"-bodyguard Donovan Rush-who may have met his match in the sexually charged "Diamond Drop." Debut author William Simon shows us what happens when the granddaughter of the president of the United States is kidnapped. And Lee Child's pitch-perfect "I Heard a Romantic Story" puts a whole new spin on Love Is Murder. Bodyguards, vigilantes, stalkers, serial killers, women (and men!) in jeopardy, cops, thieves, P.I.s, killers-these all-new stories will keep you thrilled and chilled late into the night. Love Is Murder is the third Thriller anthology written exclusively by members of International Thriller Writers, Inc. Barely seven years old, ITW has a roster that reads like a who's who of thriller writing, with 1,635 members representing 28 countries worldwide and over three billion books in print. Headed by current copresidents Douglas Preston and Kathleen Antrim, its board of directors has included such notables as Lee Child, Tess Gerritsen, Steve Berry, James Rollins, M. J. Rose, Carla Neggers, Gayle Lynds, David Morrell and David Hewson. More information is available on the ITW website, www.thrillerwriters.org. SANDRA BROWN Sandra Brown is the author of sixty New York Times bestselling novels. Writing professionally since 1981, she has published more than seventy novels and has upward of eighty million copies of her books in print worldwide. She holds an honorary doctorate of humane letters from Texas Christian University, and in 2008 she was named Thriller Master, the top award given by the International Thriller Writers Associa
The Devil is in the details . . . Cletus Byron Winston wishes to marry Jennifer Anne Donner-Sylvester (aka The Banana Cake Queen) posthaste! He’s spent the last year wanting nothing more than for the celebrations to be brief, libations flowing, and BYOB (bring your own blueberries). His future mother-in-law has other plans, plans his intended has been willing to indulge, much to Cletus’s chagrin. Therefore, so must he. To a point. But truth be told, he wouldn’t mind if the meddlesome matriarch disappeared, at least until the nuptials are over. On the night of Cletus and Jenn’s long-awaited engagement party, just when the surly schemer is of a mind to take matters into his own hands, a shocking event upends everyone’s best laid plans and sends the small hamlet of Green Valley into complete disarray. The final months leading up to Cletus and Jenn’s matrimonial bliss are plagued with chaos and uncertainty. Will Cletus and Jenn finally make it to the altar? Or will murder and mayhem derail their happily-ever-after? And most importantly, who done it? ‘Marriage and Murder’ is the second book in the cozy mystery series Solving for Pie: Cletus and Jenn Mysteries. It is best read after Winston Brothers #3, ‘Beard Science’ (which can be read as a standalone) and Solving for Pie: Cletus and Jenn Mysteries #1, ‘Engagement and Espionage.’
They call him the Devil . . . He is the most notorious laird of Scotland: fierce, cold, deadly . . . and maybe even worse. Yet Evelinde has just agreed to wed him. Anything, she thinks, is better than her cruel stepmother. Though Evelinde should be wary of the rumors, she can't help but be drawn to this warrior . . . for the Devil of the Highlands inspires a heat within her that is unlike anything she has ever known. They may call him whatever they wish, but Cullen, Laird of Donnachaidh, cares only for the future of his clan. He must find a wife, a woman to bear him sons and heed his commands. He has no need for beauty or grace, but one taste of his lovely bride's sweet lips and the sultry feel of her skin arouse an untamed passion. Perhaps there's more to marriage than he thought . . .
Emma Parks joins a monkey research project deep in the South American rainforest on a whim. She refuses to admit it might have something to do with a close friend's death from which she has not recovered, but it's certainly not because she knows anything about spider monkeys, least of all what they look like. She's barely arrived when International Wildlife Conservation's renowned director drowns during a party celebrating the group's controversial takeover of the park. Tension mounts following the machete murder of a researcher, threatening Emma's budding primatology career, her secret romance with an Australian zoologist, and more importantly -- her life.
