Marie Besnard, the "Queen of Poisoners". Nanny Hazel Doss, killer of four husbands, three children, two sisters, and her mother--all to turn a profit. These are just two of the dozens of deadly and determined women who have been overlooked in the popular annals of serial crime--until now. More difficult to apprehend and motivated by more complex issues, female serial killers may be even more lethal and cunning than their male counterparts.
Edgar Award Finalist: The true story of a serial killer who terrorized a midwestern town in the era of free love—by the coauthor of The French Connection. In 1967, during the time of peace, free love, and hitchhiking, nineteen-year-old Mary Terese Fleszar was last seen alive walking home to her apartment in Ypsilanti, Michigan. One month later, her naked body—stabbed over thirty times and missing both feet and a forearm—was discovered, partially buried, on an abandoned farm. A year later, the body of twenty-year-old Joan Schell was found, similarly violated. Southeastern Michigan was terrorized by something it had never experienced before: a serial killer. Over the next two years, five more bodies were uncovered around Ann Arbor and Ypsilanti, Michigan. All the victims were tortured and mutilated. All were female students. After multiple failed investigations, a chance sighting finally led to a suspect. On the surface, John Norman Collins was an all-American boy—a fraternity member studying elementary education at Eastern Michigan University. But Collins wasn’t all that he seemed. His female friends described him as aggressive and short tempered. And in August 1970, Collins, the “Ypsilanti Ripper,” was arrested, found guilty, and sentenced to life in prison without chance of parole. Written by the coauthor of The French Connection, The Michigan Murders delivers a harrowing depiction of the savage murders that tormented a small midwestern town.
"A dedicated Anglophile and Janeite, Elizabeth Parker is hoping the trip to the Jane Austen Festival in Bath will distract her from her lack of a job and her uncertain future with her boyfriend. On the plane ride, she and Aunt Winnie meet Professor Zackary Baines, a self-proclaimed expert on all things Austen. He claims that within each Austen novel there is another darker secondary story, usually involving sordid behavior. He claims to know the true cause of Austen's death, and it's a truth which will greatly outrage Austen fans. Elizabeth and Aunt Winnie don't take him or his findings seriously. But someone must, because during the costume ball, Baines is stabbed to death. Kiely expertly combines the wit and spunk of Austen's protagonists with a contemporary traditional mystery, creating an entertaining puzzle. Austen fans especially are in for a big treat"--
Hello, I'm Johnny Debonair and this is my book - Murder Most Fab. Buy it. You won't regret it. Everything that has happened so publicly is explained. Of course, I'd prefer it if you remember me as I was at my height, before the past caught up with me so spectacularly - TV's Mr Friday Night with an enviable lifestyle and the nation at my feet. My fame might have looked easy to you at the time, but getting to the top of the celebrity ladder is hard work. It took talent, beauty, commitment and, uniquely in my case, a number of unfortunate deaths. If we were being picky you might describe me as a serial killer, but I really don't see myself that way. It sounds trite to say 'one thing led to another' but it's true. As you'll discover I owe something of my rise and my fall to three individuals: my mother, an eccentric country girl who taught me exhibitionism by hanging naked from the clocktower of Hythe town hall; Catherine, my best friend, then partner in business - a devil in red heels, who, in her clear Essex accent, taught me how to 'look after number one'; and Timothy, who broke my heart and caused me to seek refuge in sex, money and celebrity. But in the end you have to take responsibility for your own actions. No one was forcing me, were they? I hope you, the public, can forgive me and enjoy this sordid tale for what it is - my final entertainment for you.
This bestselling book has become a staple of every serious true crime book collector's library. One of the most reliable concise sources of information available about serial killers and their crimes, this book offers a psychological and sociological analysis of this most frightening yet fascinating criminal. Psychologist David Lester, recognized worldwide as a leading authority on death-both in the fields of suicide and homicide-offers a much-needed assessment of whether or not there is a dependable and useable psychological profile of the serial killer. Separating the facts from the myths by combining documented case histories of notable serial killers with behavioral research, Serial Killers: The Insatiable Passion has been welcomed and applauded as an important addition to the literature on serial killers by criminologists, psychologists, sociologists, law enforcement and true crime buffs alike.
Giles Jones, an out of work newspaperman sat on a bench watching the Thames flow by. There was a lot of traffic up and down the river at this time of night. Boats full of revellers were going past lights blazing, and music blaring. He had his camera on the seat beside him, just one good picture was all he needed. Something splashed in the water up stream from him, as it got nearer he thought it was a small boat, it had two lanterns and a bell on a rod which tinkled. It was a child's coffin and in the soft glow of the lanterns he could see that there was an occupant. This was the first victim of the Messenger of Death.
The City of Light is surging back to life in the wake of war, and its citizens are seizing every opportunity to raise a glass or share a delicious meal. But as American ex-pat Tabitha Knight and chef-in-training Julia Child discover, celebrations can quickly go awry when someone has murder in mind . . . Set in midcentury Paris and starring Julia Child’s fictional best friend, this magnifique reimagining of the iconic chef’s years at Le Cordon Bleu blends a delicious murder mystery with a unique culinary twist. The graceful domes of Sacré Coeur, the imposing cathedral of Notre Dame, the breathtaking Tour Eiffel . . . Paris is overflowing with stunning architecture. Yet for Tabitha Knight, the humble building that houses the Cordon Bleu cooking school, where her friend Julia studies, is just as notable. Tabitha is always happy to sample Julia’s latest creation and try to recreate dishes for her Grand-père and Oncle Rafe. The legendary school also holds open demonstrations, where the public can see its master chefs at work. It’s a treat for any aspiring cook—until one of the chefs pours himself a glass of wine from a rare vintage bottle—and promptly drops dead in front of Julia, Tabitha, and other assembled guests. It’s the first in a frightening string of poisonings that turns grimly personal when cyanide-laced wine is sent to someone very close to Tabitha. What kind of killer chooses such a means of murder, and why? Tabitha and Julia hope to find answers in order to save innocent lives—not to mention a few exquisite vintages—even as their investigation takes them through some of the darkest corners of France’s wartime past . . .
This the first book to focus specifically on serial killers motivated by monetary gain. Serial Killing for Profit: Multiple Murder for Money addresses a gap in the existing literature by documenting one dozen of the most notorious perpetrators of commercial serial murder—murderers who kill to secure inheritances and pensions, to sell possessions or even the body itself, or as murderers-for-hire. In these pages, readers will encounter some of the nation's most infamous and disturbing criminals, including "America's first serial killer," Herman Mudgett; Raymond Fernandez and Martha Beck, the "Honeymoon Killers;" Los Angeles's "Night Stalker," Richard Ramirez; the "black widow" Blanche Taylor Moore; and Dana Sue Gray, who killed three women for shopping money. Author Dirk Gibson gets to the twisted heart of each case, meticulously detailing the crimes, the victims, the hunt for the killers, the distinctive variations on the motive of "killing for money," and the lessons learned by investigators in each instance. Everyone from professional investigators to true crime aficionados will be riveted by these stunning accounts.
The Axman of New Orleans specialized in killing grocers of Italian descent in the 1910s, apparently to promote jazz music. Dorothea Puente was a little old landlady who murdered her tenants, but kept cashing their government checks. The Manson Family terrorized California in the 1960s, as did the Hillside Stranglers a decade later. Twelve serial murder cases, occurring in eight decades between the 1890s and 1990s, had one thing in common: significant presence of the mass media. This book examines these specific cases of serial murder, and the way the media became involved in the investigations and trials of each. Gibson argues that the American media plays a multidimensional and integral role in serial killings and their investigation—and that this role is not generally a positive one. Serial murder cases motivate the media in unfortunate ways, and the result is that even typically respectable media organizations can be involved in such things as document theft, or in interfering with the capture of serial murderers on the run. This link between multiple murderers and mass communication is not accidental or coincidental; rather, the relationship between the press and serial killers is one of extraordinary importance to both parties. Gibson examines the role of the media in serial murder cases; the body of knowledge on serial murder as seen through the lens of mass communication; the effectiveness of law enforcement responses to serial murderers and how they might be improved if the mass communication influence was better understood; the magnitude of the serial murder problem; and the interaction between the media, the killers, and serial murder investigations. Specific examples and numerous quotes are provided throughout to illustrate this strange and detrimental relationship between media and serial murderers.
Marjorie Diehl-Armstrong, as one judge described her, was “a coldly calculated criminal recidivist and serial killer.” She had experienced a lifetime of murder, mayhem, and mental illness. She killed two boyfriends, including one whose body was stuffed in a freezer. And she was convicted in one of the Federal Bureau of Investigation’s strangest cases: the Pizza Bomber case, in which a pizza deliveryman died when a bomb locked to his neck exploded after he robbed a bank in 2003 near Erie, Pennsylvania, Diehl-Armstrong’s hometown. Diehl-Armstrong’s life unfolded in an enthralling portrait; a fascinating interplay between mental illness and the law. As a female serial killer, Marjorie Diehl-Armstrong was in a rare category. In the early 1970s, she was a high-achieving graduate student pursuing a career in education but suffered from bipolar disorder. Before her death, she was sentenced to serve life plus thirty years in federal prison. In Mania and Marjorie Diehl-Armstrong, Jerry Clark and Ed Palattella examine female serial killers by focusing on the fascinating and tragic life of one woman. This book also explores mental illness and forensic psychology and provides a history of how American jurisprudence has grappled with such complex and controversial issues as the insanity defense and mental competency to stand trial. The authors’ account shows why Marjorie Diehl-Armstrong was unlike any other criminal – man or woman – in American history. Accounts of Diehl-Armstrong’s travails – her difficult childhood, her murder trials, her hoarding – are interpolated with chapters about mental disorders and the law.
