As Stalin lies dying, this novel records his last thoughts, which he renders as a movie about the people he believes envenomed his life, namely, Lenin and certain women. (A film devotee, Stalin so loved movies that some scholars have even suggested that he governed the Soviet empire by cinematocracy, rule by cinema.) He has suffered a stroke but will linger for three days before dying. As in a film, he revisits scenes and old arguments with Lenin, and then endures a trial over his charge that women have poisoned his life. At the conclusion of the trial, Stalin’s mind screen returns to V.I. Lenin. What follows then is Stalin’s concluding mockery and denunciation of Lenin; Lenin’s final assessment of Stalin; and the end of the novel: Stalin’s dying words.
Congressman Latham has maintained an impeccable record in Washington, and so he seems the logical choice when nominated by his friend, President Scott, to become the next secretary of state. His confirmation hearings appear to be a formality until rumors emerge of sexual misconduct and influence peddling. Then, early one morning, he is found shot to death, an apparent suicide. Nobody close to Paul Latham believes his demise a suicide; there are just too many questions left unanswered. Why would he kill himself, and why would he do it in a public place? Why was there no suicide note? Where did he get the gun? Where is Latham's appointment secretary, Marge Edwards? So Latham's close friend lawyer-professor Mackensie Smith goes about uncovering the truth. In the process he unearths connections to the CIA, businessman Warren Brazier, Russian communists, and a shady private detective. Eventually Smith's own life is threatened, leading him to a dramatic and shocking truth. Murder in the House is a story about the webs of influence people weave to protect their interests, and about those innocent people who, by accident or design, get caught in these webs. It is the story of the abuse of power for personal gain, and of the increasing influence that the global economy has on the way our nation is being run. Margaret Truman, with her intricate know-ledge of the political, social, and practical workings of Washington, masterfully explores these connections in this highly suspenseful tale of intrigue, deception, and murderous intent.
Senior Lieutenant Pavel Matyushkin has a problem. Several, actually. Not the least of them is the fact that a powerful Soviet boss has been murdered, and Matyushkin's surly commander has given him an unreasonably short time frame to close the case. Then there is the KGB colonel who seems a bit too interested in the course of Matyushkin's investigation... and Pavel's womanizing office mate, who gets involved with a subject of the case... and a series of petty burglaries that defy resolution... and of course Pavel's complicated love interest, who is as prickly as she is perceptive... In his debut Russian crime novel set in 1960s Moscow, Alexei Bayer peels back the layers of late Soviet life to offer a vivid, gripping tale of deception, greed, murder, and a simple detective just trying to do his job.
Communism must kill what it cannot control. So for a century, it has killed artists, writers, musicians, and even dancers. It kills them secretly, using bioweapons and poison to escape accountability. Among its victims was Anna Pavlova, history’s greatest dancer, who was said to have God-given wings and feet that never touched the ground. But she defied Stalin, and for that she had to die. Her sudden death in Paris in 1931 was a mystery until now. The Dancer and the Devil traces Marxism’s century-long fascination with bioweapons, from the Soviets’ leak of pneumonic plague in 1939 that nearly killed Stalin to leaks of anthrax at Kiev in 1972 and Yekaterinburg in 1979; from the leak of a flu in northeast China in 1977 that killed millions to the catastrophic COVID-19 leak from biolabs in Wuhan, China. Marxism’s dark past must not be a parent to the world’s dark future. COMMUNIST CHINA PLAYED WITH FIRE AND THE WORLD IS BURNING Nearly ten million people have died so far from the mysterious Covid-19 virus. These dead follow a long line of thousands of other brave souls stretching back nearly a century who also suffered mysterious “natural” deaths, including dancers, writers, saints and heroes. These honored dead should not be forgotten by amnesiac government trying to avoid inconvenient truth. The dead and those who remember and loved them deserve answers to two great questions. How? Why? The Dancer and the Devil answers these questions. It tracks a century of Soviet and then Chinese Communist poisons and bioweapons through their development and intentional use on talented artists and heroes like Anna Pavlova, Maxim Gorky, Raoul Wallenberg and Alexis Navalny. It then tracks leaks of bioweapons beginning in Saratov, Russia in 1939 and Soviet Yekaterinburg in 1979 through Chinese leaks concluding in the recent concealed leak of the manufactured bioweapon Covid-19 from the military lab in Wuhan, China. Stalin, Putin, and Xi, perpetrators of these vast crimes against humanity itself, should not be allowed to escape responsibility. This book assembles the facts on these cowardly murderers, calling them to account for their heartless crimes against man concluding in Covid-19.
The first reports seemed absurd. A Russian dissident, formerly an employee of the KGB and its successor, the FSB, had seemingly been poisoned in a London hotel. As Alexander Litvinenko's condition worsened, however, and he was transferred to hospital and placed under armed guard, the story took a sinister turn. On 23 November 2006, Litvinenko died, apparently from polonium-210 radiation poisoning. He himself, in a dramatic statement from his deathbed, accused his former employers at the Kremlin of being responsible for his murder. Who was Alexander Litvinenko? What had happened in Russia since the end of the Cold War to make his life there untenable, and even in severe jeopardy in Britain? How did he really die, and who killed him? In his spokesman and close friend, Alex Goldfarb, and widow Marina, we have two people who know more than anyone about the real Sasha Litvinenko, and about his murder. Their riveting book sheds astonishing light not just on these strange and troubling events but also on the biggest crisis in relations with Russia since the fall of the Berlin Wall.
"This is the most fun I've had with a book this year. Every page is a delight and the mystery got its hooks into me from the first chapter.” – Stuart Turton, bestselling author of The 7½ Deaths of Evelyn Hardcastle The letter was short. A name, a time, a place. Marion Lane and the Midnight Murder plunges readers into the heart of London, to the secret tunnels that exist far beneath the city streets. There, a mysterious group of detectives recruited for Miss Brickett’s Investigations & Inquiries use their cunning and gadgets to solve crimes that have stumped Scotland Yard. Late one night in April 1958, a filing assistant at Miss Brickett’s receives a letter of warning, detailing a name, a time, and a place. She goes to investigate but finds the room empty. At the stroke of midnight, she is murdered by a killer she can’t see—her death the only sign she wasn’t alone. It becomes chillingly clear that the person responsible must also work for Miss Brickett’s, making everyone a suspect. Marion Lane, a first-year Inquirer-in-training, finds herself drawn ever deeper into the investigation. When her friend and colleague is framed for the crime, to clear his name she must sort through the hidden alliances at Miss Brickett’s and secrets dating back to WWII. Masterful, clever and deliciously suspenseful, Marion Lane and the Midnight Murder is a fresh take on the Agatha Christie-style locked-room murder mystery, with an exciting new heroine detective.
A Vietnam vet leads an Army Special Forces unit to rescue a compromised CIA agent in 1979 East Berlin in this spy thriller series debut. When the CIA’s most valuable spy is compromised, the Agency realizes it does not have the capability to bring him to safety. If he cannot evade the dreaded East German security service, the result will be chaos and a cascade of failures throughout the Agency’s worldwide operations. Master Sergeant Kim Becker lived through the hell of Vietnam as a member of the elite Studies and Operations Group. When he lost one of his best men in a pointless operation, he began to question his mission. Now, he is serving with an even more secretive Army Special Forces unit based in Berlin on the front line of the Cold War. The CIA turns to Becker’s team of unconventional warfare specialists to pull their bacon out of the fire. Becker and his men must devise a plan to get him out by whatever means possible. It’s a race against time to prepare and execute the plan while, alone in East Berlin, the agent must avoid his nemesis and play for time inside the hostile secret service headquarters he has betrayed. One question remains—is the man worth the risk? “Fiction that reads like fact. Boots on the ground, real-life drama, rich with details only an insider could write . . . an outstanding book.” —John Stryker Meyer, MACV SOG veteran and author of Across The Fence: The Secret War in Vietnam “This is espionage at its page-turning best, rich with history, operational intrigue, and drama. Can’t wait for the next one.” —Doug Stanton, #1 New York Times–bestselling author of Horse Soldiers “[A] solid series launch. . . . Stejskal, who served 35 years with the U.S. Army Special Forces and the CIA, convincingly describes the mission’s progress, and does a good job building suspense even if the outcome is never in doubt. Fans of realistic espionage fiction will look forward to the sequel.” —Publishers Weekly
When criminal mastermind Giorgio Cattoretti successfully pulls off the largest art heist in history--the spectacular theft of 15 Picasso paintings from the Hermitage Museum in St. Petersburg, Russia--U.S Secret Service Agent Elaine Brogan is sent there on a dangerous undercover mission to capture Cattoretti before the Russians do. Note - this book was previously titled: Lust, Money & Murder, Book 5 - On Russian Soil "Fast-paced and packed with unpredictable twists and turns written in Mike Wells' "unputdownable" style, this fifth installment of the Lust, Money & Murder series delivers in spades." Graham Pritchard, Author & Book Reviewer, Syracuse, NY USA "What a fantastic book! Mike Wells did it again. This nove has everything: a spectacular crime, danger, friendship and much more! Highly recommended." Lady M.K, Canada (Ontario) "If you had plans for the weekend - cancel them! The story is so gripping you won't be able to put this book down. Not only you will feel like you are On Russian Soil, but you will feel like it is you who is in charge of catching the criminal and escaping the villain. I felt exhausted and exhilarated when I finished the story! Can't wait for Book 6!" - Lizzie, S.F. California "The book is technically accurate and well-researched, but what makes it exiting is the human element. The characters act in a believable way and their motivations are solid. I swallowed the book almost all in one sitting." -Barry L., St. Louis THE SHOW ME STATE. Fans of Lee Child and James Patterson will enjoy this book. Keywords: thriller, suspense, crime, mystery, short books, long books, series, Russia, Italy, Mafia, Secret Service, spy novel, spy thriller, espionage, female sleuth, female agent, kick ass female, FBI, counterfeiting, revenge, danger, dramatic, intrigue, provocative, racy, breathtaking, cliff-hanger, page-turner, gripping, captivating, fascinating, box set, bargain, discount, discounted, half-price, bargain-basement, bargain-counter, budget, cheap, good buy, competitive, cut-price, cut-rate, depreciated, easy on the pocketbook, economical, half-priced, low tariff, low-cost, low-priced, lowered, marked down, on sale, reduced, reduced price, special price, holiday special, Christmas special, New Year’s special, winter sale, on sale, slashed, budget, low budget, low cost books, seasonal, seasonal pricing, seasonal discount, fifty percent off, 50 percent off, savings, cost savings
For over a century, most of the science fiction produced by the world’s largest country has been beyond the reach of Western readers. This new collection aims to change that, bringing a large body of influential works into the English orbit. A scientist keeps a severed head alive, and the head lives to tell the tale… An explorer experiences life on the moon, in a story written six decades before the first moon landing... Electrical appliances respond to human anxieties and threaten to crash the electrical grid… Archaeologists discover strange powers emanating from a Central Asian excavation site… A teleporting experiment goes awry, leaving a subject to cope with a bizarre sensory swap… A boy discovers the explosive truth of his father’s “antiseptic” work, stamping out dissent on distant worlds… The last 100 years in Russia have seen an astonishing diversity and depth of literary works in the science fiction genre, by authors with a dizzying array of styles and subject matter. This volume brings together 18 such works, translated into English for the first time, spanning from path-breaking, pre-revolutionary works of the 1890s, through the difficult Stalinist era, to post-Soviet stories published in the 1980s and 1990s.
