This entertaining novel, based on an actual unsolved murder involving William Randolph Hearst, is co-authored by Heart's granddaughter, Patricia. Catha Kinsolving Burke is shocked to overhear her grandmother's name in connection with a 70-year-old murder. Her quest to uncover the truth about the incident plunges Catha back into the Hollywood of the roaring '20s.
When an aging William Randolph Hearst throws a party for Marion Davies, the guests include a host of Hollywood luminaries, as well as a dwarf who knows that someone is out to kill Hearst
From Marilyn to Mussolini, people captivate people. A&E's Biography, best-selling autobiographies, and biographical novels testify to the popularity of the genre. But where does one begin? Collected here are descriptions and evaluations of over 10,000 biographical works, including books of fact and fiction, biographies for young readers, and documentaries and movies, all based on the lives of over 500 historical figures from scientists and writers, to political and military leaders, to artists and musicians. Each entry includes a brief profile, autobiographical and primary sources, and recommended works. Short reviews describe the pertinent biographical works and offer insight into the qualities and special features of each title, helping readers to find the best biographical material available on hundreds of fascinating individuals.
Jane Stanford, the co-founder of Stanford University, died in Honolulu in 1905, shortly after surviving strychnine poisoning in San Francisco. The inquest testimony of the physicians who attended her death in Hawaii led to a coroners jury verdict of murderby strychnine poisoning. Stanford University President David Starr Jordan promptly issued a press release claiming that Mrs. Stanford had died of heart disease, a claim that he supported by challenging the skills and judgment of the Honolulu physicians and toxicologist. Jordans diagnosis was largely accepted and promulgated in many subsequent historical accounts. In this book, the author reviews the medical reports in detail to refute Dr. Jordans claim and to show that Mrs. Stanford indeed died of strychnine poisoning. His research reveals that the professionals who were denounced by Dr. Jordan enjoyed honorable and distinguished careers. He concludes that Dr. Jordan went to great lengths, over a period of nearly two decades, to cover up the real circumstances of Mrs. Stanfords death.
Nina Revoyr brings us a compelling story of race, love, murder, and history against the backdrop of Los Angeles. —Winner of a 2004 American Library Association Stonewall Honor Award in Literature —Winner of the 2003 Lambda Literary Award —Nominated for an Edgar Award The plot line of Southland is the stuff of a James Ellroy or a Walter Mosley novel . . . But the climax fairly glows with the good-heartedness that Revoyr displays from the very first page. —Los Angeles Times Jackie Ishida’s grandfather had a store in Watts where four boys were killed during the riots in 1965, a mystery she attempts to solve. —New York Times Book Review, included in “Where Noir Lives in the City of Angels” Nina Revoyr brings us a compelling story of race, love, murder, and history against the backdrop of Los Angeles. A young Japanese-American woman, Jackie Ishida, is in her last semester of law school when her grandfather, Frank Sakai, dies unexpectedly. While trying to fulfill a request from his will, Jackie discovers that four black teenagers were killed in the store he ran during the Watts Riots of 1965—and that the murders were never solved or reported. Along with James Lanier, a cousin of one of the victims, she tries to piece together the story of the boys’ deaths. In the process, Jackie unearths the long-held secrets of her family’s history—and her own. Moving in and out of the past, from the shipping yards and internment camps of World War II; to the barley fields of the Crenshaw District in the 1930s; to the means streets of Watts in the 1960s; to the night spots and garment factories of the 1990s, Southland weaves a tale of Los Angeles in all of its faces and forms.
The cult-y pocket-size field guide to the strange and intriguing secrets of the Mojave—its myths and legends, outcasts and oddballs, flora, fauna, and UFOs—becomes the definitive, oracular book of the desert For the past five years, Desert Oracle has existed as a quasi-mythical, quarterly periodical available to the very determined only by subscription or at the odd desert-town gas station or the occasional hipster boutique, its canary-yellow-covered, forty-four-page issues handed from one curious desert zealot to the next, word spreading faster than the printers could keep up with. It became a radio show, a podcast, a live performance. Now, for the first time—and including both classic and new, never-before-seen revelations—Desert Oracle has been bound between two hard covers and is available to you. Straight out of Joshua Tree, California, Desert Oracle is “The Voice of the Desert”: a field guide to the strange tales, singing sand dunes, sagebrush trails, artists and aliens, authors and oddballs, ghost towns and modern legends, musicians and mystics, scorpions and saguaros, out there in the sand. Desert Oracle is your companion at a roadside diner, around a campfire, in your tent or cabin (or high-rise apartment or suburban living room) as the wind and the coyotes howl outside at night. From journal entries of long-deceased adventurers to stray railroad ad copy, and musings on everything from desert flora, rumored cryptid sightings, and other paranormal phenomena, Ken Layne's Desert Oracle collects the weird and the wonderful of the American Southwest into a single, essential volume.
In American Homicide, Randolph Roth charts changes in the character and incidence of homicide in the U.S. from colonial times to the present. Roth argues that the United States is distinctive in its level of violence among unrelated adults—friends, acquaintances, and strangers. America was extraordinarily homicidal in the mid-seventeenth century, but it became relatively non-homicidal by the mid-eighteenth century, even in the slave South; and by the early nineteenth century, rates in the North and the mountain South were extremely low. But the homicide rate rose substantially among unrelated adults in the slave South after the American Revolution; and it skyrocketed across the United States from the late 1840s through the mid-1870s, while rates in most other Western nations held steady or fell. That surge—and all subsequent increases in the homicide rate—correlated closely with four distinct phenomena: political instability; a loss of government legitimacy; a loss of fellow-feeling among members of society caused by racial, religious, or political antagonism; and a loss of faith in the social hierarchy. Those four factors, Roth argues, best explain why homicide rates have gone up and down in the United States and in other Western nations over the past four centuries, and why the United States is today the most homicidal affluent nation.
A murderer is picking off the young Hollywood starlets gathered at the swanky Hearst Castle, and Lulu Kelly might be next—unless she can find the killer first in this glitzy, glamorous, and cinematic sequel to acclaimed film producer/director Adam Shankman and coauthor Laura Sullivan’s Girl About Town. After being framed for attempted murder, Lulu Kelly has earned a rest. Unfortunately, there is no rest in Hollywood for a rising starlet. Lulu and her boyfriend Freddie are invited to posh Hearst Castle, where Lulu will be competing against other young actresses for the role of a lifetime. But what’s a house party without a little murder? When a rival actress is found dead under the dining room table, Lulu makes it her mission to solve the mystery. But illusion is this town’s number one export, and it’s hard to tell the ambitious from the truly evil. As the clues pile up, Lulu and Freddie race to find the killer, even as Lulu becomes the next target.
The year is 1940, and Los Angeles-based private eye Toby Peters has been called before the real-life Wizard of Oz himself -- Louis B. Mayer, legendary studio head of Metro-Goldwyn Mayer. His job: to track down a murderer stalking the back lots of one of Hollywood's most powerful movie companies. It's a treacherous trail of clues that Peters must follow -- one as winding as the Yellow Brick Road, and deadlier than a field of poppies. But does Toby Peters possess enough brains, heart, and courage to solve this bizarre case before he becomes the latest victim of Hollywood's new Wicked Witch of the West . . . ?