Accra’s hotshot Detective Inspector Darko Dawson returns to solve a complex mystery that will take him out of the city to the beautiful coasts of Ghana, where a grim double-murder seems to have larger political implications. A canoe washes up at a Ghanaian off-shore oil rig site. Inside it are the bodies of a prominent, wealthy couple, Charles and Fiona Smith-Aidoo, who have been ritualistically murdered. Pillars in their community, they are mourned by everyone, but especially by their niece Sapphire. She is not happy that months have passed since the murder and the local police have made no headway in figuring out who committed the gruesome crime. Detective Inspector Darko Dawson of the Accra police force is sent out to Cape Three Points to investigate. The more he learns about the case, the more convoluted it becomes. Three Points has long been occupied by traditional fishing populations, but real estate entrepreneurs and wealthy oil companies have been trying to bribe the indigenous inhabitants to move out. Dawson unearths a host of motives for murder, ranging from personal vendettas to corporate conspiracies.
“Fans of The No. 1 Ladies’ Detective Agency may have a new hero: Detective Inspector Darko Dawson.”—The Wall Street Journal Introducing Detective Inspector Darko Dawson: dedicated family man, rebel in the office, ace in the field—and one of the most appealing sleuths to come along in years. When we first meet Dawson, he’s been ordered by his cantankerous boss to leave behind his loving wife and young son in Ghana’s capital city to lead a murder investigation: In a shady grove outside the small town of Ketanu, a young woman—a promising medical student—has been found dead under suspicious circumstances. Dawson is fluent in Ketanu’s indigenous language, so he’s the right man for the job, but the local police are less than thrilled with an outsider’s interference. For Dawson, this sleepy corner of Ghana is rife with emotional land mines: an estranged relationship with the family he left behind twenty-five years earlier and the painful memory of his own mother’s inexplicable disappearance. Armed with remarkable insight and a healthy dose of skepticism, Dawson soon finds his cosmopolitan sensibilities clashing with age-old customs, including a disturbing practice in which teenage girls are offered to fetish priests as trokosi, or Wives of the Gods. Delving deeper into the student’s haunting death, Dawson will uncover long-buried secrets that, to his surprise, hit much too close to home. Praise for Wife of the Gods “An absolute gem . . . mystery fans have an important new voice to savor.”—Los Angeles Times “Full of suspense, humor and plot twists . . . Quartey’s remarkable characters give the reader a worthy whodunit.”—Ebony “[A] winning debut . . . Dawson is a wonderful creation, a man as rich with contradictions as the Ghana Quartey so delightfully evokes.”—Publishers Weekly “Engrossing . . . [Quartey] renders a compelling cast of characters. . . . Fans of McCall Smith’s No. 1 Ladies’ Detective Agency will relish the opportunity to discover yet another intriguing area of Africa.”—Booklist (starred review)
A 2021 Edgar Nominee for Best Novel Accra private investigator Emma Djan's first missing persons case will lead her to the darkest depths of the email scams and fetish priests in Ghana, the world's Internet capital. When her dreams of rising through the Accra police ranks like her late father crash around her, 26-year-old Emma Djan is unsure what will become of her career. Through a sympathetic former colleague, Emma gets an interview with a private detective agency that takes on cases of missing persons, theft, and infidelity. It’s not the future she imagined, but it’s her best option. Meanwhile, Gordon Tilson, a middle-aged widower in Washington, DC, has found solace in an online community after his wife’s passing. Through the support group, he’s even met a young Ghanaian widow he’s come to care about. When her sister gets into a car accident, he sends her thousands of dollars to cover the hospital bill—to the horror of his only son, Derek. Then Gordon decides to surprise his new love by paying her a visit—and disappears. Fearing for his father’s life, Derek follows him across the world to Ghana, Internet capital of the world, where he and Emma will find themselves deep in a world of sakawa scams, fetish priests, and those willing to kill to protect their secrets.
In the slums of Accra, Ghana’s fast-moving, cosmopolitan capital, teenagers are turning up dead. Inspector Darko Dawson has seen many crimes, but this latest string of murders—in which all the young victims bear a chilling signature—is the most unsettling of his career. Are these heinous acts a form of ritual killing or the work of a lone, cold-blooded monster? With time running out, Dawson embarks on a harrowing journey through the city’s underbelly and confronts the brutal world of the urban poor, where street children are forced to fight for their very survival—and a cunning killer seems just out of reach.
Darko Dawson returns in Kewi Quartey's atmospheric crime series. Gold of Our Fathers sees him promoted to Chief Inspector in the Ghana Police Service. But he doesn't have long to celebrate, because his new boss is transferring him from Accra, Ghana's capital, out to remote Obuasi in the Ashanti region, an area now notorious for the illegal exploitation of its gold mines. On his second day, he finds the body of a Chinese mine owner in his own gold quarry. Dawson quickly learns that the offenders here have more money than fear of the law.
In the follow-up to the acclaimed series debut The Missing American, PI Emma Djan investigates the death of a Ghanaian fashion icon and social media celebrity, Lady Araba. Hard-hitting talk show host Augustus Seeza has become a household name in Ghana, though notorious for his lavish overspending, alcoholism, and womanizing. He’s dating the imposing, beautiful Lady Araba, who leads a selfmade fashion empire. Fearing Augustus is only after her money, Araba’s religious family intervenes to break them up. A few days later, just before a major runway show, Araba is found murdered in her bed. Her driver is arrested after a hasty investigation, but Araba’s favorite aunt, Dele, suspects Augustus Seeza was the real killer. Almost a year later, Dele approaches Emma Djan, who has finally started to settle in as the only female PI at her agency. To solve Lady Araba’s murder, Emma must not only go on an undercover mission that dredges up trauma from her past, but navigate a long list of suspects with strong motives. Emma quickly discovers that they are all willing to lie for each other—and that one may still be willing to kill.
"Vastly engaging . . . Apart from the thrill of the detecting, Death By His Grace offers an education in Ghana’s history, social life, eating habits and other customs."—The Toronto Star Atmospherically set in Accra, Ghana, Chief Inspector Darko Dawson investigates the brutal murder of a high-society bride. In order to expose the truth, Darko must confront the pivotal role religion plays in Ghana—and wrestle with his old demons the investigation stirs up in the fifth entry to the African series. Katherine Yeboah’s marriage to Solomon Vanderpuye is all the talk of Accra high society. But when it becomes apparent that Katherine is infertile, Solomon’s extended family accuses her of being a witch, hounding her until the relationship is so soured Solomon feels compelled to order Katherine out of the house they shared. Alone on her last night there, Katherine is brutally murdered by an intruder. Chief Inspector Darko Dawson of the Ghanaian federal police has personal as well as professional reasons to find the killer fast: Katherine was the first cousin of his wife, Christine, who is devastated by the tragedy. As Darko investigates, he discovers that many people close to Katherine had powerful motives to kill her, including: Solomon, her husband; James Bentsi-Enchill, her lawyer and ex-lover; and her filthy rich pastor, Bishop Clem Howard-Mills. In order to expose the truth, Darko must confront the pivotal role religion plays in Ghana—and wrestle with his old demons the investigation stirs up.
Justine van der Leun reopens the murder of a young American woman in South Africa, an iconic case that calls into question our understanding of truth and reconciliation, loyalty, justice, race, and class—a gripping investigation in the vein of the podcast Serial “Timely . . . gripping, explosive . . . the kind of obsessive forensic investigation—of the clues, and into the soul of society—that is the legacy of highbrow sleuths from Truman Capote to Janet Malcolm.”—The New York Times Book Review The story of Amy Biehl is well known in South Africa: The twenty-six-year-old white American Fulbright scholar was brutally murdered on August 25, 1993, during the final, fiery days of apartheid by a mob of young black men in a township outside Cape Town. Her parents’ forgiveness of two of her killers became a symbol of the Truth and Reconciliation process in South Africa. Justine van der Leun decided to introduce the story to an American audience. But as she delved into the case, the prevailing narrative started to unravel. Why didn’t the eyewitness reports agree on who killed Amy Biehl? Were the men convicted of the murder actually responsible for her death? And then van der Leun stumbled upon another brutal crime committed on the same day, in the very same area. The true story of Amy Biehl’s death, it turned out, was not only a story of forgiveness but a reflection of the complicated history of a troubled country. We Are Not Such Things is the result of van der Leun’s four-year investigation into this strange, knotted tale of injustice, violence, and compassion. The bizarre twists and turns of this case and its aftermath—and the story that emerges of what happened on that fateful day in 1993 and in the decades that followed—come together in an unsparing account of life in South Africa today. Van der Leun immerses herself in the lives of her subjects and paints a stark, moving portrait of a township and its residents. We come to understand that the issues at the heart of her investigation are universal in scope and powerful in resonance. We Are Not Such Things reveals how reconciliation is impossible without an acknowledgment of the past, a lesson as relevant to America today as to a South Africa still struggling with the long shadow of its history. “A masterpiece of reported nonfiction . . . Justine van der Leun’s account of a South African murder is destined to be a classic.”—Newsday
BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.
