Indian Painting

Indian Painting

Author: Mira Seth

Publisher: Harry N. Abrams

Published: 2006-06-01

Total Pages: 0

ISBN-13: 9780810955363

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Wall Paintings in North Kerala, India

Wall Paintings in North Kerala, India

Author: Albrecht Frenz

Publisher: Arnoldsche Verlagsanstalt GmbH

Published: 2004

Total Pages: 216

ISBN-13:

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"There are numerous, little known temple complexes situated in the region of North Kerala in south western India. From the 12[superscript th] century until the present day, artists have created wall paintings in brilliant colours on external temple walls. The paintings mirror the joyful celebration of life as depicted in Indian myths and legends." "For thirty years the photographer, artist and teacher Krishna Kumar Marar has located the wall paintings. Some of the temples and wall paintings documented in this volume no longer exist." "Since his university days the indologist and theologian Albrecht Frenz has studied Indian cultures and languages. He initiated the present volume as a starting point for further research on temple art of North Kerala. The fascinating depictions and illustrations allow for vivid insights into the Hindu culture of this region."--BOOK JACKET.


Mural Paintings in India

Mural Paintings in India

Author: Jai Chand Nagpall

Publisher: Gyan Books

Published: 1988

Total Pages: 282

ISBN-13:

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An informative book written by an expert deals with ancient mural paintings/art of India in protected monuments and unprotected or privately owned structures, subject of the importance in art, history of art and archaeological understanding and preservation important to students, teachers, scholars, artist.


Pahāṛi Styles of Indian Murals

Pahāṛi Styles of Indian Murals

Author: Sukh Dev Singh Charak

Publisher: Abhinav Publications

Published: 1998

Total Pages: 310

ISBN-13: 9788170173564

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The Present Monograph Seeks To Record The Place And Development Of Elephant Symbol In The Mythology And The Art Of India Over A Period Of 5000 Years. It Is Amazing As To How Strikingly A Unity In Diversity In Most Indian Religions Is Displayed Through This Symbol. Elephant Form Has Been Used As A Common Denominator In The Folk As Well As The Religious Cults But Having Different Impacts. The Wide Spectrum Of Indian Culture Contains Various Colours Of Different Intensity. Different Kinds Of People, Races, Languages, Religions And Traditions Made Indian Culture Vital And Colourful. The Elephant Rotates With Every Colour Of The Spectrum. How The Animal Impressed The People Through The Ages Is Sought To Be Explained By The Author Along With All The Myths And Stories Associated With It. As A Divine Member Elephant Was Supposed To Have Come Into Existence Out Of The Sea On The Occasion Of Churning Of The Ocean (Samudramanthana) As Airavata The Milk White Elephant. On The Folk Level A Cult Developed Around It. Jataka Stories Refer To Elephant Pillars And Statues And Tradition Of Performing Hastisutra And Hastimangala-Elephant 1Estival. Besides As A Folk Divinity It Also Penetrated In Buddhist And Jain Mythologies. It Is The Inner Vitality Of Indian Culture Which Has Been The Result Of Intimate Connection Between Nature And Human Inspiration. That Is Why, Indian Religion, Art And Literature Are Rooted In The Natural Environment. Ganesa The Elephant God Is The Best Example Of The Oneness Of Nature And Human Factor As Reflected In The Realm Of Art And Literature. Ganesa Is Only One Of The Aspects Of The Multidimensional Personality Of The Elephant Which Embodies The Various Hues And Colours Of The Indian Cultural Tradition. Thus, Dr. Gupta Herein Offers A Detailed Statement Regarding The Historical Development Of Elephant Symbol In Indian Myths And Art. This Must Be Counted As A Unique Effort In Understanding The Symbolism Of Indian Culture Through Elephant Symbol.


Indian Court Painting, 16th-19th Century

Indian Court Painting, 16th-19th Century

Author: Steven Kossak

Publisher: Metropolitan Museum of Art

Published: 1997

Total Pages: 154

ISBN-13: 0870997823

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A catalogue to accompany an exhibit held at the museum from March to July 1997. Color reproductions of 83 paintings are presented chronologically rather than in the usual separate sections on Mughal, Deccani, Rijput, and Pahari traditions. Kossak, associate curator of Asian art at the museum, offers an introductory essay. Distributed in the US by Harry N. Abrams. Annotation copyrighted by Book News, Inc., Portland, OR


Art of India

Art of India

Author: Kalyan Kumar Chakravarty

Publisher: Humanities Press International

Published: 1984

Total Pages: 160

ISBN-13:

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This Is A Tribute To An Explosion Of Popular, Folk-Art Under The Algis Of A Courtly, Formal Culture. Temple, Palace And Fort Combined In Their Architecture While The Divine And Secular Met In Their Art. In The Midst Of Limittess Desolation, They Created Fabrics Of Grandeur And Visions Of Beauty. Without Dustjacket.


Conservation and Painting Techniques of Wall Paintings on the Ancient Silk Road

Conservation and Painting Techniques of Wall Paintings on the Ancient Silk Road

Author: Shigeo Aoki

Publisher: Springer Nature

Published: 2021-03-13

Total Pages: 330

ISBN-13: 9813341610

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This book presents recent research on ancient Silk Road wall paintings, providing an up-to-date analysis of their coloring materials and techniques, and of developments in efforts to preserve them. The destruction of the Bamiyan Buddhas in 2001 encouraged international collaboration between conservation research institutes to study and protect the Silk Road’s painted heritage. The collaborations led to exciting new discoveries of the rich materials used in wall painting, including diverse pigments and colorants, and various types of organic binding media. In addition, comparative research across the region revealed shared painting practices that indicate the sophisticated exchange of technologies and ideas. In parallel with these advances in technical understanding, greater awareness and sensitivity has been fostered in endeavors to preserve this fragile heritage. The book offers insights obtained from conservation projects and ongoing research, that encompass the geographical regions and periods related to the Silk Road, including from Japan, China, Korea, India and Afghanistan, and countries of the Eastern Mediterranean region. It also discusses the current issues and future challenges in the field. Featuring concise chapters, the book is a valuable resource for students and professionals in the field of cultural heritage preservation, as well as those who are not familiar with the fascinating topic of Silk Road wall painting research.