Multuggerah was a proud indigenous warrior, son of the famous eagle chief, Old Moppy. He was concerned about the new settlers and their animals destroying his lands, so he gathered the clans together to scare them off. This is his story.
In 1840, Brisbane was the furthest outpost of settled Australia. On all sides, it was embedded in a richly Indigenous world. Over the next few years, mostly from across New South Wales northern plains, a large push of pastoralists poured into the Darling Downs, Lockyer and much of southern Queensland, establishing huge sheep stations. The violence that erupted welded many of the tribal groups into an alliance that, by 1842, was working to halt the advance. The Battle of One Tree Hill tells the story of one of the most audacious stands against this migration. It concerns actions engineered by a father and son, Moppy and Multuggerah. In 1843, this culminated in an ingenious ambush and one of the first solid defeats of white settlement in Queensland. The battle at Mount Table Top, 128 kilometres west of Brisbane, astounded many at the time. The response was most likely the largest action of the frontier wars: the assembly of some 100 or more officers, soldiers, police and armed settlers – much of the region’s white settlement – drawn from hundreds of square kilometres. This force sought to drive out the warriors, but despite their best efforts, resistance not only persisted, but managed a few more victories. A fort had to be established to protect travellers, and brutal skirmishes, massacres, raids and robberies trickled on for decades. The Battle of One Tree Hill introduces us to many of the flamboyant characters, curious reversals of fortune and neglected incidents that together helped establish early Queensland. This narrative work combines decades of archival research, analysis, reconstruction and interviews conducted by historians Ray Kerkhove and Frank Uhr.
As Europeans moved into new lands in Queensland in the 19th century, violent encounters with local Aboriginals mostly followed. Drawing on extensive original research, Timothy Bottoms tells the story of the most violent frontier in Australian colonial history.
Sorry Sorry could be a first step of informing these young children of a significant aspect of Australian history, with age appropriate illustrations and dialogue. This book could also be an introduction to understanding the journey of reconciliation with Australia’s First Peoples.
I am the native cat, I dance everywhere. I hop, skip and jump. I jump on the flat stone and dance and wobble my bum and hold my hips And then I dance again. This remarkable book weaves together the story of Daisy Utemorrah's life with a collection of playful parables and poems. Exploring themes such as Creation, tradition, memories, family and most importantly, country, Do Not Go around the Edges imbues a simple autobiographical story with humour and depth, and will appeal to adults and children alike. Retold with love and honour, be transported to a place where time stands still... This book is beautifully illustrated by Broome-based Djugan artist Pat Torres.
Age range 3 - 8 Young children will be captivated by the bright colours and Australian animals which bring to lifethis entertaining tale of a young emu who has lost his mob and sets out to find it. He asks the animals he encounters along the way if they 'have seen his mob?' The kangaroo,lizard, owl, cassowary and others provide directions in their own, often confusing, way, until finallythe youngster catches up with his mob. In iconic Australian style, My Lost Mob combines highly textured and bold illustrations of Australiananimals and varied landscapes in a simple, classical format that will appeal to younger readersand all that are young at heart. A gem of a book that will charm its way onto bookshelves.
Journey to Horseshoe Bend was first published in 1969 and has been out of print for almost forty years. An Australian literary classic, it was written by TGH (Ted) Strehlow, author of the monumental Songs of Central Australia. It describes the final days of his father, Pastor Carl Strehlow, head of the Lutheran mission at Hermannsburg, as they travel, with Aboriginal companions, in extreme heat, along the dry riverbed of the Finke River, to the nearest railhead in search of medical assistance. They never reach help: the journey ends at Horseshoe Bend, with Pastor Strehlow’s death. Ted Strehlow grew up with Aborigines on the mission, and his knowledge of their customs and stories was unique. The book combines this knowledge, with a detailed awareness of the landscape and its sacred places, the battles that have been fought there, the lonely outposts of white settlement, and of the Biblical resonances of their own journey through this desert setting.
'The History Wars is very important. The book will sit on the shelves of libraries as a code stone to help people understand the motivations of players in today's contemporary debate. It sheds light on the political battle which is carried on in the pubs and on the footpaths about who we are and what has become of us.' andmdash; Hon. Paul Keating, Prime Minister of Australia, 1991-1996 The nation's history has probably never been more politicised than it is today. Politicians, journalists, columnists, academics and Australians from all walks of life argue passionately andmdash; and often, ideologically andmdash; about the significance of the national story: the cherished ideal of the 'fair go', the much contested facts of Indigenous dispossession, the Anzac legend, and the nation's strategic alliance with the United States. Historians have become both combatants and casualties in this war of words. In The History Wars, Stuart Macintyre and Anna Clark explore how this intense public debate has polarised the nation and paralysed history departments. This edition includes a new afterword by Stuart Macintyre which recounts, with rueful irony, the outbreak of controversy that followed the book's original publication, and the further light it shed on the uses and abuses of Australian history.
The world abounds with conflicts and the associated communication practices and technologies that perpetuate and contest conflict as it occurs in place. All conflicts are crucially connected with place, and all conflicts are communicated in multiple ways. This book explores the complex nexus among place, conflict and communication and brings together 11 investigations around the interplay of place, conflict and communication. The interdisciplinary focus includes education, history, international relations, law and sociology. The chapters are geographically diverse, traversing Aceh in Indonesia, Australia, England, Finland, Ireland, Singapore, South Africa and Zimbabwe. The book highlights the possibilities for reimagining the future so that more democratic and peaceful understandings of place can lead to fewer conflicts and less conflict-based communication. Better futures are possible only if place is replotted, conflict is reconceptualised and communication is recontextualised from new, varied and more inclusive perspectives with a vision to creating a more harmonious world.
This is a picture book about outback kids who enjoy the rodeo. A Rodeo is a competition of combined skill between animal and rider. This is an event that originated from everyday work and duties caring and working with livestock on the land, to a common sport that showcases lots of excitement of some of the everyday procedures that were necessary to work with and care for animals many years ago and to this day. So at the end of the rodeo the work doesn’t stop. The contractors now have to feed their animals, the bulls, horses, calves and steers. These animals are just like their kids, and are treated with lots of love and respect; they will all have some grain and fresh hay for dinner. There’s only respect given to these animal athletes; they are family.