This book approaches a central concern of oral literature studies worldwide, with a special focus on Africa: how to deal with oral genres in a world where new technologies have become available to more and more people? As the book asserts, what is new is that the spotlight is directed towards (old and new) "interlocutors" who cooperate in the making of technologized oral genres in an increasingly technologized world. Their interactions affect the performance, as well as research - their roles and positions raise methodological and ethical questions particularly when local/national identities and commercial interests are at stake. (Series: African Studies / Afrikanische Studien - Vol. 45)
Thanks to ever-greater digital connectivity, interest in oral traditions has grown beyond that of researcher and research subject to include a widening pool of global users. When new publics consume, manipulate and connect with field recordings and digital cultural archives, their involvement raises important practical and ethical questions. This volume explores the political repercussions of studying marginalised languages; the role of online tools in ensuring responsible access to sensitive cultural materials; and ways of ensuring that when digital documents are created, they are not fossilised as a consequence of being archived. Fieldwork reports by linguists and anthropologists in three continents provide concrete examples of overcoming barriers -- ethical, practical and conceptual -- in digital documentation projects. Oral Literature In The Digital Age is an essential guide and handbook for ethnographers, field linguists, community activists, curators, archivists, librarians, and all who connect with indigenous communities in order to document and preserve oral traditions.
Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.
Drawing together the insights of postcolonial scholarship and cultural studies, Popular Postcolonialisms questions the place of ‘the popular’ in the postcolonial paradigm. Multidisciplinary in focus, this collection explores the extent to which popular forms are infused with colonial logics, and whether they can be employed by those advocating for change. It considers a range of fiction, film, and non-hegemonic cultural forms, engaging with topics such as environmental change, language activism, and cultural imperialism alongside analysis of figures like Tarzan and Frankenstein. Building on the work of cultural theorists, it asks whether the popular is actually where elite conceptions of the world may best be challenged. It also addresses middlebrow cultural production, which has tended to be seen as antithetical to radical traditions, asking whether this might, in fact, form an unlikely realm from which to question, critique, or challenge colonial tropes. Examining the ways in which the imprint of colonial history is in evidence (interrogated, mythologized or sublimated) within popular cultural production, this book raises a series of speculative questions exploring the interrelation of the popular and the postcolonial.
In a world where new technologies are being developed at a dizzying pace, how can we best approach oral genres that represent heritage? Taking an innovative and interdisciplinary approach, this volume explores the idea of sharing as a model to construct and disseminate the knowledge of literary heritage with the people who are represented by and in it. Expert contributors interweave sociological analysis with an appraisal of the transformative impact of technology on literary and cultural production. Does technology restrict, constraining the experience of an oral performance, or does it afford new openings for different aesthetic experiences? Topics explored include the Mara Cultural Heritage Digital Library, the preservation of Ewe heritage material, new eresources for texts in Manding languages, and the possibilities of technauriture. This timely and necessary collection also examines to what extent digital documents can be and have been institutionalised in archives and museums, how digital heritage can remain free from co-option by hegemonic groups, and the roles that exist for community voices. A valuable contribution to a fast-developing field, this book is required reading for scholars and students in the fields of heritage, anthropology, linguistics, history and the emerging disciplines of multi-media documentation and analysis, as well as those working in the field of literature, folklore, and African studies. It is also important reading for museum and archive curators.
Insular Southeast Asia is made up of six nations, which are characterised by an extraordinary diversity of cultures and languages. Consequently, oral tradition in the region is similarly heterogeneous and may be performed in poetry, storytelling, singing or a combination of all three. Its study may be perceived from various academic angles. The present edition contains eleven contributions which discuss oral tradition from different perspectives, covering ecocriticism, poetics, semiotics, linguistics, folkloristics and politics. This volume explores expressions of oral folklore from different corners of Insular Southeast Asia and exemplifies diverse and alternative approaches to oral poetry and storytelling.
In the Dogon funeral proceedings, a major song cycle called baja ni is performed in a session of at least seven hours. The texts of the chants are attributed to a legendary figure called Abirɛ, who as a blind singer in the nineteenth century roamed the heartland of the Dogon. The baja ni songs have escaped scholarly attention thus far. Singing with the Dogon Prophet by Walter E.A. van Beek, Oumarou S. Ongoiba, and Atimε D. Saye provides their first publication in English as well as an analysis of these songs. These texts deal with the relations between man and woman, man’s ambivalent dependency on the otherworld, and with life and death; the whole night performance is one of the high points of the funeral. Additionally, Abirɛ is a prophet, and during his life has uttered a great number of prophecies on a wide range of topics, from local issues to the relation of the Dogon with the Fulbe herdsmen, and from the arrival of the colonials to ecological transformation. This book examines how these prophecies with these songs offer an inside view of the way the Dogon construct the present in a continuous dialogue with their past and their projected future.
This book describes a ubiquitous and potent emotion that has only rarely and recently been studied in any systematic manner. The words that come closest to denoting it in English are being moved or touched, having a heart-warming feeling, feeling nostalgic, feeling patriotic, or pride in family or team. In religious contexts when the emotion is intense, it may be labeled ecstasy, mystical rapture, burning in the bosom, or being touched by the Spirit. All of these are instances of what scientists now call ‘kama muta’ (Sanskrit, ‘moved by love’). Alan Page Fiske shows that what evokes this emotion is the sudden creation, intensification, renewal, repair, or recall of a communal sharing relationship – when love ignites, or people feel newly connected. He explains the social, psychological, cultural, and likely evolutionary processes involved – and how they interlock. Kama muta is described as it manifests in diverse settings at many points in history across scores of cultures, in everyday experiences as well as the peak moments of life. The chapters illuminate the occurrence of kama muta in a range of contexts, including religion, oratory, literature, sport, social media, and nature. The book will be of interest to students and scholars from a number of disciplines who are interested in emotion or social relationships. Supplementary notes can be found online at: www.routledge.com/9780367220945
Cet ouvrage multidisciplinaire présente une série des réflexions critiques sur les dynamiques identitaires dans un Sahel « en crise ». Si cette dernière constitue un moment de rupture et de renouvellement des règles socioculturelles des sociétés sahéliennes, elle révèle également les aspects structurants et fondateurs de l’identité comme logique de reproduction, instrument politique et enjeu international majeur. Cet ouvrage montre que la pratique de l’identité produit à la fois des temporalités, des contingences, des idéologies, des légitimités et des imaginaires constamment réactualisés à travers le conflit, l’expression esthétique, le mouvement, ainsi que l’invention de nouvelles formes de vie. This multidisciplinary publication presents critical reflections on the dynamics of identity formation in a Sahel “in crisis”: a moment of sudden rupture and change that radically alters the social and cultural structures shaping the present of Sahel societies, but which also reveal them to be political instruments with an international significance. The contributions show how conflict, movement, and aesthetics shape identity practices that produce temporal, contingent and constantly changing ideologies, legitimacies, imaginaries, and new ways of life in the Sahel. Dans un contexte où le Sahel est devenu un centre d’intérêt majeur de la réflexion sur l’Afrique contemporaine, cet ouvrage est bienvenu. Il rouvre le débat sur les articulations et reformulations des identités sous un angle nouveau. Mieux, en interrogeant les expériences de la crise et les pratiques de l’identité, il propose de nouvelles perspectives dans l’analyse et la théorisation du vécu des Sahéliens. (Dr. Abdoulaye Sounaye, Leibnitz-Zentrum Moderner Orient) En mettant des processus de figuration des identités au centre de son attention, ce livre est plus que bienvenu : il comble des lacunes que les études du ‹ sécuritaire › du Sahara-Sahel laissent ouvertes. Les contributions donnent la voix aux Saharo-Sahéliens mêmes qui n’ont été jusqu’alors que les objets d’étude. Ceci fait de ce livre une lecture indispensable, non seulement pour les spécialistes académiques de ces régions, mais aussi pour le public intéressé et – last but not least – pour les décideurs politiques. (Prof. Dr. Georg Klute, Universität Bayreuth)
