A noted sculptor turns her talents to poetry in a collection that explores the satisfactions and complications of being a Pueblo Indian woman in the late twentieth century
“Oates is just a fearless writer…with her brave heart and her impossibly lush and dead-on imaginative powers.” —Los Angeles Times “[An] extraordinarily intense, racking, and resonant novel.” —Booklist (starred review) One of the most acclaimed writers in the world today, the inimitable Joyce Carol Oates follows up her searing, New York Times bestselling memoir, A Widow’s Story, with an extraordinary new work of fiction. Mudwoman is a riveting psychological thriller, taut with dark suspense, that explores the high price of repression in the life of a respected university president teetering on the precipice of a nervous breakdown. Like Daphne DuMaurier’s gothic masterwork, Rebecca, and the classic ghost story, The Turn of the Screw, by Henry James, Oates’s Mudwoman is a chilling page-turner that hinges on the power of the imagination and the blurry lines between the real and the invented—and it stands tall among the author’s most powerful and beloved works, including The Falls, The Gravedigger’s Daughter, and We Were the Mulvaneys.
Living the dream of the endless vacation “Anyone who has ever dreamed of leaving the city and taking their lives back to nature (and who hasn't?) will find much to contemplate in this warm and hilarious tale of rural misadventure and small town quirk, even if they have never chased a goat in a bathing suit or called 911 because there were cows in the road. Stimson's voice is endearing: both in its self-deprecation and its rapture, as she sings an only slightly conflicted love song to Vermont.” —Pam Houston, author of Contents May Have Shifted “Taking a plunge that wimpier sorts (i.e. most of us) only fantasize about, Ellen Stimson and her family packed up their house in St. Louis and threw themselves into a wildly different life in small-town Vermont. Armed with the passion-and haplessness-of wide-eyed newcomers they rescue goats and adopt chickens, do battle with skunks and bats and falling ice, and, most disastrously, buy a black hole of a general store. Through it all they manage to retain their love for their adopted home as well as one another. This is a tale to which all the cliché words absolutely apply: hilarious, heartwarming, rollicking, and, most of all, rich in the real stuff of life.” —Julia Reed, author of But Mama Always Put Vodka in Her Sangria!
Longlisted for William Hill Sports Book of the Year 2020 'This pioneering memoir . . . engagingly balances the highs of captaincy and grand slams with striking emotional honesty as to her regrets' Guardian Books of the Year 'Her struggle is that of women’s rugby and it is told here with great honesty' Sunday Times Books of the Year Catherine Spencer was the captain of the England women’s rugby team for three years. She scored eighteen tries for England, won six of the eight Six Nations competitions she took part in, and captained her team to three championship titles, a European cup, two Nations Cup tournament victories and the World Cup final held on home soil in 2010, which thrust women’s rugby into the limelight. All of this while holding down a full time job, because the women’s team, unlike the men’s, did not get paid for their sport. Mud, Maul, Mascara is an effort to reconcile alleged opposites, to show the woman behind the international sporting success. Painfully honest about the mental struggles Catherine faced during, and after, her career as an elite athlete, it is also warm, funny and inspirational – a book for anyone who has ever had a dream, or self-doubt, or a yearning for a really good, mud-proof mascara.
When Jule Ann goes outside in her brand-new clothes, a mud puddle jumps on her and gets her completely dirty. The mud gets in her ears, eyes, and even her mouth. Jule Ann’s mother scrubs her clean and puts her in new clothes, but every time Jule Ann ventures out, the mud puddle finds her and pounces. Finally, Jule Ann has had enough: clutching two bars of smelly yellow soap, she heads outside one more time... A newly designed Classic Munsch picture book introduces this charming tale of unavoidable mess to a new generation of young readers.
LONGLISTED FOR THE NATIONAL BOOK AWARD FOR TRANSLATED LITERATURE A moving, unforgettable tribute to a Tutsi woman who did everything to protect her children from the Rwandan genocide, by the daughter who refuses to let her family's story be forgotten. The story of the author's mother, a fierce, loving woman who for years protected her family from the violence encroaching upon them in pre-genocide Rwanda. Recording her memories of their life together in spare, wrenching prose, Mukasonga preserves her mother's voice in a haunting work of art.
Aba Zytka Jones lives with her dad in an odd little house that hangs over the Fraser River. Her mom took off a year ago. In his own way, so did her dad. She doesn't fit in, never has, and she has questions.
A story of a woman's quest to discover the diffence between love and sex.Be prepared to have your hear ripped out and sewn back, in all the right places.
Mud Flower: Surviving Schizophrenia and Suicide Through Art shows the perspective of a person who has a serious mental illness, who survives extreme treatments, who both family and the health system have given up on, but who defies all expectations and common beliefs of what is possible. Along the way, the author describes the role of art in her survival, grappling with how the life force can be either nurtured or destroyed by elements in our environment, such as nature, beauty, and art versus dehumanization and coercion.
A long-lost letter arriving at its destination fifty years after it was sent lures Edie Burchill to crumbling Milderhurst Castle, home of the three elderly Blythe sisters, where Edie's mother was sent to stay as a teenager during World War II.