While she has never felt the need to change her figure, Mrs Pargeter is happy enough to accompany her friend Kim to a health farm. Until, in the night, she sees a body being wheeled out. What Mrs Pargeter doesn’t realise is that this suspicious death will set her on a trail of detection which will bring her into direct conflict with her late husband’s business associates.
The Devereux is a nice residential hotel which caters for a nice class of guest. But the arrival of Mrs Pargeter, an attractive widow, seems to act as a catalyst of disaster for everyone connected with the hotel. On the morning after her arrival, the corpse of one of the frailer residents is found at the foot of the main staircase, and shortly after that another death shakes the gentility of the hotel. Deciding to investigate herself, Mrs Pargeter discovers that more than one person in the Devereux has a motive for murder.
Mrs Pargeter discovers the skills by which Public Relations can make evil look good in the latest wickedly entertaining mystery. It is her characteristic generosity rather than her love of animals that finds Mrs Pargeter supporting her friend, Jasmine Angold, at a charity reception for PhiliPussies, whose worthy aim is to rehabilitate stray cats from the Greek island of Atmos into caring English homes. But the evening is to have unexpected consequences. At the event, Mrs P is taken aback to meet a woman who claims to be the sister of her late husband, the much-missed Mr Pargeter. This surprising encounter leads to unwelcome digging into past secrets, the discovery of a body in Epping Forest, an eventful trip to Greece - and unexpected danger for Mrs Pargeter. In the course of her investigations, she learns the true nature of charity and the dubious skills by which Public Relations can make evil look good.
Although a trip to Corfu is not Mrs Pargeter’s usual idea of a holiday, keeping a recently widowed friend company overrules her misgivings. But when that friend starts behaving strangely and is then found having apparently committed suicide, Mrs Pargeter resolves to get to the bottom of the mystery.
Construction on Mrs Pargeter’s new country home comes to an abrupt halt when a corpse is discovered in the wine cellar. The accused is Concrete Jacket, the builder and great friend of Mrs P’s late, lamented husband. Mrs P is not about to let prison come between her and her dream home. Concrete may be a scoundrel but he’s no killer. Someone has set him up – but who? Mrs Pargeter determines to find out.
Winner of the 2008 Agatha Award for Best First Novel From deep in the heart of his eighteenth century English manor, millionaire Sir Adrian Beauclerk-Fisk writes mystery novels and torments his four spoiled children with threats of disinheritance. Tiring of this device, the portly patriarch decides to weave a malicious twist into his well-worn plot. Gathering them all together for a family dinner, he announces his latest blow—a secret elopement with the beautiful Violet...who was once suspected of murdering her husband. Within hours, eldest son and appointed heir Ruthven is found cleaved to death by a medieval mace. Since Ruthven is generally hated, no one seems too surprised or upset—least of all his cold-blooded wife Lillian. When Detective Chief Inspector St. Just is brought in to investigate, he meets with a deadly calm that goes beyond the usual English reserve. And soon Sir Adrian himself is found slumped over his writing desk—an ornate knife thrust into his heart. Trapped amid leering gargoyles and stone walls, every member of the family is a likely suspect. Using a little Cornish brusqueness and brawn, can St. Just find the killer before the next-in-line to the family fortune ends up dead? Death of a Cozy Writer was chosen by Kirkus Reviews as a Best Book of 2008, nominated for a Left Coast Crime award (the Hawaii Five-O for best police procedural), short-listed for the Macavity Award for Best First Mystery, nominated for the Anthony Award for Best First Novel and was a finalist for the David G. Sasher, Sr. Award for Best Mystery Novel. Praise: "Fans of English detective work will welcome Malliet's droll debut, the first in a new series."—Publishers Weekly "Malliet's debut combines devices from Christie and Clue to keep you guessing until the dramatic denouement."—Kirkus Reviews "Malliet's skillful debut demonstrates the sophistication one would expect of a much more established writer. I'm looking forward to her next genre-bender, Death and the Lit Chick."—Mystery Scene "Almost every sentence is a polished, malicious gem, reminiscent of Robert Barnard...the book is perfect for the lover of the classical detective story or the fan of great sentences."—Deadly Pleasures "In her series debut, Malliet, who won a Malice Domestic Grant to write this novel, lays the foundation for an Agatha Christie—like murder mystery."—Library Journal "An affectionate homage to the Golden Age of British crime fiction by a skilled writer rapidly attracting attention."—The Sherbrook Record "This tale cleverly adds modern touches to an Agatha Christie style classic house mystery."—Mystery Women Magazine "Wicked, witty and full of treats!"—Peter Lovesey, recipient of Lifetime Achievement Awards from the Crime Writer's Association and Malice Domestic "The traditional British cozy is alive and well. Delicious. I was hooked from the first paragraph."—Rhys Bowen, award-winning author of Her Royal Spyness "Death of a Cozy Writer is a romp, a classic tale of family dysfunction in a moody and often humourous English country house setting."—Louise Penny, author of the award-winning Armand Gamache series of murder mysteries "The connections made by St. Just are nothing short of Sherlock Holmes at his most coherent. A most excellent first mystery!"—Midwest Book Review
In 1797 Jeremy Bentham prepared a map of poverty in Britain, which he called "Pauperland." More than two hundred years later, poverty and social deprivation remain widespread in Britain. Yet despite the investigations into poverty by Mayhew, Booth, and in the 20th century, Townsend, it remains largely unknown to, or often hidden from, those who are not poor. Pauperland is Jeremy Seabrook's account of the mutations of poverty over time, historical attitudes to the poor, and the lives of the impoverished themselves, from early Poor Laws till today. He explains how in the medieval world, wealth was regarded as the greatest moral danger to society, yet by the industrial era, poverty was the most significant threat to social order. How did this change come about, and how did the poor, rather than the rich, find themselves blamed for much of what is wrong with Britain, including such familiar-and ancient-scourges as crime, family breakdown and addictions? How did it become the fate of the poor to be condemned to perpetual punishment and public opprobrium, the useful scapegoat of politicians and the media? Pauperland charts how such attitudes were shaped by ill-conceived and ill-executed private and state intervention, and how these are likely to frame ongoing discussions of and responses to poverty in Britain.
