American Fiction, 1901-1925

American Fiction, 1901-1925

Author: Geoffrey D. Smith

Publisher: Cambridge University Press

Published: 1997-08-13

Total Pages: 1064

ISBN-13: 9780521434690

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A 1997 bibliography of American fiction from 1901-1925.


American Political and Cultural Perspectives on Japan

American Political and Cultural Perspectives on Japan

Author: John H. Miller

Publisher: Lexington Books

Published: 2014-04-02

Total Pages: 185

ISBN-13: 0739189131

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American Political and Cultural Perspectives on Japan: From Perry to Obama is an historical survey of how Americans have viewed Japan during the past 160 years. It encompasses the diplomatic, political, economic, social, and cultural dimensions of the relationship, with an emphasis on changing American images, myths, and stereotypes of Japan and the Japanese. It begins with the American “opening” of Japan in the 1850s and 1860s. Subsequent chapters explore American attitudes toward Japan during the Gilded Age, the early 1900s, the 1920s, the 1930s, and the Pacific War. The second part of the book, organized round the theme of the postwar Japanese-American partnership, covers the Occupation, the 1960s, the troubled 1970s and1980s, and the post-Cold War decades down to the Obama presidency. The conclusion offers some predictions about how Americans are likely to view Japan in the future.


Japan and North America: First contacts to the Pacific War

Japan and North America: First contacts to the Pacific War

Author: Ellis S. Krauss

Publisher: Taylor & Francis

Published: 2004

Total Pages: 418

ISBN-13: 9780415275156

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This collection makes available key articles on the Japan-North American relationship from the Meiji era to the present. Volume one focuses on the necessity of Japanese modernization post-1868 and examines the build-up to the Japanese bombing of Pearl Harbour. Volume two looks at the post-war period, in which US forces occupied Japan and were instrumental in its rebuilding as an economic superpower. In the years following this Japan and North America enjoyed a close yet occasionally fraught relationship, as competitors and allies. Volume two also examines the cultural ramifications of the influence of North America on Japan, and vice versa. Titles also available in this series include, Japan and South East Asia: International Relations (2001, 2 volumes, 295) and the forthcoming title Japanese Linguistics (2005, 3 volumes, c.425).


Sessue Hayakawa

Sessue Hayakawa

Author: Daisuke Miyao

Publisher: Duke University Press

Published: 2007-03-28

Total Pages: 398

ISBN-13: 0822389827

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While the actor Sessue Hayakawa (1886–1973) is perhaps best known today for his Oscar-nominated turn as a Japanese military officer in The Bridge on the River Kwai (1957), in the early twentieth century he was an internationally renowned silent film star, as recognizable as Charlie Chaplin or Douglas Fairbanks. In this critical study of Hayakawa’s stardom, Daisuke Miyao reconstructs the Japanese actor’s remarkable career, from the films that preceded his meteoric rise to fame as the star of Cecil B. DeMille’s The Cheat (1915) through his reign as a matinee idol and the subsequent decline and resurrection of his Hollywood fortunes. Drawing on early-twentieth-century sources in both English and Japanese, including Japanese-language newspapers in the United States, Miyao illuminates the construction and reception of Hayakawa’s stardom as an ongoing process of cross-cultural negotiation. Hayakawa’s early work included short films about Japan that were popular with American audiences as well as spy films that played upon anxieties about Japanese nationalism. The Jesse L. Lasky production company sought to shape Hayakawa’s image by emphasizing the actor’s Japanese traits while portraying him as safely assimilated into U.S. culture. Hayakawa himself struggled to maintain his sympathetic persona while creating more complex Japanese characters that would appeal to both American and Japanese audiences. The star’s initial success with U.S. audiences created ambivalence in Japan, where some described him as traitorously Americanized and others as a positive icon of modernized Japan. This unique history of transnational silent-film stardom focuses attention on the ways that race, ethnicity, and nationality influenced the early development of the global film industry.