The President tells the story of a ruthless dictator and his schemes to dispose of a political adversary in an unnamed country usually identified as Guatemala. Drawing on his experience as a journalist writing under repressive conditions, Miguel Angel Asturias provides a blazing indictment of totalitarian government and its damaging psychological effects on society - from the harvest of terror to cowardice, to sycophancy, to treachery and intrigue, and the total sacrifice of human values to lust for power. Written in a language of freedom and originality, full of extraordinary symbolism, biting satire, poetry and dream sequences, with an imagination that is both lyrical and ferocious, The President is a surrealist masterpiece and one of the most influential books of the twentieth century.
An ex-SEAL in a wetsuit, a bisexual President, and a First Lady with a tattoo on her ass… Secret Service agent Kent Sinclair, head of POTUS security, thought he was prepared for anything. Then, the First Lady—a woman who barely tolerates his presence—approaches him with a request that startles the hell out of him. Carlene Broderick is scared. Her husband James is buckling under the strain of the highest office in the land. With the weight of the country and an impending war on his shoulders, he’s a heart attack waiting to happen. Carlene is out of options, so she resorts to the man whose name James calls out in his sleep—a buddy from his SEAL days. His ex-lover. Kent. There’s nothing Kent won’t do for his best friend, but he quickly realizes it’s not him that James needs—the Commander in Chief is desperate to give up complete control in the bedroom. And if she’s willing, Kent can teach Carlene to be what her husband needs. Now James is caught deep in forbidden territory—torn between his beloved wife and the man he’s never stopped loving. Kneel, Mr. President is a sexy, military, friends to lovers, over 40 menage romance full of dominance, submission, and exploration.
These brief, easy-to-read essays portray the lives of our 42 presidents, the leaders who have come from many backgrounds and sections of the country. Photos/illustrations.
In this “heroic narrative” (The Wall Street Journal), discover the inspiring and timely account of the complex relationship between leading suffragist Alice Paul and President Woodrow Wilson in her fight for women’s equality. Woodrow Wilson lands in Washington, DC, in March of 1913, a day before he is set to take the presidential oath of office. He is surprised by the modest turnout. The crowds and reporters are blocks away from Union Station, watching a parade of eight thousand suffragists on Pennsylvania Avenue in a first-of-its-kind protest organized by a twenty-five-year-old activist named Alice Paul. The next day, The New York Times calls the procession “one of the most impressively beautiful spectacles ever staged in this country.” Mr. President, How Long Must We Wait? weaves together two storylines: the trajectories of Alice Paul and Woodrow Wilson, two apparent opposites. Paul’s procession of suffragists resulted in her being granted a face-to-face meeting with President Wilson, one that would lead to many meetings and much discussion, but little progress for women. With no equality in sight and patience wearing thin, Paul organized the first group to ever picket in front of the White House lawn—night and day, through sweltering summer mornings and frigid fall nights. From solitary confinement, hunger strikes, and the psychiatric ward to ever more determined activism, Mr. President, How Long Must We Wait? reveals the courageous, near-death journey it took, spearheaded in no small part by Alice Paul’s leadership, to grant women the right to vote in America. “A remarkable tale” (Kirkus Reviews) and a rousing portrait of a little-known feminist heroine, this is an eye-opening exploration of a crucial moment in American history one century before the Women’s March.
A bracing amalgamation of devastating humor and brilliant cultural observation, in which Gabe Hudson fearlessly explores the darker implications of American military power. "Weird, wonderful, and worrisome.” —The Washington Post Book World “Dear Mr. President is a war book like no other. It’s as if Salvador Dali had rewritten All Quiet on the Western Front.” —USA Today Everybody’s Gulf War Syndrome is a little bit different. Or so believes Larry, who returns home from Desert Storm to find his hair gone and his bones rapidly disintegrating. Then there’s Lance Corporal James Laverne of the US Marines, who grows a third ear in Kuwait. And in the audaciously comic novella “Notes from a Bunker Along Highway 8,” a Green Beret deserts his team after seeing a vision of George Washington, only to find a new calling—administering aid to wounded Iraqi civilians; he’s hindered only by the furtive nature of his mission and an unruly band of chimpanzees.
Although the framers gave the president little authority, George Washington knew whatever he did would set precedents for generations of future leaders. To ensure their ability to defend the nation, he simply ignored the Constitution when he thought it necessary. In a revealing new look at the birth of American government, “Mr. President” describes Washington's presidency in a time of continual crisis, as rebellion and attacks by foreign enemies threatened to destroy this new nation. Constantly weighing preservation of the Union against preservation of individual liberties and states' rights, Washington assumed more power with each crisis. In a series of brilliant but unconstitutional maneuvers he forced Congress to cede control of the four pillars of executive power: war, finance, foreign affairs, and law enforcement. Drawing on rare documents and letters, Unger shows how Washington combined political cunning and sheer genius to seize ever-widening powers, impose law and order while ensuring individual freedom, and shape the office of President of the United States.
When the president of the United States has a frustrating day, he decides to go back to the place where he learned the most important lessons of all. Everyone has bad days. Even the president. So when his day starts off badly, Mr. President decides he is in need of a time--out from running the country. Disguising himself, he sneaks out of the White House, hurries down the street to the local school, and enrolls in Mrs. Appletree's class. There Mr. President slides his fingers through globs of finger paint. He spins himself silly on the merry--go--round at recess. He practices saying "please," raising his hand, and taking turns. And he doesn't miss a single beat when everyone does the hokey--pokey. But when he returns to the White House, he is greeted by a panicked secretary of state and two angry world leaders on the brink of war. Fortunately, Mr. President recalls what he learned in Mrs. Appletree's class, and he comes up with just the right approach to avoid an international crisis. Children will delight in Rick Walton's laugh--out--loud story and its over--the--top take on conflict resolution. Brad Sneed's watercolor illustrations capture the humor of the story with their exaggerated, outsized characters and playfully distorted compositions.
