Mozart the Freemason

Mozart the Freemason

Author: Jacques Henry

Publisher: Inner Traditions

Published: 2006-08-28

Total Pages: 160

ISBN-13: 9781594771286

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An exploration of Mozart’s strong ties to Freemasonry and how its principles profoundly shaped his musical work • Reveals how Mozart structured his music on Masonic ritual and ceremony to provide a musical lexicon of Masonic symbols • Shows that Freemasonry plays the same role in Mozart’s work as Lutheran Christianity plays in that of Bach Thanks to recently discovered documents, we now have a fuller picture of the esoteric influences on the life and work of Wolfgang Amadeus Mozart. Musicologist Jacques Henry shows that the Masonic influence on Mozart goes beyond those pieces, such as The Magic Flute, that fulfilled a ritual purpose for the composer. His works actually provide a complete musical lexicon of Masonic symbols inspired by the principles of the craft and the spirit of the Masonic quest. Mozart constructed his Masonic compositions by creating auditory correspondences to the symbols present in the rituals, choosing keys and tempos that transpose their content into harmony. His understanding of the use of symbol allowed him to create music that would lead the listener into a harmony that transcended earthly existence. A number of musicologists believe that the place of the Masonic spiritual vision in Mozart’s work is comparable to that held by Lutheran Christianity in the work of Johann Sebastian Bach. Mozart wed his deep understanding of music to the esoteric wisdom he gained as a Freemason. He shows that when we lose ourselves in the expression of pure harmony, it is the same as the symbol being lost in what it symbolizes. Jacques Henry provides a rigorous and original analysis of Mozart’s works that reveals their inner meaning as shaped by the composer’s profound embrace of the spiritual principles of Freemasonry.


Mozart's The Magic Flute

Mozart's The Magic Flute

Author: Wolfgang Amadeus Mozart

Publisher: Opera Journeys Publishing

Published: 2005

Total Pages: 132

ISBN-13: 0977145506

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A comprehensive guide to Mozart's THE MAGIC FLUTE, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with German/English translation side-by side, and over 30 music highlight examples.


Mozart

Mozart

Author: Otto Erich Deutsch

Publisher: Stanford University Press

Published: 1966-06-01

Total Pages: 698

ISBN-13: 9780804702331

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A Stanford University Press classic.


The Magic Flute Unveiled

The Magic Flute Unveiled

Author: Jacques Chailley

Publisher: Inner Traditions

Published: 1992-01-01

Total Pages: 368

ISBN-13: 9780892813582

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Chailley, a professor of music history at the Sorbonne, reveals the coherence of the opera and the hidden significance of its characters and situations. The author relates each of these elements to the esoteric tradition from which they emanate and to Mozart's own involvement with the Masonic brotherhood.


Mozart and Masonry

Mozart and Masonry

Author: Paul Nettl

Publisher: Open Road Media

Published: 2023-07-11

Total Pages: 204

ISBN-13: 1504085701

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A noted musicologist looks at the eighteenth-century composer’s connection to Freemasonry and its profound influence on his music. Speculative masonry was a pervasive intellectual force in eighteenth-century European society. Like many of his colleagues, as well as his father before him, Wolfgang Amadeus Mozart joined a Masonic lodge in 1784. The philosophy and symbolism of the Masons would be a major source of inspiration for his compositions from then on. This book provides an overview of Mozart’s relationship to the fraternity and a detailed account of the numerous pieces he wrote specifically for Lodge events or ritual, as well as the many pieces adapted by others for Lodge use. It also includes an in-depth explanation of Mozart’s opera “The Magic Flute” and its Masonic themes and imagery.


1791, Mozart's Last Year

1791, Mozart's Last Year

Author: H. C. Robbins Landon

Publisher: Thames & Hudson

Published: 1999-01-01

Total Pages: 240

ISBN-13: 9780500281079

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The premature death of Mozart is the subject of 1791, a study based upon Professor Landon's unrivalled understanding of source material relating to Mozart, his music and the events that became an enigma, a tragedy and a source of great controversy.


Mozart

Mozart

Author: Paul Johnson

Publisher: Penguin

Published: 2013-11-14

Total Pages: 161

ISBN-13: 1101638125

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Eminent historian Paul Johnson dazzles with a rich, succinct portrait of Mozart and his music As he’s done in Napoleon, Churchill, Jesus, and Darwin, acclaimed historian and author Paul Johnson here offers a concise, illuminating biography of Mozart. Johnson’s focus is on the music—Mozart’s wondrous output of composition and his uncanny gift for instrumentation. Liszt once said that Mozart composed more bars than a trained copyist could write in a lifetime. Mozart’s gift and skill with instruments was also remarkable as he mastered all of them except the harp. For example, no sooner had the clarinet been invented and introduced than Mozart began playing and composing for it. In addition to his many insights into Mozart’s music, Johnson also challenges the many myths that have followed Mozart, including those about the composer’s health, wealth, religion, and relationships. Always engaging, Johnson offers readers and music lovers a superb examination of Mozart and his glorious music, which is still performed every day in concert halls and opera houses around the world.


Mozart in Context

Mozart in Context

Author: Simon P. Keefe

Publisher: Cambridge University Press

Published: 2018-12-20

Total Pages: 427

ISBN-13: 1316850838

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The vibrant intellectual, social and political climate of mid eighteenth-century Europe presented opportunities and challenges for artists and musicians alike. This book focuses on Mozart the man and musician as he responds to different aspects of that world. It reveals his views on music, aesthetics and other matters; on places in Austria and across Europe that shaped his life; on career contexts and environments, including patronage, activities as an impresario, publishing, theatrical culture and financial matters; on engagement with performers and performance, focusing on Mozart's experiences as a practicing musician; and on reception and legacy from his own time through to the present day. Probing diverse Mozartian contexts in a variety of ways, the contributors reflect the vitality of existing scholarship and point towards areas primed for further study. This volume is essential reading for students and scholars of late eighteenth-century music and for Mozart aficionados and music lovers in general.


From Pompeii

From Pompeii

Author: Ingrid D. Rowland

Publisher: Harvard University Press

Published: 2014-03-24

Total Pages: 289

ISBN-13: 0674416538

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When Vesuvius erupted in 79 CE, the force of the explosion blew the top right off the mountain, burying nearby Pompeii in a shower of volcanic ash. Ironically, the calamity that proved so lethal for Pompeii's inhabitants preserved the city for centuries, leaving behind a snapshot of Roman daily life that has captured the imagination of generations. The experience of Pompeii always reflects a particular time and sensibility, says Ingrid Rowland. From Pompeii: The Afterlife of a Roman Town explores the fascinating variety of these different experiences, as described by the artists, writers, actors, and others who have toured the excavated site. The city's houses, temples, gardens--and traces of Vesuvius's human victims--have elicited responses ranging from awe to embarrassment, with shifting cultural tastes playing an important role. The erotic frescoes that appalled eighteenth-century viewers inspired Renoir to change the way he painted. For Freud, visiting Pompeii was as therapeutic as a session of psychoanalysis. Crown Prince Hirohito, arriving in the Bay of Naples by battleship, found Pompeii interesting, but Vesuvius, to his eyes, was just an ugly version of Mount Fuji. Rowland treats readers to the distinctive, often quirky responses of visitors ranging from Wolfgang Amadeus Mozart, Charles Dickens, and Mark Twain to Roberto Rossellini and Ingrid Bergman. Interwoven throughout a narrative lush with detail and insight is the thread of Rowland's own impressions of Pompeii, where she has returned many times since first visiting in 1962.