Moving Pictures, Still Lives

Moving Pictures, Still Lives

Author: James Tweedie

Publisher: Oxford University Press

Published: 2018

Total Pages: 305

ISBN-13: 0190873876

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Moving Pictures, Still Lives revisits the cinematic and intellectual atmosphere of the late twentieth century. Against the backdrop of the historical fever of the 1980s and 1990s-the rise of the heritage industry, a global museum-building boom, and a cinematic fascination with costume dramas and literary adaptations-it explores the work of artists and philosophers who complicated the usual association between tradition and the past or modernity and the future. Author James Tweedie retraces the "archaeomodern turn" in films and theory that framed the past as a repository of abandoned but potentially transformative experiments. He examines late twentieth-century filmmakers who were inspired by old media, especially painting, and often viewed those art forms as portals to the modern past. In detailed discussions of Alain Cavalier, Terence Davies, Jean-Luc Godard, Peter Greenaway, Derek Jarman, Agnès Varda, and other key directors, the book concentrates on films that fill the screen with a succession of tableaux vivants, still lifes, illuminated manuscripts, and landscapes. It also considers three key figures-Walter Benjamin, Gilles Deleuze, and Serge Daney-who grappled with the late twentieth century's characteristic concerns, including history, memory, and belatedness. It reframes their theoretical work on film as a mourning play for past revolutions and a means of reviving the possibilities of the modern age (and its paradigmatic medium, cinema) during periods of political and cultural retrenchment. Looking at cinema and the century in the rear-view mirror, the book highlights the unrealized potential visible in the history of film, as well as the cinematic phantoms that remain in the digital age.


Moving Pictures, Still Lives

Moving Pictures, Still Lives

Author: James Tweedie

Publisher: Oxford University Press

Published: 2018-05-04

Total Pages: 305

ISBN-13: 0190873892

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Moving Pictures, Still Lives revisits the cinematic and intellectual atmosphere of the late twentieth century. Against the backdrop of the historical fever of the 1980s and 1990s-the rise of the heritage industry, a global museum-building boom, and a cinematic fascination with costume dramas and literary adaptations-it explores the work of artists and philosophers who complicated the usual association between tradition and the past or modernity and the future. Author James Tweedie retraces the "archaeomodern turn" in films and theory that framed the past as a repository of abandoned but potentially transformative experiments. He examines late twentieth-century filmmakers who were inspired by old media, especially painting, and often viewed those art forms as portals to the modern past. In detailed discussions of Alain Cavalier, Terence Davies, Jean-Luc Godard, Peter Greenaway, Derek Jarman, Agnès Varda, and other key directors, the book concentrates on films that fill the screen with a succession of tableaux vivants, still lifes, illuminated manuscripts, and landscapes. It also considers three key figures-Walter Benjamin, Gilles Deleuze, and Serge Daney-who grappled with the late twentieth century's characteristic concerns, including history, memory, and belatedness. It reframes their theoretical work on film as a mourning play for past revolutions and a means of reviving the possibilities of the modern age (and its paradigmatic medium, cinema) during periods of political and cultural retrenchment. Looking at cinema and the century in the rear-view mirror, the book highlights the unrealized potential visible in the history of film, as well as the cinematic phantoms that remain in the digital age.


Film: A Very Short Introduction

Film: A Very Short Introduction

Author: Michael Wood

Publisher: Oxford University Press, USA

Published: 2012-01-26

Total Pages: 153

ISBN-13: 0192803530

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Film is considered to be the dominant art form of the twentieth century. It can be considered many other things; a record of events, a modern mythology, a career, an industry, an art, a hobby, and much else. Michael Wood explores the history of film, its venture into the digital age, and its role and impact on modern society.


Moving Pictures

Moving Pictures

Author: Anne Hollander

Publisher: Anne Hollander

Published: 1989

Total Pages: 538

ISBN-13: 9780394574004

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Hollander explores the premise that paintings, prints, and movies move us similarly by virtue of their narrative element, which evokes our memories and feelings. She argues that we respond to the depiction of glimpses of human life, to the realization that we cannot see everything at once, and how the rendering of light and spatial composition translates them and keeps them moving into our awareness. Thus there is a continuum from the paintings and graphic arts of 15th century northern Europe to the "proto-cinematic arts" of the present. ISBN 0-394-57400-1: $29.95.


Moving Pictures

Moving Pictures

Author: Terry Pratchett

Publisher: Random House

Published: 2009-05-27

Total Pages: 402

ISBN-13: 1407034731

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'HOLY WOOD IS A DIFFERENT SORT OF PLACE . . . HERE, THE MOST IMPORTANT THING IS TO BE IMPORTANT.' A new phenomenon is taking over the Discworld: moving pictures. Created by the alchemists of Ankh-Morpork, the growing 'clicks' industry moves to the sandy land of Holy Wood, attracted by the light of the sun and some strange calling no one can quite put their finger on... Also drawn to Holy Wood are aspiring young stars Victor Tugelbend, a wizarding student dropout, and Theda 'Ginger' Withel, a small-town girl with big dreams. But behind the glitz and glamour of the clicks, a sinister presence lurks. Because belief is powerful in the Discworld, and sometimes downright dangerous... The magic of movies might just unravel reality itself. 'Funny, delightfully inventive, and refuses to lie down in its genre' - Observer The Discworld novels can be read in any order but Moving Pictures is a standalone.


The Age of New Waves

The Age of New Waves

Author: James Tweedie

Publisher: Oxford University Press

Published: 2013-08-01

Total Pages: 377

ISBN-13: 0199344302

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The Age of New Waves examines the origins of the concept of the "new wave" in 1950s France and the proliferation of new waves in world cinema over the past three decades. The book suggests that youth, cities, and the construction of a global market have been the catalysts for the cinematic new waves of the past half century. It begins by describing the enthusiastic engagement between French nouvelle vague filmmakers and a globalizing American cinema and culture during the modernization of France after World War II. It then charts the growing and ultimately explosive disenchantment with the aftermath of that massive social, economic, and spatial transformation in the late 1960s. Subsequent chapters focus on films and visual culture from Taiwan and contemporary mainland China during the 1980s and 1990s, and they link the recent propagation of new waves on the international film festival circuit to the "economic miracles" and consumer revolutions accompanying the process of globalization. While it travels from France to East Asia, the book follows the transnational movement of a particular model of cinema organized around mise en scène--or the interaction of bodies, objects, and spaces within the frame--rather than montage or narrative. The "master shot" style of directors like Hou Hsiao-Hsien, Tsai Ming-Liang, and Jia Zhangke has reinvented a crucial but overlooked tendency in new wave film, and this cinema of mise en scène has become a key aesthetic strategy for representing the changing relationships between people and the material world during the rise of a global market. The final chapter considers the interaction between two of the most global phenomena in recent film history--the transnational art cinema and Hollywood--and it searches for traces of an American New Wave.


Moving Pictures

Moving Pictures

Author: Kathryn Immonen

Publisher:

Published: 2010

Total Pages: 0

ISBN-13: 9781603090490

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During the Second World War both the french and the germans seek to inventory and hide the collections of art from the major galleries. French curator Ila Gardner starts a dangerous private relationship with german officer Rolf Hauptmann even though they are on differents sides of the conflict.


Moving Pictures

Moving Pictures

Author: Budd Schulberg

Publisher: Open Road Media

Published: 2012-07-31

Total Pages: 768

ISBN-13: 1453261761

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The Oscar-winning screenwriter of On the Waterfront recounts his life, his career, and “how Hollywood became the dream factory it still is today” (Kirkus Reviews). When Seymour Wilson “Budd” Schulberg moved from New York to Los Angeles as a child, Hollywood’s filmmaking industry was just getting started. To some, the region was still more famous for its citrus farms than its movie studios. In this iconic memoir, Schulberg, the son of one of Tinseltown’s most influential producers, recounts the rise of the studios, the machinations of the studio heads, and the lives of some of cinema’s earliest and greatest stars. Even as Hollywood grew to become one of the country’s most powerful cultural and economic engines, it retained the feel of a company town for decades. Schulberg’s sparkling recollections offer a unique insider view of both the glitter and dark side of the dream factory’s early years. This ebook features an illustrated biography of Budd Schulberg including rare images and never-before-seen documents from the author’s estate.


Medicine's Moving Pictures

Medicine's Moving Pictures

Author: Leslie J. Reagan

Publisher: University Rochester Press

Published: 2007

Total Pages: 360

ISBN-13: 9781580463065

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Original essays by leading media scholars and historians of medicine that explore the rich history of health-related films. This groundbreaking book argues that health and medical media, with their unique goals and production values, constitute a rich cultural and historical archive and deserve greater scholarly attention. Original essays by leading media scholars and historians of medicine demonstrate that Americans throughout the twentieth century have learned about health, disease, medicine, and the human body from movies. Heroic doctors and patients fighting dread diseaseshave thrilled and moved audiences everywhere; amid changing media formats, medicine's moving pictures continue to educate, entertain, and help us understand the body's journey through life. Perennially popular, health and medicalmedia are also complex texts reflecting many interests and constituencies including, notably, the U.S. medical profession, which has often sought, if not always successfully, to influence content, circulation, and meaning. Medicine's Moving Pictures makes clear that health and medical media representations are "more than illustrations," shows their power to shape health perceptions, practices, and policies, and identifies their social, cultural, andhistorical contexts. Contributors: Lisa Cartwright, Vanessa Northington Gamble, Rachel Gans-Boriskin, Valerie Hartouni, Susan E. Lederer, John Parascandola, Martin S. Pernick, Leslie J. Reagan, Naomi Rogers, Nancy Tomes, Paula A. Treichler, Joseph Turow Leslie J. Reagan is an Associate Professor at the University of Illinois, Urbana-Champaign; Nancy Tomes is a Professor at Stony Brook University; Paula A. Treichler is a Professor atthe University of Illinois, Urbana-Champaign.


Modernism and Still Life

Modernism and Still Life

Author: Tobin Claudia Tobin

Publisher: Edinburgh University Press

Published: 2020-03-02

Total Pages: 256

ISBN-13: 1474455158

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Explores the 'still life spirit' in modern painting, prose, dance, sculpture and poetryChallenges the conventional positioning of still life a 'minor' genre in art historyProposes a radical alternative to narratives of modernism that privilege speed and motion by revealing forms of stillness and still life at the heart of modern literature and visual cultureProvides the first study of still life to consider the genre across modern literature, visual cultures and danceUncovers connections and cultural exchange between networks of European and American artists including the Bloomsbury Group and Wallace StevensThe late nineteenth and early twentieth centuries have been characterised as the 'age of speed' but they also witnessed a reanimation of still life across different art forms. This book takes an original approach to still life in modern literature and the visual arts by examining the potential for movement and transformation in the idea of stillness and the ordinary. It ranges widely in its material, taking Czanne and literary responses to his still life painting as its point of departure. It investigates constellations of writers, visual artists and dancers including D. H. Lawrence, Virginia Woolf, David Jones, Winifred Nicholson, Wallace Stevens, and lesser-known figures including Charles Mauron and Margaret Morris. Claudia Tobin reveals that at the heart of modern art were forms of stillness that were intimately bound up with movement: the still life emerges charged with animation, vibration and rhythm; an unstable medium, unexpectedly vital and well suited to the expression of modern concerns.