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Author: Vikas Shah
Publisher: Michael O'Mara Books
Published: 2021-02-04
Total Pages: 276
ISBN-13: 1789292670
DOWNLOAD EBOOKIncluding conversations with world leaders, Nobel prizewinners, business leaders, artists and Olympians, Vikas Shah quizzes the minds that matter on the big questions that concern us all.
Author: Jonathan Beller
Publisher: UPNE
Published: 2012-06-12
Total Pages: 350
ISBN-13: 1611683823
DOWNLOAD EBOOKA revolutionary reconceptualization of capital and perception during the twentieth century.
Author: Steven Joseph Ross
Publisher:
Published: 2002
Total Pages: 375
ISBN-13:
DOWNLOAD EBOOKAuthor: Ian Charles Jarvie
Publisher: Facsimiles-Garl
Published: 1986
Total Pages: 432
ISBN-13:
DOWNLOAD EBOOKAuthor: Denise J. Youngblood
Publisher: Cambridge University Press
Published: 1992
Total Pages: 300
ISBN-13: 9780521466325
DOWNLOAD EBOOKThis book is a pathbreaking study of the 'unknown' Soviet cinema: the popular movies which were central to Soviet film production in the 1920s. Professor Youngblood discusses acting genres, the cinema stars, audiences, and the influences of foreign films and examines three leading filmmakers - Iakov Protazanov, Boris Barnet, and Fridikh Ermler. She also looks at the governmental and industrial circumstances underlying filmmaking practices of the era, and provides an invaluable survey of the contemporary debates concerning official policy on entertainment cinema. Professor Youngblood demonstrates that the film culture of the 1920s was predominantly and aggressively 'bourgeois' and enjoyed patronage that cut across class lines and political allegiance. Thus, she argues, the extent to which Western and pre-revolutionary influences, boureois directors and middle-class tastes dominated the film world is as important as the tradition of revolutionary utopianism in understanding the transformation of Soviet culture in the Stalin revolution.
Author: Ramyar D. Rossoukh
Publisher: Duke University Press
Published: 2021-09-08
Total Pages: 163
ISBN-13: 1478022191
DOWNLOAD EBOOKFrom Bangladesh and Hong Kong to Iran and South Africa, film industries around the world are rapidly growing at a time when new digital technologies are fundamentally changing how films are made and viewed. Larger film industries like Bollywood and Nollywood aim to attain Hollywood's audience and profitability, while smaller, less commercial, and often state-funded enterprises support various cultural and political projects. The contributors to Anthropology, Film Industries, Modularity take an ethnographic and comparative approach to capturing the diversity and growth of global film industries. They outline how modularity—the specialized filmmaking tasks that collectively produce a film—operates as a key feature in every film industry, independent of local context. Whether they are examining the process of dubbing Hollywood films into Hindi, virtual reality filmmaking in South Africa, or on-location shooting in Yemen, the contributors' anthropological methodology brings into relief the universal practices and the local contingencies and deeper cultural realities of film production. Contributors. Steven C. Caton, Jessica Dickson, Kevin Dwyer, Tejaswini Ganti, Lotte Hoek, Amrita Ibrahim, Sylvia J. Martin, Ramyar D. Rossoukh
Author: James Burns
Publisher: Palgrave Macmillan
Published: 2013-01-01
Total Pages: 243
ISBN-13: 9781349455782
DOWNLOAD EBOOKBy 1940 going to the movies was the most popular form of public leisure in Britain's empire. This book explores the social and cultural impact of the movies in colonial societies in the early cinema age.
Author: James Chapman
Publisher: Reaktion Books
Published: 2004-06-03
Total Pages: 488
ISBN-13: 1861895747
DOWNLOAD EBOOKThe cinema has been the pre-eminent popular art form of the 20th century. In Cinemas of the World, James Chapman examines the relationship between film and society in the modern world: film as entertainment medium, film as a reflection of national cultures and preoccupations, film as an instrument of propaganda. He also explores two interrelated issues that have recurred throughout the history of cinema: the economic and cultural hegemony of Hollywood on the one hand, and, on the other, the attempts of film-makers elsewhere to establish indigenous national cinemas drawing on their own cultures and societies. Chapman examines the rise to dominance of Hollywood cinema in the silent and early sound periods. He discusses the characteristic themes of American movies from the Depression to the end of the Cold War especially those found in the western and film noir – genres that are often used as vehicles for exploring issues central to us society and politics. He looks at national cinemas in various European countries in the period between the end of the First World War and the end of the Second, which all exhibit the formal and aesthetic properties of modernism. The emergence of the so-called "new cinemas" of Europe and the wider world since 1960 are also explored. "Chapman is a tough-thinking, original writer . . . an engaging, excellent piece of work."—David Lancaster, Film and History
Author: Ali Khan
Publisher: Oxford University Press, USA
Published: 2016
Total Pages: 0
ISBN-13: 9780199402229
DOWNLOAD EBOOKThe book presents a rich collection of critical essays, ethnographic writings, memoirs, and reflections, portraying a well-rounded picture of cinema culture and historical change in Pakistan. The multiplicity of voices and approaches enhances the appeal of this collection, which is the first ever to delineate the diversity in the cinematic and extra-cinematic traditions of Pakistan, as well as in the histories of production, exhibition, and reception. The work also highlights aesthetic and affective politics in relation to nationalism; Islamization in policy and practice; the biopolitics of morality, ethnicity, gender, and sexuality; and the phenomenology of film exhibition and urban formation. The book incorporates rarely seen nostalgia items, such as pictures of studio shootings, as well as of film actors, film scenes, posters, and lobby cards.
Author: Biswal, Santosh Kumar
Publisher: IGI Global
Published: 2020-06-26
Total Pages: 401
ISBN-13: 1799835138
DOWNLOAD EBOOKCinema in India is an entertainment medium that is interwoven into society and culture at large. It is clearly evident that continuous struggle and conflict at the personal as well as societal levels is depicted in cinema in India. It has become a reflection of society both in negative and positive ways. Hence, cinema has become an influential factor and one of the largest mass communication mediums in the nation. Social and Cultural Dynamics in Indian Cinema is an essential reference source that discusses cultural and societal issues including caste, gender, oppression, and social movements through cinema and particularly in specific language cinema and culture. Featuring research on topics such as Bollywood, film studies, and gender equality, this book is ideally designed for researchers, academicians, film studies students, and industry professionals seeking coverage on various aspects of regional cinema in India.
