Songs include: Aquarius * Don't Rain on My Parade * How Do You Keep the Music Playing? * New York, New York * The Shadow of Your Smile * and more. Two selections are included on the Royal Conservatory of Music Popular Selection List (2007 Ed.): Singin' in the Rain * James Bond Theme.
(Easy Piano Songbook). This third edition features a great retrospective of 76 favorite songs that have been a part of some of the most memorable movies ever. Songs include: Alfie * City of Stars * Endless Love * Laura * A Million Dreams * Over the Rainbow * Shallow * Time Warp * You're Welcome * and more.
(Piano Solo Songbook). This value-priced, no-frills collection packs in a ton of great songs for just pennies a piece! The movie themes edition for piano solo features music from 81 films: The Artist * Chocolat * Finding Neverland * Harry Potter and The Sorcerer's Stone * How to Train Your Dragon * The Piano * Pride & Prejudice * Star Wars * Twilight * and many more.
(Easy Piano Songbook). 50 memorable movie classics for beginning pianists, including: Danger Zone * Don't You (Forget About Me) * (Everything I Do) I Do It for You * Eye of the Tiger * Flashdance...What a Feeling * Footloose * Ghostbusters * Happy * I Will Always Love You * Let It Go * Moon River * My Heart Will Go on (Love Theme from 'Titanic') * Over the Rainbow * Singin' in the Rain * Stayin' Alive * The Wind Beneath My Wings * and more.
The Insider's Guide to Making Money in the Music Industry. Millions dream of attaining glamour and wealth through music. This book reveals the secrets of the music business that have made fortunes for the superstars. A must-have for every songwriter, performer and musician.
Presents the complete account of the making of the Lord of the Rings trilogy music score, and includes extensive music examples, original manuscript scores, and glimpses into the creative process from the composer.
50 Movie Music Moments comprises a wide-ranging collection of analyses of some of the most fascinating uses of music in modern Hollywood cinema. Considering narrative strategies, filmmaking techniques, functions of film music, audience engagement and conditioning, cultural implications, and intertextuality, the case studies gathered here introduce music as a crucial element of film. In 50 examples drawn from popular and critically acclaimed Hollywood films from the late 1950s to the present, the collection showcases the many dimensions of film music and its role in cinematic storytelling. Each example includes an analysis addressing the film’s context and providing a close reading of how music, narrative, and visual elements of the scene interact. Case studies exploring the role of music in film include Amadeus, Gladiator, Baby Driver, The Dark Knight, Philadelphia, Schindler’s List, and Black Panther. This invaluable collection offers an ideal resource to support undergraduate and graduate courses in film music history, film scoring, and filmmaking, as well as readers with a general interest in music in film.
Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.
This reader brings together a wide range of writings to examine the role of music in cinema. Articles by leading critics including Theodor Adorno, Lawrence Grossberg and Lisa A. Lewis explore the function of the soundtrack, the place of song in film, andlook at how cinema has represented music and the music industry.