Movements in Art Since 1945: Second Edition (World of Art)

Movements in Art Since 1945: Second Edition (World of Art)

Author: Edward Lucie-Smith

Publisher: Thames & Hudson

Published: 2020-04-14

Total Pages: 528

ISBN-13: 0500775869

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A classic introduction to art since the end of the Second World War, Movements in Art Since 1945 tells the story of art across all forms of media over the past seventy-five years. Revised and redesigned for the first time since 2001, this standard introduction to visual art in the postwar era examines the movements, trends, and artists from abstract expressionism to the present day. Writing with exceptional clarity and a strong sense of narrative, Edward Lucie- Smith demystifies the work of dozens of artists and reveals how the art world has interacted with social, political, and environmental concerns. This book includes detailed coverage of major developments within the artistic community, such as pop art, conceptual and performance work, neo-expressionism, and minimalist art across the globe, including Asia, Africa, and Latin America. A new chapter on art since 2000 includes discussions of work by Banksy and Ai Weiwei, as well as recent trends in art from Russia and Eastern Europe. Featuring nearly 300 images of key artworks that range from graffiti from 1980s New York to contemporary painting from China, this updated edition of Movements in Art Since 1945 is as global in its reach as art has become in the twenty-first century.


Movements in Art Since 1945

Movements in Art Since 1945

Author: Edward Lucie-Smith

Publisher: Thames & Hudson

Published: 1995

Total Pages: 308

ISBN-13: 9780500202821

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The emergence of the powerful work - until recently considered 'peripheral' - of African-American and regional American artists, and new trends in Latin American, Russian, Japanese, Chinese, Korean, modern African, Caribbean and Aboriginal art are all introduced and discussed, providing a world panorama of art at the end of the century.


A Companion to Contemporary Art Since 1945

A Companion to Contemporary Art Since 1945

Author: Amelia Jones

Publisher: John Wiley & Sons

Published: 2009-02-09

Total Pages: 648

ISBN-13: 9781405152358

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A Companion to Contemporary Art is a major survey covering the major works and movements, the most important theoretical developments, and the historical, social, political, and aesthetic issues in contemporary art since 1945, primarily in the Euro-American context. Collects 27 original essays by expert scholars describing the current state of scholarship in art history and visual studies, and pointing to future directions in the field. Contains dual chronological and thematic coverage of the major themes in the art of our time: politics, culture wars, public space, diaspora, the artist, identity politics, the body, and visual culture. Offers synthetic analysis, as well as new approaches to, debates central to the visual arts since 1945 such as those addressing formalism, the avant-garde, the role of the artist, technology and art, and the society of the spectacle.


After Modern Art 1945-2000

After Modern Art 1945-2000

Author: David Hopkins

Publisher: Oxford University Press

Published: 2000-09-14

Total Pages: 289

ISBN-13: 019284234X

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Following a clear timeline, the author highlights key movements of modern art, giving careful attention to the artists' political and cultural worlds. Styles include Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, and performance art. 65 color illustrations. 65 halftones.


American Art Since 1945

American Art Since 1945

Author: David Joselit

Publisher:

Published: 2003

Total Pages: 256

ISBN-13: 9780500203682

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Joselit traces and analyzes the diversity and complexity of postwar American art from Abstract Expressionism to the present clearly and succinctly in this groundbreaking survey. 183 illustrations.


After Modern Art

After Modern Art

Author: David Hopkins

Publisher: Oxford University Press

Published: 2018

Total Pages: 349

ISBN-13: 0199218455

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A beautifully illustrated, new edition of this pioneering study of art since 1945. Focussing mainly on the relationship between American and European Art, this book offers an up-to-date introduction to the major artists and movements of recent years.


Art Since 1989 (World of Art)

Art Since 1989 (World of Art)

Author: Kelly Grovier

Publisher: Thames & Hudson

Published: 2015-12-07

Total Pages: 393

ISBN-13: 0500772940

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An extensive, accessible guide to the most groundbreaking and influential art from 1989 to the present The years since the collapse of the Berlin Wall in November 1989 have seen the rise of a new freedom to define art—Who makes it? Where can it be found? What is its commercial value?—and, consequently, the reevaluation of art’s place in society. Kelly Grovier surveys the dynamic developments in art practice worldwide since 1989, focusing on artists whose fresh visual vocabulary and innovation reflect these past turbulent decades. The book’s ten chapters examine the key themes in contemporary art—portraiture in the age of face transplants and facial recognition software, political activism, science, and religion, to name a few—by artists including Jeff Koons, Louise Bourgeois, Damien Hirst, George Condo, Marlene Dumas, Sean Scully, Cindy Sherman, Banksy, Ai Weiwei, Antony Gormley, Christo and Jean-Claude, Jenny Holzer, Chuck Close, and Cornelia Parker. A chapter-length timeline at the end of the book traces the evolution of art from 1989 to today by closely examining one key artwork from each year. Illustrated with the work of over 200 key artists, Art Since 1989 is a lucid and engaging look at what may prove to be one of the more tempestuous eras in human history, if not the history of art.


Improvisation Hypermedia and the Arts since 1945

Improvisation Hypermedia and the Arts since 1945

Author: Roger Dean

Publisher: Routledge

Published: 2013-11-05

Total Pages: 352

ISBN-13: 1134376138

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First Published in 1997. The authors’ purpose in this book is to dissect developments in improvisation in the arts since 1945, with a particular emphasis on process and technique. The approach is analytical and theoretical but is also relevant to practitioners and their audience. Their key argument is that improvisation has been of great importance and value in the contemporary arts, particularly because of its potential to develop new forms (often by breaking definitions).


France and the Visual Arts Since 1945

France and the Visual Arts Since 1945

Author: Catherine Dossin

Publisher: Bloomsbury Publishing USA

Published: 2019-01-01

Total Pages: 305

ISBN-13: 1501341529

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Taking on the myth of France's creative exhaustion following World War II, this collection of essays brings together an international team of scholars, whose research offers English readers a rich and complex overview of the place of France and French artists in the visual arts since 1945. Addressing a wide range of artistic practices, spanning over seven decades, and using different methodologies, their contributions cover ground charted and unknown. They introduce greater depth and specificity to familiar artists and movements, such as Lettrism, Situationist International or Nouveau Réalisme, while bringing to the fore lesser known artists and groups, including GRAPUS, the Sociological Art Collective, and Nicolas Schöffer. Collectively, they stress the political dimensions and social ambitions of the art produced in France at the time, deconstruct the traditional geography of the French art world, and highlight the multiculturalism of the French art scene that resulted from its colonial past and the constant flux of artistic travels and migrations. Ultimately, the book contributes to a story of postwar art in which France can be inscribed not as a main or sub chapter, but rather as a vector in the wider constellation of modern and contemporary art.


Art Since 1900

Art Since 1900

Author: Hal Foster

Publisher:

Published: 2016

Total Pages: 0

ISBN-13: 9780500239537

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Groundbreaking in both its content and its presentation, Art Since 1900 has been hailed as a landmark study in the history of art. Conceived by some of the most influential art historians of our time, this extraordinary book has now been revised, expanded and brought right up to date to include the latest developments in the study and practice of art. It provides the most comprehensive critical history of art in the twentieth and twenty-first centuries ever published. With a clear year-by-year structure, the authors present 130 articles, each focusing on a crucial event - such as the creation of a seminal work, the publication of an important text, or the opening of a major exhibition - to tell the myriad stories of art from 1900 to the present. All the key turning-points and breakthroughs of modernism and postmodernism are explored in depth, as are the frequent antimodernist reactions that proposed alternative visions. This third edition includes a new introduction on the impact of globalization, as well as essays on the development of Synthetic Cubism, early avant-garde film, Brazilian modernism, postmodern architecture, Moscow conceptualism, queer art, South African photography, and the rise of the new museum of art. The book's flexible structure and extensive cross-referencing enable readers to plot their own course through the century and to follow any one of the many narratives that unfold, be it the history of a medium such as painting, the development of art in a particular country, the influence of a movement such as Surrealism, or the emergence of a stylistic or conceptual body of work such as abstraction or minimalism. Illustrating the text are reproductions of almost eight hundred of the canonical (and anti-canonical) works of the century. A five-part introduction sets out the methodologies that govern the discipline of art history, informing and enhancing the reader's understanding of its practice today. Two roundtable discussions consider some of the questions raised by the preceding decades and look ahead to the future. Background information on key events, places and people is provided in boxes throughout, while a glossary, full bibliography and list of websites add to the reference value of this outstanding volume. Acclaimed as the definitive work on the subject, Art Since 1900 is essential reading for anyone seeking to understand the complexities of art in the modern age.