A little buckaroo is turning two in this birthday book for the very young, the fifth story about the delightful holiday mice. Mischief and near disaster abound when the littlest mouse’s sister and brothers throw him a cowboy-themed party. Through simple rhymes and charming illustrations, readers witness the party preparations, the arrival of the guests, the opening of presents, and the blowing out of the candles, as well as the ensuing fulfillment of the little mouse’s fondest birthday wish: to be a cowboy.
Keller shows you how to keep desserts simple-- yet star-quality-- with batch recipes and by doctoring boxed cake mix to easily bake a whole table full of treats. She'll also show you how to design the perfect dessert table, choose a theme, and style your sweets.
Follow-up to the NEW YORK TIMES bestseller A VISITOR FOR BEAR Features an audio read-along! Bear does not like birthdays. He doesn’t like parties or balloons, cards or candles. In fact, Bear does not like anything to do with birthdays at all. He would much rather spend his birthday alone cleaning his house, but Mouse, small and gray and bright-eyed, has other ideas. With a perfectly paced story by Bonny Becker paired with Kady MacDonald Denton’s slapstick visual comedy, A Birthday for Bear — previously published as a first reader — welcomes young listeners to the party in a new picture-book format, with all new artwork, ideal for sharing.
Mouse's birthday is here, and all of his friends are planning a party. Don't tell Mouse, though. It's a surprise! With the unique Flip-Flap construction of this charmingly chunky board book, little readers peel back overlapping pages as the party unfolds--literally! Add to that some bright and friendly watercolor illustrations, and a dose of extra-sturdy construction, and Happy Birthday, Mouse! is one preschool story that's definitely worth celebrating.
Around the world there are grandparents, parents, and children who can still sing ditties by Tigger or Baloo the Bear or the Seven Dwarves. This staying power and global reach is in large part a testimony to the pizzazz of performers, songwriters, and other creative artists who worked with Walt Disney Records. Mouse Tracks: The Story of Walt Disney Records chronicles for the first time the fifty-year history of the Disney recording companies launched by Walt Disney and Roy Disney in the mid-1950s, when Disneyland Park, Davy Crockett, and the Mickey Mouse Club were taking the world by storm. The book provides a perspective on all-time Disney favorites and features anecdotes, reminiscences, and biographies of the artists who brought Disney magic to audio. Authors Tim Hollis and Greg Ehrbar go behind the scenes at the Walt Disney Studios and discover that in the early days Walt Disney and Roy Disney resisted going into the record business before the success of "The Ballad of Davy Crockett" ignited the in-house label. Along the way, the book traces the recording adventures of such Disney favorites as Mickey Mouse, Donald Duck, Cinderella, Bambi, Jiminy Cricket, Winnie the Pooh, and even Walt Disney himself. Mouse Tracks reveals the struggles, major successes, and occasional misfires. Included are impressions and details of teen-pop princesses Annette Funicello and Hayley Mills, the Mary Poppins phenomenon, a Disney-style "British Invasion," and a low period when sagging sales forced Walt Disney to suggest closing the division down. Complementing each chapter are brief performer biographies, reproductions of album covers and art, and facsimiles of related promotional material. Mouse Tracks is a collector's bonanza of information on this little-analyzed side of the Disney empire. Learn more about the book and the authors at www.mousetracksonline.com.
Two Truths and a Lie is a memoir in the form of three solo plays written and performed by Scott Turner Schofield. From inside the often hilarious-but all too real-moments of his young life on the Homecoming Court and Debutante Ball circuit (in a dress), armed with only a decoder ring and a gifted tongue, Schofield comes out with truly unbelievable stories of a body in search of an identity. By turns slapstick and slap-to-the-face, this drama invites audiences and readers to explore gender, sex, sexuality, and self in their own first person.
"For monkeys like us, Bananas will please. But for you, birthday mouse, Here's a big chunk of . . ." Birthday cake? Mud pie? No, it's cheese! And it's just one of the wonderful presents Mouse gets at her birthday party in this funny sequel to the PBS Storytime favorite Dinner at the Panda Palace. Can you guess what the three pigs bring? Is it made of straw or wood or brick? How about Elephant? What is his present for Mouse? Children will love using the rhymes to figure out what gift they'll find when they turn the page. And the best surprise of all comes at the end when a special visitor arrives—because friendship is what this party is all about! Complete with cake, candles, goody bags, and games, Stephanie Calmenson and Doug Cushman throw a party you won't want to leave!
The papers in this volume were presented at the Fifth Biennial Symposium of the Department of Linguistics, Rice University, March 1993. The participants were asked to concentrate in depth and in a self-reflective way upon some range of data. The intent was multifold. The first purpose was descriptive. It was expected that the participants would carry out their task in a retrospective way, exemplifying and building upon their previous work, but it was also expected that they would begin to demonstrate the configuration of some area in a more comprehensive picture of language. The point was to take (at least) one substantive step in the depiction of what we think language will ultimately be like. The contributions were both specific and generalizing, with focus as much upon methodology as upon hypotheses about language. In examining descriptive practice, we continued to concentrate upon issues which concerned us all, and at the same time we tried to advance the discourse by the results of such description. We hoped that problematic and recalcitrant data would make our own practice clearer to us and that it might also instruct us in the refinement of our conceptions of language.
Full of beautifully hand-drawn illustrations, The Conjurer’s Mouse is an eloquent collection of rhyming short stories, limericks and anecdotes about a concoction of characters from dinosaurs to mice, frogs to aliens, and everything in between. Extract from The Conjurer’s Mouse: The Conjurer’s mouse sprang onto the table, Danced a wee jig and bowed to Aunt Mabel, Squeaked a wee song, turned red and green, Then waving, he darted… behind the screen… Where did he go? We ran round the house… But nowhere could find the Conjuror’s mouse. Aunt Mabel vowed, ‘I’ll catch that WILD BEAST!’ She plotted to trap him: ‘He’ll love my mouse feast.’ Written in a light-hearted and joyful manner, The Conjurer’s Mouse is ideal for children age 6 and over. Each of the many stories can be read alone or aloud, making it the perfect bedtime read – and the rhymes laughed over at any time!
