Optic Projection
Author: Simon Henry Gage
Publisher:
Published: 1914
Total Pages: 752
ISBN-13:
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Author: Simon Henry Gage
Publisher:
Published: 1914
Total Pages: 752
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1928
Total Pages: 328
ISBN-13:
DOWNLOAD EBOOKAuthor: United States. Department of Agriculture
Publisher:
Published: 1923
Total Pages: 456
ISBN-13:
DOWNLOAD EBOOKAuthor: Society of Motion Picture and Television Engineers
Publisher:
Published: 1919
Total Pages: 998
ISBN-13:
DOWNLOAD EBOOKAuthor: Anthony Slide
Publisher: Scarecrow Press
Published: 1994
Total Pages: 316
ISBN-13: 9780810827226
DOWNLOAD EBOOKProvides a concise history of the American motion picture industry before 1920.
Author:
Publisher:
Published: 1951
Total Pages: 756
ISBN-13:
DOWNLOAD EBOOKAuthor: United States. Bureau of Naval Personnel
Publisher:
Published:
Total Pages: 104
ISBN-13:
DOWNLOAD EBOOKAuthor: United States. Bureau of the Census
Publisher:
Published: 1963
Total Pages: 1010
ISBN-13:
DOWNLOAD EBOOKAuthor: Simon Popple
Publisher: Columbia University Press
Published: 2019-07-25
Total Pages: 142
ISBN-13: 023185031X
DOWNLOAD EBOOKThis book introduces the reader to the study of cinema as a series of aesthetic, technological, cultural, ideological and economic debates while exploring new and challenging approaches to the subject. It explores the period 1895 to 1914 when cinema established itself as the leading form of visual culture among rapidly expanding global media, emerging from a rich tradition of scientific, economic, entertainment and educational practices and quickly developing as a worldwide institution.
Author: Eric Dienstfrey
Publisher: Univ of California Press
Published: 2024-01-16
Total Pages: 310
ISBN-13: 0520379551
DOWNLOAD EBOOK"Surround sound is often mistaken as a relatively new phenomenon in cinemas, one that emerged in the 1970s with the arrival of Dolby. Making Stereo Fit shows how Hollywood studios have instead been implementing surround-sound techniques for the past century and argues that their endurance owes primarily to the long-standing economic tension between stereophonic and monophonic sound. Throughout the book, Eric Dienstfrey analyzes newly discovered archival materials, as well as a myriad of stereo releases from Hell's Angels (1930) to Get Out (2017), to examine how Hollywood's dependence on single-channel sound left filmmakers unable to fully realize the aesthetic potential of surround sound. Though studios initially experimented with stereo's unique affordances, Dienstfrey details how film sound designers eventually codified a conservative set of surround-sound conventions that prevail today, despite the arrival of more immersive technologies"--