Motif-index of Folk-literature
Author: Stith Thompson
Publisher:
Published: 1955
Total Pages:
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Stith Thompson
Publisher:
Published: 1955
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Stith Thompson
Publisher:
Published: 1958
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Stith Thompson
Publisher:
Published: 1989
Total Pages:
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DOWNLOAD EBOOKAuthor: Stith Thompson
Publisher:
Published: 1966
Total Pages:
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DOWNLOAD EBOOKAuthor: Stith Thompson
Publisher:
Published: 1957
Total Pages: 499
ISBN-13:
DOWNLOAD EBOOKAuthor: Stith Thompson
Publisher:
Published: 1958
Total Pages: 0
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DOWNLOAD EBOOKAuthor: Stith Thompson
Publisher:
Published: 1955
Total Pages: 554
ISBN-13:
DOWNLOAD EBOOKVolume 1 of 6.
Author: Stith Thompson
Publisher:
Published: 1955
Total Pages: 517
ISBN-13:
DOWNLOAD EBOOKAuthor: Einar Ólafur Sveinsson
Publisher: Viking Society for Northern Research University College
Published: 2003
Total Pages: 328
ISBN-13:
DOWNLOAD EBOOKIn Iceland, people do not compose verse just to comfort themselves; they worship poetry and believe in it. In poetry is a power which rules men's lives and health, governs wind and sea. This book contains an account of the various types of Icelandic folk-story, their origins and sources, the folk-beliefs they represent, and their meanings.
Author: Pertti Anttonen
Publisher: BoD - Books on Demand
Published: 2018-09-28
Total Pages: 178
ISBN-13: 9518580073
DOWNLOAD EBOOKA new interdisciplinary interest has risen to study interconnections between oral tradition and book culture. In addition to the use and dissemination of printed books, newspapers etc., book culture denotes manuscript media and the circulation of written documents of oral tradition in and through the archive, into published collections. Book culture also intertwines the process of framing and defining oral genres with literary interests and ideologies. The present volume is highly relevant to anyone interested in oral cultures and their relationship to the culture of writing and publishing. The questions discussed include the following: How have printing and book publishing set terms for oral tradition scholarship? How have the practices of reading affected the circulation of oral traditions? Which books and publishing projects have played a key role in this and how? How have the written representations of oral traditions, as well as the roles of editors and publishers, introduced authorship to materials customarily regarded as anonymous and collective?