Barbara Reid's favourite Mother Goose rhymes -- now in a chunky board book version with all-new illustrations! Sing a Song of Mother Goose was Barbara Reid;s second book, originally published in 1987. Now, for its twentieth anniversary, Barb brings us a whole new edition, completely reillustrated in a board book format. Featured are fourteen of Barbara's favourite rhymes including: Twinkle Twinkle Little Star; Humpty Dumpty; Little Miss Muffet; Rockabye Baby; Sing a Song of Sixpence; Ladybird; Pussycat, Pussycat; Jack and Jill; Baa Baa Black Sheep; Hey Diddle Diddle; Rain, Rain, Go Away; Mary Had a Little Lamb; Pat A Cake and Hickory Dickory Dock. This is the perfect companion to Read Me a Book, and will be instantly recognizable to the generation of kids who grew up with the original and now have little ones of their own.
When a good church girl starts singing in a jazz club and falls for the music—as well as a handsome, African-American man—she struggles to reconcile her childhood faith with her newfound passions. When a good church girl starts singing in a jazz club and falls for the music—as well as a handsome African American man—she struggles to reconcile her childhood faith with her newfound passions. Raised in the Danish Baptist Church, Rose Sorensen knows it’s wrong to sing worldly songs. But Rose still yearns for those she hears on the radio—“Cheek to Cheek,” “Smoke Gets in Your Eyes”—and sings them when no one is around. One day, Rose’s cousin takes her to Calliope’s, a jazz club, where she discovers an exciting world she never knew existed. Here, blacks and whites mingle, brought together by their shared love of music. And though Rose worries it’s wrong—her parents already have a stable husband in mind for her—she can’t stop thinking about the African American pianist of the Chess Men, Theo Chastain. When Rose returns to the jazz club, she is offered the role of singer for the Chess Men. The job would provide money to care for her sister, Sophy, who has cerebral palsy—but at what cost? As Rose gets to know Theo, their fledgling relationship faces prejudices she never imagined. And as she struggles to balance the dream world of Calliope’s with her cold, hard reality, she also wrestles with God’s call for her life. Can she be a jazz singer? Or will her faith suffer because of her worldly ways? Set in Depression-era Chicago and rich in historical detail, Sing for Me is a beautiful, evocative story about finding real, unflinching love and embracing—at all costs—your calling.
This heartwarming picture book reassures children that a parent’s love never lets go—based on the poignant lyrics of JJ Heller’s beloved lullaby “Hand to Hold.” “May the living light inside you be the compass as you go / May you always know you have my hand to hold.” With delightful illustrations and an engaging rhyme scheme, this book offers the promise of security and love every child’s heart longs to know. From skipping stones and counting stars to climbing trees and telling stories, every moment is wrapped snugly in the certain warmth of a parent’s presence and God’s blessing. With poignancy and joy, this bedtime read captures the unconditional love parents want their children to know but so often fail to express amid the chaos of daily life.
In this beautifully illustrated children’s book, a heartwarming tale of motherly love unfolds in the Arctic north. In a timeless and universal story, a child tests the limits of independence and comfortingly learns that a parent's love is unconditional and everlasting. The lyrical text introduces young readers to a distinctively different culture, while at the same time showing that the special love that exists between parent and child transcends all boundaries of time and place. The story is complemented by graphically stunning illustrations featuring whales, wolves, puffins, and sled dogs. This tender and reassuring book is one that both parents and children will turn to again and again.
In Sing With Me, Carlisle Jacobson begins a teaching career in Washington, D.C., learning as much as he is teaching. Through personal experiences, he learns most youths dont have the advantages he enjoyed in the horse country of northern Virginiaonly a day-trip away from Washington but worlds away from its streets plagued by crime and nearly cut off from hopeas a child of privilege and wealth, with slave owners of the antebellum south in his ancestry. A hunting enthusiast since he was young, Carlisle still is alarmed to learn firearms are used frequently in D.C. for hunting down other people, including one of his student's and a co-worker. His most frequent teacher in learning he has a lot to learn is Lucia Sanspeur, a black woman with ancestry that extends to Colonial era settlers on the Delaware River, including a man who performed a heroic mission during the Revolutionary War despite the white militia leaders disdain for his skills and initiative. Lucias voice captivates Carlisle from their first encounter and her ideas propel him toward understanding that he looks at the world and other people through a sense of white wealth and privilege. When he experiences first-hand the violence and crime that victimize many in the area daily, Carlisles education moves into advanced studies but also comes to nearly a complete stop.
NEW YORK TIMES BESTSELLER • A moving memoir about the legendary author’s relationship with her own mother. Emma Watson’s Our Shared Shelf Book Club Pick! The story of Maya Angelou’s extraordinary life has been chronicled in her multiple bestselling autobiographies. But now, at last, the legendary author shares the deepest personal story of her life: her relationship with her mother. For the first time, Angelou reveals the triumphs and struggles of being the daughter of Vivian Baxter, an indomitable spirit whose petite size belied her larger-than-life presence—a presence absent during much of Angelou’s early life. When her marriage began to crumble, Vivian famously sent three-year-old Maya and her older brother away from their California home to live with their grandmother in Stamps, Arkansas. The subsequent feelings of abandonment stayed with Angelou for years, but their reunion, a decade later, began a story that has never before been told. In Mom & Me & Mom, Angelou dramatizes her years reconciling with the mother she preferred to simply call “Lady,” revealing the profound moments that shifted the balance of love and respect between them. Delving into one of her life’s most rich, rewarding, and fraught relationships, Mom & Me & Mom explores the healing and love that evolved between the two women over the course of their lives, the love that fostered Maya Angelou’s rise from immeasurable depths to reach impossible heights. Praise for Mom & Me & Mom “Mom & Me & Mom is delivered with Angelou’s trademark good humor and fierce optimism. If any resentments linger between these lines, if lives are partially revealed without all the bitter details exposed, well, that is part of Angelou’s forgiving design. As an account of reconciliation, this little book is just revealing enough, and pretty irresistible.”—The Washington Post “Moving . . . a remarkable portrait of two courageous souls.”—People “[The] latest, and most potent, of her serial autobiographies . . . [a] tough-minded, tenderhearted addition to Angelou’s spectacular canon.”—Elle “Mesmerizing . . . Angelou has a way with words that can still dazzle us, and with her mother as a subject, Angelou has a near-perfect muse and mystery woman.”—Essence
Have you ever wondered who hummed the first tune? Was it the flowers? The waves or the moon? Dove Award-winning recording artist Ellie Holcomb answers with a lovely lyrical tale, one that reveals that God our Maker sang the first song, and He created us all with a song to sing. Go to bhkids.com to find this book's Parent Connection, an easy tool to help moms and dads (or anyone else who loves kids) discuss the book's message with their child. We're all about connecting parents and kids to each other and to God's Word.
Singing the Law is about the legal lives and afterlives of oral cultures in East Africa, particularly as they appear within the pages of written literatures during the colonial and postcolonial periods. In examining these cultures, this book begins with an analysis of the cultural narratives of time and modernity that formed the foundations of British colonial law. Recognizing the contradictory nature of these narratives (i.e., both promoting and retreating from the Euro-centric ideal of temporal progress) enables us to make sense of the many representations of and experiments with non-linear, open-ended, and otherwise experimental temporalities that we find in works of East African literature that take colonial law as a subject or point of critique. Many of these works, furthermore, consciously appropriate orature as an expressive form with legal authority. This affords them the capacity to challenge the narrative foundations of colonial law and its postcolonial residues and offer alternative models of temporality and modernity that give rise, in turn, to alternative forms of legality. East Africa’s “oral jurisprudence” ultimately has implications not only for our understanding of law and literature in colonial and postcolonial contexts, but more broadly for our understanding of how the global south has shaped modern law as we know and experience it today.
