A compassionate and illuminating enquiry into the reclusive Himalayan country of Nepal and its famous Living Goddess. Written after twelve years of research, this book is emotionally engaging and deeply felt.
"Amazzone's voice is strong and clear. Goddess Durga promises the transformation, empowerment, and dignity that is our birthright."--Marisa Tomei, Academy Award-winning actor.
Award-winning photographer Kevin Bubriski captures in stunning detail the sacred places of Nepal's Kathmandu Valley. Noted scholar Keith Dowman provides history and commentary on the significance of the sites.
Reciting the Goddess presents the first critical study of the Svasthanivratakatha (SVK), a sixteenth-century Hindu narrative textual tradition. The extensive SVK manuscript tradition offers a rare opportunity to observe the making of a specific, distinct Hindu religious tradition. Jessica Vantine Birkenholtz argues that the SVK serves as a lens through which we can observe the creation of modern 'Hinduism' in the Himalayas, as the text both mirrored and informed key moments in the self-conscious creation of Nepal as the 'world's only Hindu kingdom' in the late medieval and early modern period. Birkenholtz mines the literary historiography that is contained within the SVK text itself, chronicling the text's literary and narrative development as well as the development of the Svasthani goddess tradition. She outlines the process whereby the SVK gradually transformed into a Purana text, and became a critical source for Nepali Hindu belief and identity. She also examines the elusive character of the goddess Svasthani whose identity is tied to the pan-Hindu goddess tradition, and the representation of women in the SVK and the ways in which the text influenced local and regional debates on the ideal of Hindu womanhood. Reciting the Goddess presents Nepal's celebrated SVK as a micro-level illustration of the powerful ways in which people, place, and literature intersect to produce new ideas and concepts of identity and place, even in a historically non-literate culture.
On June 1, 2001, the heir to the Nepalese throne, Crown Prince Dipendra, donned military fatigues, armed himself with automatic weapons, walked in on a quiet family gathering, and, without a word, mowed his family down before turning a gun on himself. But Dipendra did not die immediately, and while lying in a coma was declared king. He was now a living god. Award-winning journalists Amy Willesee and Mark Whittaker set out to understand what could have led to such a devastating tragedy, one that fascinated and appalled the world. Exploring Kathmandu and other parts of the kingdom, they conducted exhaustive interviews with everyone from Maoist guerillas to members and friends of the royal family, gaining insight into the people involved in and the events behind the massacre. At the heart of the story is the love affair between Dipendra and the beautiful aristocrat Devyani Rana, whom he was forbidden to marry. Culminating their portrait of Nepal is a chilling reconstruction of the events of that fatal day. As conspiracy theories circulate and rebels threaten to topple the monarchy, the future of this small Himalayan kingdom promises to be as tumultuous as its past. Revealing a country where the twenty-first century mingles uneasily with the fourteenth, Love and Death in Kathmandu is both an enlightening portrait of a place that is a world apart and a riveting investigation of an incredible crime.
A rich and fascinating ethnography of domestic architecture and activities among the high caste Chhetris of Kholagaun in Nepal, this book focuses on the spatial organization, everyday activities and ritual performances that generate and display Chhetri houses as 'mandalas', sacred diagrams that are both maps of the cosmos and machines for revelation. Describing the orientation and layout of the Chhetri house and surrounding compound; it shows how the orientation and distribution of everyday social activities with the domestic mandala shape people's experience of the enigmas of their lifeworld as householders; and analyses the double significance of rituals that take place in the domestic mandala. By treating the Nepali house as more than just the background of people's everyday life, the author reveals the Chhetri everyday lifeworld as a revelation of Hindu tantric cosmology, its enigmatic illusion, and the path to liberation from it. The themes addressed in the book make a unique contribution to the fields of anthropology, architecture and human geography.
A Study Of 15 Temples, Their Structure And History Which Possess The Images Of Eight Matrkas. Furnishes Material For Hindu Iconography In Nepal. Has 26 Chapters And Is Profusely Illustrated 272 Plates In Black And White.
Imagining the divine as female is rare—even controversial—in most religions. Hinduism, by contrast, preserves a rich and continuous tradition of goddess worship. A Garland of Forgotten Goddesses conveys the diversity of this tradition by bringing together a fresh array of captivating and largely overlooked Hindu goddess tales from different regions. As the first such anthology of goddess narratives in translation, this collection highlights a range of sources from ancient myths to modern lore. The goddesses featured here battle demons, perform miracles, and grant rare Tantric visions to their devotees. Each translation is paired with a short essay that explains the goddess’s historical and social context, elucidating the ways religion adapts to changing times.